Click to Hide Notification

Search results for 'inks'

Items 181 to 210 of 219 total

per page
Page:
  1. 4
  2. 5
  3. 6
  4. 7
  5. 8

Grid  List 

Set Ascending Direction
  1. Roberson Liquid Leaf Metallic Paint

    Roberson Liquid Leaf Metallic Paint

    Starting at: £13.40

    A one-step paint, giving a permanent finish, closely resembling traditional gilding with leaf. Learn More
  2. Sennelier Oil Sticks

    Sennelier Oil Sticks

    Starting at: £7.65

    Solid artists' quality oil paint sticks. (Ø = 3/4 ; length = 5" ) SENNELIER Extra-Fine Solid Oil Sticks can be used alone or in combination with oil colours in tubes. The oil stick colours can be used for an entire painting. They are applied directly to any traditional oil-painting support, such as canvas, wood panel or fine art paper. They need the same archival priming (acrylic gesso or oil ground) that oil paint requires. Surfaces: Before use, the surface film of the oil stick must be peeled off. It will form again after a few days of non-use, protecting and conserving the colour. The oil sticks must be applied in a thin film application of no more than 1mm thick. Once applied they can be painted over with oil stick or oil paint and if desired be diluted with turpentine. Oil stick Medium, a colourless oil stick, may be used to produce transparent effects and glazes. Once applied, the oil stick surface will dry in 2 to 5 days, depending on the atmospheric conditions Varnishing: If varnishing is desired, you must wait 6 months (as in traditional oil paint) until the colour is completely dry, before giving the painting a final coat of picture varnish. Use a soft brush to varnish so that the oil stick marks are not disturbed. SENNELIER Extra-Fine Solid Oil Stick colours are either opaque (O) or transparent (T) depending on the nature of the pigment in each colour. Oil Sticks do not change during storage and require no special precautions except to be kept away from any source of heat, which could adversely affect the stick. Application Techniques After applying the colour with the point or the edge of the oil stick, colours can be mixed directly on the support using the following methods: • Blending, with brush, finger, or drawing stump. With or without turpentine • Wash-drawing, dilute colours with turpentine or mineral spirit • Retouching, with oil stick, palette knife or brush • Textures, thick application oil stick colour. Retouch with a brush or palette knife •Sgraffito, scratching a layer of fresh paint with a point (brush handle, palette knife, etc.) to reveal the layer below. Sgraffito is related to engraving, and is used not only for revealing the under-layers of paint but also to scratch and clean unsatisfactory parts of the painting •Interior Decoration, on glass, ceramics etc. Use for decorative purposes only Learn More
  3. Miniatum

    Miniatum

    Starting at: £22.30

    Size for high gloss gilding on paper, degreased vellum, leather and flexible surfaces. *Please note - Colours of these products may vary slightly from those depicted in the photograph* Learn More
  4. Sosaku Brush 24mm

    Sosaku Brush 24mm

    £11.10

    Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More
  5. Faber-Castell Pitt Artist Pen Fineliner

    Faber-Castell Pitt Artist Pen Fineliner

    Starting at: £3.65

    Extremely fade resistant with pigmented drawing ink. Waterpoof and PH neutral. Superfine, fine, medium and brush tips. Sanguin, sepia or black. Learn More
  6. Leonardt Nibs

    Leonardt Nibs

    Starting at: £0.95

    Leonardt Nibs Learn More
  7. W&N Professional Watercolour Whole Pan

    W&N Professional Watercolour Whole Pan

    Starting at: £10.20

    Water colour, more than any other medium, reflects the unique characteristics of the pigments used and our Professional Water Colours use only the finest pigments, and are known for their brilliance, permanence and strength of colour. Learn More

  8. Orange Shellac

    Orange Shellac

    Starting at: £8.00

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  9. Gamblin Solvent-Free Gel

    Gamblin Solvent-Free Gel

    Starting at: £6.80

    Gamblin Solvent-Free Gel is manufactured by the American company Gamblin. They write:

    "Gamblin Solvent-Free Gel is the only solvent-free painting medium that supports a broad range of painting techniques with minimal compromise. Solvent-Free Gel gives colours more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates. In comparison to other solvent-free mediums, Gamblin Solvent-Free Gel supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. To ensure proper drying of paint layers, Solvent-Free Gel should be used in moderation with oil colors. No more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Gel and oil colors thinly. To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. After your painting session, brushes can be further cleaned using Gamsol and/or soap and water."

