Search results for 'ink'
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Lefranc Flashe 80 ml
Starting at: £9.70
Flash vinyl colours, like resin-based acrylic paints, can be diluted with water, dry very quickly and become insoluble once dry providing lasting flexibility and excellent preservation. They have an even matt finish which recalls primitive Italian fresco painting. This makes Flashe the ideal medium for all artworks to be photographed. Also popular for illustration, graphics, comics, model making, fresco and interior mural decoration. Learn More -
Faber-Castell Albrecht Durer Watercolour Pencils
Starting at: £2.60
120 lightfast colours with high covering power. Soft and water-soluble, they combine the advantages and applications of classical watercolour paints and coloured pencils. Learn More -
W&N Professional Watercolour Half Pan
Starting at: £7.90
Water colour, more than any other medium, reflects the unique characteristics of the pigments used. Winsor & Newton Professional Water Colours use only the finest pigments and are known for their brilliance, permanence and strength of colour. Learn More
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Roberson Retouching Varnish
Starting at: £8.20
Damar resin/white spirit. Rectifies dull areas caused by sinking of paint. Also helps adhesion of succeeding layer. Finish between matt and satin. Unable to send overseas. Learn More -
London Pigment, Georgian Yellow Brick Pigment
£18.00This warm earthy yellow is made from the quintessential London ‘stock brick’ of the 18th and 19th centuries. This pigment has a medium grain size and is transparent. ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More
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Prussian Blue Pigment
Starting at: £5.20
PB27
Prussian Blue is a synthetic organic pigment that was discovered by the paint maker Diesbach, apparently by accident, in Germany in the early eighteenth century. For many years, it was used not only as a colour in its own right, but also as a component of the original Hooker's Green. The other ingredient, gamboge, is highly fugitive, which is why many watercolours painted with Hooker's green have taken on a bluish tone with with age.
It is a very transparent and heavily staining colour. It dries quite quickly in oil, and can therefore wrinkly if applied too quickly. It is suitable for use in oils, watercolour, and egg tempera. However, it shouldn't be used in conjunction with alkali substances, such as Lead White or Calcium Carbonate as it can turn brown, so it isn't suitable for fresco. For the same reason, it isn't used with acrylic resin binders due to their alkaline nature, so most paint manufacturers will replace Prussian Blue with a mixture of Phthalo Blue and black in their acrylic ranges. It requires a wetting agent to fully disperse into a binder.
Toxicity: B
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Brause Bandzug Nibs
Starting at: £2.85
Square nib for round hand writing. Ink reservoir on top. Learn More -
Fabriano Artist's Journal Black Square
Starting at: £21.15
Ideal for ink, pencil, charcoal, pastels, as well as for you every intellectual whim. Made of four elegant colours of Fabriano CMF Ingres 90 gsm (acid free and lightfast). Learn More -
Cornelissen Gift Set, Ink
£50.00Call to Order
Cornelissen Gift Set, Ink Cornelissen Gift Set, Ink contains : Cornelissen Black Sketchbook, Portrait A4 Cornelissen Bundle of 8 Pencils. 4H, 2H, HB, B, 2B, 3B, 4B, 6B Cornelissen Set of 3 Historical Inks: Brazilwood, Jane Austen Iron Oak Gall and Green Hawthorn Wooden Nib Holder 4 Nibs: Leonardt Nib Fine Drawing 700, William Mitchell Round Hand 1 ½, Brause Cito Fine, Leonardt 40 Gift wrapped in a box with Cornelissen wrapping paper. Learn More -
Cornelissen Historical Colours Ink Set
£18.50Call to Order
Three historical coloured inks, handmade to traditional recipes. 3 x 30 ml high quality glass bottle with black plastic lid. Green Hawthorn Ink. Brazilwood Ink. Yellow Hawthorn Ink. Learn More -
Japanese Coloured Sumi Ink
Starting at: £10.00
Call to Order
Japanese Coloured Sumi Ink. These coloured sumi inks create vivid shades that can be mixed and used with black sumi stick inks. It is recommended that they be ground using a white grinding stone as opposed to the traditional grey stone. Learn More -
Chinese Stick Ink Set of 5
£18.95Call to Order
Grind with water to make ink using ink stone. Learn More -
Cornelissen Historical Inks, China Blue
£6.50Call to Order
Formulated from the same dye that was used to colour blue and white china, this ink is a deep, rich blue. Used at full opacity, it is a blue-black, and dilutes down to wonderful cold blue washes. As it is dye-based, it is not fully lightfast. Learn More -
Bockingford Inkjet Paper
Starting at: £26.35
Call to Order
