Search results for 'Mediums'
-
-
Gamblin Oil Colours 37ml
Starting at: £11.20
*Only available online*. Robert Gamblin started making artists' oil paints in 1980. Since then he has built a reputation as both an innovative and imaginative maker of some of the best oils on the market today. As well as usual single pigment colours you would expect, the range also includes an interesting selection of neutral greys, beautiful metallics and the truly innovative Radiant range of pastel colours. Combining science and artistry, Gamblin paints are truly exceptional. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Vine Black Pigment
Starting at: £4.70
PBk8
Vine Black is derived from charred vines, forming an organic pigment of pure carbon. It has been in use since antiquity, providing a cold black with bluish undertones, which creates a blue-grey when mixed with white. It is a very lightfast, slow-drying colour with a medium tinting strength. It requires a wetting agent to disperse properly, and is not suitable for use in fresco, mortar or cement, as the water-soluble impurities within the pigment can create efflorescence.
Toxicity: A
Learn More -
Calf Vellum
Starting at: £16.75
Medium to thick. Both sides useable for writing. Whiter and less translucent than parchment.
Please note: This is a natural product that has been finished and cut by hand. As such, there may be slight variations in the surface and size of each piece.
-
W&N Professional Watercolour 14ml Tube
Starting at: £16.00
Water colour, more than any other medium, reflects the unique characteristics of the pigments used and our Professional Water Colours use only the finest pigments, and are known for their brilliance, permanence and strength of colour. Learn More
-
Cornelissen Larch Venice Turpentine
Starting at: £28.80
Venice Trupentine is a thick, resinous liquid extracted from the Larix decidua, a larch tree native to Austria. It can impart luminosity, brilliance and gloss when used in mediums and varnishes, and as such it was highly valued during the Golden Age of painting in Venice. It is a slow-drying balsam, which can be diluted with turpentine or placed in a bath of warm water to aid flow.
Learn More -
Carnauba Wax Grey
Starting at: £8.40
Carnauba Wax is the hardest wax commonly used in the production of artists' materials, with a melting point of 83-86°c. It is derived from a tree native to South America, and is available in a natural colour (grey), or a refined colour (pale yellow). Small amounts of carnauba wax are commonly used in both oil painting mediums and encaustic painting, usually in conjunction with beeswax to add toughness, durability and sheen to the paint film. It creates an inflexible surface, so works best on rigid supports such as gesso panels, and it should be noted that it will raise the melting point of encaustic mixtures. It can produce a glossy finish; as such it is used in waxes and polishes for shoes, cars, musical instruments, furniture, and wooden floors, especially when mixed with beeswax and turpentine. Learn More -
Golden Fluid Acrylic 119ml
Starting at: £20.10
Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying, staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
-
Roberson Pigment Binding Medium
Starting at: £10.70
Add Pigment Binding medium to dry or aqueously dispersed pigment to create acrylic colour. Learn More -
-
Khadi White Rag Paper Packs 150gsm
Starting at: £2.85
Handmade Paper, 100% Long Fibred Cotton Rag, Acid free, Medium-Rough surface, Deckle Edged. All papers are internally sized with neutral pH size. Learn More -
Translucent Red Oxide Pigment
Starting at: £9.80
Translucent Red Oxide (PR101). Artificial mineral pigment, hydrated ferric oxides. Transparent and very lightfast. Stable in all media, medium drying rate in oil. Toxicity B. Learn More -
Lyons Intaglio Etching Set
£91.25The selection covers the basic tools for traditional etching as well as copper and wood engraving. The set consists of a small curved burnisher, a twisted double needle, a scraper, and a fine, medium and large burin square. Learn More -
-
Liquitex Heavy Body 59ml
Starting at: £10.30
A range of artists quality acrylics which are durable, permanent and do not yellow with age. Heavy Body colour has a thick, buttery consistency and oil-like performance. Learn More -
Bleached Beeswax
Starting at: £12.30
Beeswax is derived from melted honeycomb, and is available in two grades. Bleached Beeswax Pellets are white, having been bleached by the sun, and are an appropriate choice for using with pale colours, although they may revert to yellow over time. Natural Beeswax Pellets are yellow in colour, and offer a more flexible structure with a higher resin content. Beeswax has a melting point of 63-66°c, and may turn brown if over-heated. It is the most widely used wax in artists' materials, having a wide range of applications. Please see below for more details.
Learn More -
Cornelissen Canada Balsam
Starting at: £39.10
Canada Balsam is an oleoresin, meaning that it is a mixture of essential oils and resin. It comes from the fir tree Abies balsamea, native to Canada and the eastern states of North America. It is notable for its pale colour, clarity and gloss, making it a useful ingredient in recipes for oil-painting mediums.