    Learn More
  10. Michael Harding Artists' Oil Colour 40 ml

    Michael Harding Artists' Oil Colour 40 ml

    Starting at: £9.20

    Michael Harding Artists’ Oil Colours are formulated to the highest possible standards. They do not include any fillers, extenders or driers and the high pigment content of the paint ensures a greater resistance to fading. The range includes 86 rich, intense colours which have a stiff and viscous texture. We have high stock levels on all Series numbers including 5,6 & 7 in larger sizes. Learn More
  11. Faber-Castell Brush Pen Basic Set

    Faber-Castell Brush Pen Basic Set

    £21.95

    Flexible brush tip. Extremely fade resistant colours made with pigmented drawing ink. Waterproof and PH neutral. Cadmium yellow, Chrome Yellow Deep, Phthalo Blue, Carmine, Violet, Olive Green. Learn More
  12. Carborundum Powder

    Carborundum Powder

    Starting at: £16.40

    Carborundum Powder. Grid of coarseness: Fine 120/220, Medium 80/120, Coarse 60/80 Learn More
  13. Schmincke Lino Water-based Inks 250ml

    Schmincke Lino Water-based Inks 250ml

    Starting at: £22.60

    Call to Order

    Water based inks for block printing and linocut. Learn More
  14. London Pigment, Medieval Inks Set, 1

    London Pigment, Medieval Inks Set, 1

    £35.00

    Call to Order

    Verdigris Ink Purple Madder and Lac Ink Purple Lac Ink Learn More
  15. London Pigment, Medieval Inks Set, 2

    London Pigment, Medieval Inks Set, 2

    £35.00

    Call to Order

    Purple and Brown Madder Ink Orange Madder Ink Oak Gall Ink Learn More
  16. London Pigment, Oak Gall Ink, 20 ml

    London Pigment, Oak Gall Ink, 20 ml

    £12.50

    Call to Order

    English Oak Gall Ink ****Please note, these inks are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More
  17. Cornelissen Gift Set, Ink

    Cornelissen Gift Set, Ink

    £50.00

    Call to Order

    Cornelissen Gift Set, Ink: Cornelissen Black Sketchbook, Portrait A4 Cornelissen Bundle of 8 Pencils. 4H, 2H, HB, B, 2B, 3B, 4B, 6B Cornelissen Set of 3 Historical Inks: Brazilwood, Jane Austen Iron Oak Gall and Green Hawthorn Wooden Nib Holder 4 Nibs: Leonardt Nib Fine Drawing 700, William Mitchell Round Hand 1 ½, Brause Cito Fine, Leonardt 40 Gift wrapped in a box, with L. Cornelissen & Son wrapping paper. Learn More
  18. London Pigment, Verdigris Ink, 20 ml

    London Pigment, Verdigris Ink, 20 ml

    £20.00

    Call to Order

    Ink made from pure copper metal leaf that has reacted with distilled vinegar.

    ****Please note, these inks are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More

  19. Cornelissen Iron Oak Gall Ink Set

    Cornelissen Iron Oak Gall Ink Set

    £30.00

    Call to Order

    Three historical oak gall inks handmade to traditional recipes. Jane Austen Ink. Sir Isaac Newton Ink. Doomsday Ink. Learn More
  20. London Pigment, Purple Madder and Lac Ink, 20 ml

    London Pigment, Purple Madder and Lac Ink, 20 ml

    £12.50

    Call to Order

    Madder and Lac Ink ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More
  21. Cornelissen Historical Colours Ink Set

    Cornelissen Historical Colours Ink Set

    £18.50

    Call to Order

    Three historical coloured inks, handmade to traditional recipes. 3 x 30 ml high quality glass bottle with black plastic lid. Green Hawthorn Ink. Brazilwood Ink. Yellow Hawthorn Ink. Learn More
  22. Chinese Liquid Ink

    Chinese Liquid Ink

    Starting at: £10.00

    Call to Order

    Thick, black ink for use wih dip pen, reed pen or bush. Learn More
  23. Chinese Stick Ink Set of 5

