Search results for 'ink'

Michael Harding Artists’ Oil Colours are formulated to the highest possible standards. They do not include any fillers, extenders or driers and the high pigment content of the paint ensures a greater resistance to fading. We have high stock levels on all Series numbers including 5,6 & 7. Learn More

Mussini resin oil colours are based on a Florentine recipe, passed on to the German company Schmincke in 1881, in which excess oil is replaced by natural resins. The result is a balanced range of 101 colours with improved brilliance and lustre especially suited to working in glazes. Learn More

Printing inks can be made by mixing powdered pigments with copperplate oil. Pour small quantity of oil into well of dry pigment and grind with glass muller untill smooth. Thin oil is then added until mixture has consistency of double cream. Thin, Medium or Thick. Learn More

This unique colour is an intense orange oxide that is made from the decay of Victorian pipes mixing with the chalk bed of the infilled docks at Rotherhithe, in south east London. Rotherhithe has a long history as a port, with many shipyards from Elizabethan times until the early 20th century and with working docks until the 1970s, when they began to be infilled due to a decline in imports to Central London. With a fine particle size and transparent quality this pigment would be great for glazing techniques.

Follow @londonpigment on Instagram for an insight into the stories behind the colours and how she makes them. 

NOTE: many of these colours are made in extrmely limited batches so please email us at info@cornelissen.com for further infomation on what is currently availible. 

Learn More

Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More

This resist is painted onto the plate in a thin even layer with a soft flat square-ended brush. When this clear layer is dry it may be coloured or drawn into with etching needles, roulettes and steel wool. The waxy character allows the needle to glide through its surface. After drawing the coloured coating (if used) is removed, the image is stopped out if necessary, then the plate is etched. As the resist is clear the artist can monitor the etching process accurately. Learn More

Top quality 36mm deep stretcher bars made from European pine. Extra strong laminated wood construction to minimise warping. Mortised for cross bars from 100cm. Mitre cut expansion corners. Lip finished to 2mm radius to minimise cracking on inkjet prints. All stretcher bars are cut 3mm short of nominal size. Supplied with wedges. Prices are for individual bars. Please note, this range is stored off-site. Please allow extra time for your order to be processed and dispatched. [Only available online] Learn More

Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and water wash up. Prices arranged by volume and series: Volume : Series 1 > Series 2 > Series 3 30ml : £6.80 > £7.80 > £11.60 250ml : £18.00 > £27.60 > £57.30 500ml : £31.80 > £49.30 > £103.90 1L : £58.40 > £89.50 > £194.20 5L : £238.80 > £347.90 > — Learn More

Finest quality watercolours made in Germany. This range offers 139 colours, including 95 single-pigment colours, 3 perylene pigments, 5 quinacridone pigments, and a selection of granulating colours. They present endless mixing possibilities, and can combined with Schmincke's selection of watercolour mediums as well as with their gouache paints. The solid colours are produced by pouring the liquid paint into the pans four times, ensuring the maximum yield for each colour. Also available in half and whole pans and 15ml tubes. Learn More

Flexible brush tip. Extremely fade resistant colours made with pigmented drawing ink. Waterproof and PH neutral. Smalt Blue, Phthalo Blue, May Green, Olive Green, Green Gold, Indian Red. Learn More

Our unprimed cotton ducks are economical painting supports, offering an even grain and regular surface. Woven in India, these cottons are provided as loom-state textiles, meaning that they will shrink once wetted. We offer three thicknesses:

9oz : A strong textile with a half panama construction, meaning that there are two warp yarns over each weft. 300gsm.

120z: A classic canvas for painting, recommended for larger works, with a smooth, dense construction made from braided yarns. 400gsm.

15oz: A strong, dense textile, woven with braided yarns, recommended for thickly painted works. 500gsm. 

Learn More

Cornelissen Gift Set, Drawing, Ink Cornelissen Drawing Gift Set contains : Green Sketchbook 25.5 x 19.5 cm Cornelissen Bundle of 8 Pencils. 4H, 2H, HB, B, 2B, 3B, 4B, 6B Cornelissen Set of 3 Historical Inks, Brazilwood, Jane Austen Iron Oak Gall and Green Hawthorn Wooden Nib Holder 4 Nibs: Leonardt Nib Fine Drawing 700, William Mithcell Round Hand 1 ½, Brause Cito Fine, Leonardt 40 Gift wrapped in a box with Cornelissen wrapping paper. Learn More

Grind with water to make ink using ink stone. Learn More

Oil-based inks that wash away safely with liquid soap and water. Suitable for all types of relief or block printing, such as woodcut and wood engraving, letterpress and linocut. This range contains less than 1% of driers. For faster drying rates, add a small amount of cobalt or manganese driers. Formulated with excellent light fast pigments for non-toxic printmaking or solvent-free cleaning.

Learn More

190GSM, A4 / A3+, 20 Sheets, CP (NOT), pH Neutral, Acid Free, Archival, White. Learn More

Liquid Watercolour (series 27). 18 shades of highly concentrated organic pigment in a light acrylic base. Low dosage of the binder allows dried colour to be dissolved up to 24 hours after application. Colours retain their strength when diluted with water, Drying Retarder or Gloss Intensifier mediums. Undiluted applications may bronze when dry. Learn More

Japanese Black Grinding Stone Learn More

Printed with UV ink the colours are sharper and brighter and better reflect the look and detail of real marbled papers. These are printed on 100gsm Munken that is FSC Certified and acid free. It is very tactile and of an excellent quality. Paper size is 500mm x 700mm. Minimum order of 10 assorted sheets. Learn More

These antique-style sketchbooks offer 120 pages of unbleached, heavyweight rag paper with torn edges. The lightly textured pages respond well to watercolours, inks and dry media. Please note, the delicate surface makes these sketchbooks unsuitable for erasing, and the paper is not of archival quality. Learn More

Higgins Pen Cleaning Fluid 73ml. Immerse nibs in solution to remove dried indian ink. Learn More

Made to a historical recipe, this Verdigris, unlike others available, has been doubly distilled and therefore more stable than basic Verdigris. This rich green is a translucent pigment with a fine grain.

Follow @londonpigment on Instagram for an insight into the stories behind the colours and how she makes them. 

NOTE: many of these colours are made in extremely limited batches so please email us at info@cornelissen.com for further information on what is currently available. 

Learn More

These antique-style sketchbooks offer 120 pages of unbleached, heavyweight rag paper with torn edges. The lightly textured pages respond well to watercolours, inks and dry media. Please note, the delicate surface makes these sketchbooks unsuitable for erasing, and the paper is not of archival quality. Learn More

Made from pulverised historic London bricks collected from the foreshore of the Thames near Tower Bridge and Wapping this deep red pigment is essentially a variety of red ochre. During the Victorian era, London Clay was dug up and fired on construction sites to produce the building materials for the city. Red brick pigment has a medium grain size and is opaque. Learn More

The Flourish is precision machined from a solid Aluminium bar meaning that it will last a lifetime and give you just the right amount of weight without feeling too heavy. This unique design fits nibs as large as a Nikko G, all the way down to smaller nibs like the Brause 66EF, as well as 3.5mm pencil lead, so you can draft your creations before committing to ink. This holder is designed so that you can easily customise the angle of the nib to suit your calligraphy style. The balance of the pen has been refined so that the centre of gravity sits between your forefinger and your thumb joint, making it feel neither top nor bottom heavy. Learn More