Learn More -
Pfeil Lino and Woodcut Tools
Starting at: £20.00
Exceptional quality Swiss made carving tools, suitable for either lino or wood cutting. Each tool is made from precisely ground stainless steel, with a classic mushroom hardwood handle. 70mm blade length, 125mm overall length. Learn More -
Pentel Aquash Empty Brush Pen
Starting at: £7.80
Fill with non-waterproof ink of your choice or fill with water for watercolour trips. Available in Fine, Medium and Broad tips. Learn More -
Roulette Medium Crossed Lines No1
£13.20Roulette Medium Crossed Lines Long handle 10x10 mm. #1 Learn More -
Synthetic Malachite Pigment
Starting at: £4.20
Synthetic Malachite is an artificial mineral pigment, copper carbonate, chemically based on Malachite. It has a medium tinting strength and good opacity. Larger sizes available on request Learn More -
Cerulean Blue Pigment
Starting at: £14.50
PB35
Cerulean Blue is an artificial mineral pigment that is prepared by heating a mixture of Cobalt Chloride and Potassium Stannate. It was first synthesised in the early nineteenth century, becoming more widely used from 1870, when Rowney introduced Coeruleum Blue into their range. It produces a very bright, clear, and unusually opaque blue, hence its name, which is derived from the Latin for "sky-blue", or perhaps "heaven-blue". It has a very low tinting strength meaning that, although it is stable in all media, some artists may choose to bind it in poppy rather than linseed oil, so that the colour isn't affected by the colour of the binder. It creates a fairly flexible paint film, and is a fast-to-medium drying pigment.
Limeproof
Toxicity: B
Learn More -
Cretacolour Leads
Starting at: £8.95
Cretacolour Leads. 5mm leads for Cretacolour pencils. The 6 pack contains White chalk, Sanguine Oil, Sepia (Light and Dark), Charcoal Medium, and Graphite 4B Learn More -
W&N Professional Watercolour 37ml Tube
Starting at: £19.20
Water colour, more than any other medium, reflects the unique characteristics of the pigments used and our Professional Water Colours use only the finest pigments, and are known for their brilliance, permanence and strength of colour. Learn More
-
Lyons Mezzotint Rockers
Starting at: £114.00
E C Lyons rockers are known world-wide as the finest mezzotint rockers available. They measure 17.75 cm (7 inches) at their total length, including the stained birch handles, and are made with the highest quality high-carbon tool-steel. The gauge (screen) sizes are available in 45 (coarse), 65 (medium), 85 (medium-fine), and 100 (fine) lines per inch. By working the rocker with a rocking motion over a copper or zinc plate evenly in a cross-hatched fashion, one creates burrs that will trap the ink to produce characteristically rich and velvety blacks, which can selectively be burnished away to produce delicate light areas and soft shading. Learn More -
Precipitate Chalk
Starting at: £6.30
Precipitate Chalk is fine and white. For use in aqueous mediums as a ground for oil and tempera paintings. Learn More -
Golden Fluid Acrylic 473ml
Starting at: £46.70
Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying, staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Schmincke Norma Blue 35ml
Starting at: £8.15
Water-mixable (water miscible), highly pigmented, lightfast paints with a buttery consistency. Vegan, low odour, anti-allergenic, environmentally friendly. Learn More -
Cornelissen Historical Inks, Sir Isaac Newton Ink 30ml
£10.50Formulated to the exact recipe used by Isaac Newton, this ink is completely permanant, as his surving writings attest. Although composed of very similar ingredients to our Jane Austen Ink, we consider Newton's recipe to be superior, as Austen's has browned slightly over time. Initially a medium blue-grey, it darkens to a rich, matte back, which is slightly warmer in tone than our regular Oak Gall Ink. It is made in small batches and blended to give the required consistency and strength, and is fully waterproof in 5-7 days. Permanent and lightfast, it has been steeped for several weeks and left to ‘mature’ for several more in the bottle. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence.
Not suitable for fountain pens. Learn More
Shopping Options
- Category
-
- Pigments Gums & Resins (52)
- Oils & Acrylics (112)
- Canvas & Supports (6)
- Watercolour Gouache & Egg Tempera (46)
- Pastels (4)
- Drawing & Calligraphy (26)
- Gilding & Restoration Materials (23)
- Printmaking (31)
- Brushes (6)
- Paper (3)
- Studio & Books (9)
- Specialist Decorating (4)
- Price
-
- £0.00 - £999.99 (296)
- £1,000.00 and above (1)
- Manufacturer
-
- Brause (1)
- Charbonnel (4)
- Cornelissen (65)
- Cranfield (4)
- Creta (1)
- Da Vinci (1)
- Daler-Rowney (3)
- Daniel Smith (5)
- Faber-Castell (6)
- Gamblin (15)
- Golden (7)
- Khadi (3)
- Korns (2)
- Lascaux (4)
- Lefranc et Bourgeois (5)
- Liquitex (19)
- London Pigment (3)
- Maimeri (1)
- Michael Harding (4)
- Pentel (1)
- Pfeil (1)
- Pilot (1)
- Pro Arte (3)
- Roberson (41)
- Rohrer and Klingner (2)
- Schmincke (53)
- Spectrum (1)
- Winsor&Newton (22)
- Factis (1)
- Sennelier (4)
You have no items in your shopping basket.
- Search Brands
-