    Chinese Stick Ink Set of 5

    £19.50

    Call to Order

    Grind with water to make ink using ink stone. Learn More
  24. Japanese Complete Woodblock Set

    Japanese Complete Woodblock Set

    £55.00

    Call to Order

    Complete Mokuhanga set for beginners. This set includes: - 1 x Sosaku inking brush 15mm; - 1 x Tokibo carrying brush for glue; - 5 x carving tools in a plastic case (7mm Aisuki (flat), 10mm Hangi-toh (knife), 3mm Komasuki (U), 3mm Sankatu-toh (V), 6mm Asamaru (shallow U)); - 1 x plastic inking dish; - 1x plastic baren, 120mm; - 1x Shina plywood 160mm x 110mm; - 4 x water-based inks premixed with glue paste.

    PERMITTED USES Over 18s only. Proof of age required. E-mail: info@cornelissen.com Learn More

  25. 7

    London Pigment, English Green Earth

    £30.00

    Call to Order

    Prepared by hand and bottled in a rare, hand-blown laboratory glass Weighing Bottle. 20 ml. Gently twist the hand-formed, flame-like stopper and pull carefully to open. ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More

  26. London Pigment, London Red Brick

    London Pigment, London Red Brick

    £18.00

    Call to Order

    Made from pulverised historic London bricks collected from the foreshore of the Thames near Tower Bridge and Wapping this deep red pigment is essentially a variety of red ochre. During the Victorian era, London Clay was dug up and fired on construction sites to produce the building materials for the city. Red brick pigment has a medium grain size and is opaque. ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More

  27. London Pigment, Hampshire Grey

    London Pigment, Hampshire Grey

    £30.00

    Call to Order

    Pigment collected from erosion. ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More
  28. Essdee Complete Linocut Set

    Essdee Complete Linocut Set

    £46.60

    Call to Order

    A comprehensive kit with a wide selection of tools and materials for Lino cutting and printing. Compare traditional lino and the new Softcut materials, which add new possibilities for beginners and experienced users alike. The 6 different lino cutters allow varied carving styles, whilst the safety cutter and hand guard ensure safe working for younger or less experienced users. The 3-in-1 Baren tool transfers ink from the lino block to paper, but can also be used as a desk tidy for your cutters and as a stamping tool when used with the included self-adhesive Softcut™ discs. Water based ink. Educational and fun, ideal for making cards, posters and artworks. Full instructions included. Includes: 5 x Lino Cutters; 1 x Safety Lino Cutter; 1 x Lino Cutter Handle; 1 x Aluminium Ferrule; 2 x Linoleum Blocks 178x127 mm; 2 x Softcut Blocks 150x100 mm; 1 x Practice Piece; 1 x Ink Roller (Brayer) 100 mm Wide; 1 x Ink Tray 240x200 mm; 1 x Safety Hand Guard; 1 x Baren Cap; 1 x Baren Base; 1 x 100ml Tube Premium Water-Based Block Printing Ink; 2 x 45mm Printing Stamps.

    PERMITTED USES Over 18s only. Proof of age required. E-mail: info@cornelissen.com Learn More

  29. Asphaltum Powder

    Asphaltum Powder

    Starting at: £14.30

    Call to Order

    Used in etching grounds and stopping out varnishes. Can be used as a blackish brown colourant but when combined with oil causes wrinkling and cracking. Learn More
  30. London Pigment, Rotherhithe Orange Pigment

    London Pigment, Rotherhithe Orange Pigment

    £20.00

    Call to Order

    This unique colour is an intense orange oxide that is made from the decay of Victorian pipes mixing with the chalk bed of the infilled docks at Rotherhithe, in south east London. Rotherhithe has a long history as a port, with many shipyards from Elizabethan times until the early 20th century and with working docks until the 1970s, when they began to be infilled due to a decline in imports to Central London. With a fine particle size and transparent quality this pigment would be great for glazing techniques.

    Follow @londonpigment on Instagram for an insight into the stories behind the colours and how she makes them. 

    ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More

Items 181 to 210 of 219 total

per page
Page:
  1. 4
  2. 5
  3. 6
  4. 7
  5. 8

Grid  List 

Set Ascending Direction