190GSM, A4 / A3+, 20 Sheets, CP (NOT), pH Neutral, Acid Free, Archival, White. Learn More -
London Pigment, Verdigris Ink, 20 ml
£12.50Call to Order
Ink made from pure copper metal leaf that has reacted with distilled vinegar. ****Please note, these inks are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More -
London Pigment, Mediaeval Inks Set, 2
£35.00Call to Order
Purple and Brown Madder Ink Orange Madder Ink Oak Gall Ink Learn More -
London Pigment, Oak Gall Ink, 20 ml
£12.50Call to Order
English Oak Gall Ink ****Please note, these inks are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More -
London Pigment, Mediaeval Inks Set, 1
£35.00Call to Order
Verdigris Ink Purple Madder and Lac Ink Purple Lac Ink Learn More -
Schmincke Lino Water-based Inks 250ml
Starting at: £21.10
Call to Order
Water based inks for block printing and linocut. Learn More -
London Pigment, Purple Madder and Lac Ink, 20 ml
£12.50Call to Order
Madder and Lac Ink ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More -
Rohrer & Klingner Liquid Watercolour Inks
Starting at: £9.30
Call to Order
Liquid Watercolour (series 27). 18 shades of highly concentrated organic pigment in a light acrylic base. Low dosage of the binder allows dried colour to be dissolved up to 24 hours after application. Colours retain their strength when diluted with water, Drying Retarder or Gloss Intensifier mediums. Undiluted applications may bronze when dry. Learn More -
Gamblin Burnt Plate Oils
Starting at: £10.50
Call to Order
Burnt Plate Oils are used to lower the viscosity of the ink. Burnt Plate Oil should be added to inks sparingly, as the detail of a print may be lost if the ink becomes too fluid. Burnt Plate Oil #000 has less tack and is a good match for use with Gamblin Relief Inks. Burnt Plate Oil #2 has a higher tack and is the primary oil binder for Gamblin Etching Inks. Learn More -
Daler Rowney Block Printing Medium
£16.50Call to Order
Daler Rowney Block Printing Medium 225ml. Create oil based block printing inks by mixing with oil paint. Learn More -
Printed Marble Papers
Starting at: £3.00
Call to Order
Printed with UV ink the colours are sharper and brighter and better reflect the look and detail of real marbled papers. These are printed on 100gsm Munken that is FSC Certified and acid free. It is very tactile and of an excellent quality. Paper size is 500mm x 700mm. Minimum order of 10 assorted sheets. Learn More
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London Pigment, Hampshire Grey
£30.00Call to Order
Pigment collected from erosion. ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More -
Lascaux Tusche Wash Spray 500ml
£42.90Call to Order
This tusche can be sprayed from a simple airbrush and is required if Lascaux Lift Solution is to be used. Other airbrush techniques can be employed and tonal effects similar to aquatints in etching can be created. It can also be used for painting washes and handles like Chinese ink. When diluted it creates a further range of washes. Learn More -
London Pigment, Rotherhithe Orange Pigment
£20.00Call to Order
This unique colour is an intense orange oxide that is made from the decay of Victorian pipes mixing with the chalk bed of the infilled docks at Rotherhithe, in south east London. Rotherhithe has a long history as a port, with many shipyards from Elizabethan times until the early 20th century and with working docks until the 1970s, when they began to be infilled due to a decline in imports to Central London. With a fine particle size and transparent quality this pigment would be great for glazing techniques.
Follow @londonpigment on Instagram for an insight into the stories behind the colours and how she makes them.
****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More -
Asphaltum Powder
Starting at: £14.30
Call to Order
Used in etching grounds and stopping out varnishes. Can be used as a blackish brown colourant but when combined with oil causes wrinkling and cracking. Learn More -
London Pigment, English Green Earth
£30.00Call to Order
Prepared by hand and bottled in a rare, hand-blown laboratory glass Weighing Bottle. 20 ml. Gently twist the hand-formed, flame-like stopper and pull carefully to open. ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More
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London Pigment, Epping Forest Yellow Ochre Pigment
£18.00Call to Order
This soft yellow ochre is sourced from near the ancient woodland of Epping Forest in North London. Given legal status by Henry ll as a Royal hunting ground for the Monarchy this forest has a rich cultural and geological history. This pigment is a fine particle size and is semi-opaque.
Follow @londonpigment on Instagram for an insight into the stories behind the colours and how she makes them.
****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More


