Search results for: 'RCO'

Schmincke Universal Varnish, Matt

Starting at: £10.50

Synthetic resin varnishes with UV- protection Learn More

da Vinci Series 5580 Cosmotop Spin

Starting at: £3.35

Finest extra smooth synhetic fibre. A soft brush with excellent colour holding capacity. Learn More

ArtGraf Graphite Powder

Starting at: £10.80

Water-soluble graphite powder. Learn More

ArtGraf Traditional Tailor Shape Colours

Starting at: £6.60

Inspired by traditional tailor’s chalk block, prepared for drawing and painting. Water soluble and extremely soft, choice of 6 traditional earth colours: sanguine, sepia, dark brown, brown, ochre and carbon black. Learn More

Winsor & Newton Series 7 Miniature

Starting at: £24.80

Extra short haired brushes for miniature painting. Kolinsky sable. Learn More

Saucer Dippers

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Starting at: £2.60

Well made metal dippers, available with or without lids. A rubber disc on the inside of the lid helps create a good seal and prevent leaks. Listed measurements are of the widest point of the dipper, not the aperture. Learn More

ArtGraf Graphite Tailor shape

£6.60

Inspired by traditional tailor’s chalk block, prepared for drawing and painting. Water soluble and extremely soft. Learn More

Cornelissen Miniature

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Starting at: £8.90

Extra short haired brush for the discerning miniaturist. Learn More

ArtGraf No 1 Graphite Putty in ceramic jar

£23.40

Water-soluble, kneadable graphite putty allows to mould its shape. Available in ceramic jar with 450g putty. Refills of 150g (pictured) are also available to purchase separately. Learn More

ArtGraf Tailor Shape Primary Colours Set of 3

£24.00

Extremely soft and water soluble, this primary set of 3 colours allows you to create a wide range of colours with both opaque and transparent properties. Learn More

Charbonnel Gold and Silver

Starting at: £30.95

Charbonnel Gold and Silver Learn More

Japanese Shell Gold

Starting at: £28.00

Japanese shell gold in ceramic pans.

Shell gold, so named because it was historically made and stored in shallow shells such as mussel shells, consists of finely powdered genuine gold mixed with a variety of gums. This Japanese shell gold range is made using the highest quality handmade Japanese gold and precious metal powders bound with Nikawa gelatine glue.

Mix with a bit of water and apply in the same way as watercolour (a drop of oxgall can be added to break the surface tension) After drying, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
Contains 0.4g Learn More

Small, 15ml Pigment sizes

Starting at: £4.00

English Red Light Pigment Learn More

Chinese Brush, Arctic Hare and Goat Hair

£12.50

Small, mixed hair brush. Ideal for watercolour painting and loose calligraphy. Learn More

Sennelier Oil Pastels Large

Starting at: £11.50

Beautifully soft and creamy oil pastels in a range of 120 colours. Blend of pure pigment, oil and acid free wax. 20% Discount for purchasing 4+ pastels. Learn More

Rohrer & Klingner Gloss Intensifier 50ml

£8.90

Rohrer & Klingner Liquid Watercolour Gloss Intensifier 50ml Learn More

Sennelier Pastel Card

Starting at: £102.50

Sennelier Pastel Card 400gsm 50 x 65 cm. Finely ground ph neutral vegetable flakes and cork are hand applied to a 200lb ph neutral board to give a paper that is slightly abrasive with a uniform tooth. This unique paper gives enhanced adhesion so that pastels need the minimum of fixing. Learn More

Winsor & Newton Kneadable Erasers

Starting at: £2.75

For removing pencil, charcoal and pastel or paper cleaning. Learn More

Cornelissen Historical Inks, Forge Lamp Black

Starting at: £9.00

Prepared exclusively for Cornelissen following a Medieval English recipe, This handmade ink is produced in Cambridgeshire, from soot harvested from a working 19th-century forge, powered by charcoal and wood. Small batches of ink are blended to give the required consistency and strength. Forge Lamp Black is a thick, smooth non-waterproof ink that has good permanence. It can be watered down, and should always be shaken well before use. As with all handmade products derived from natural ingredients, there may be slight variations in the colour and consistency. Ingredients: Soot, gum Arabic, and clove oil.

Not suitable for fountain pens. Learn More

Golden Heavy Body Acrylic 236ml

Starting at: £29.40

The first acrylic colors offered by Golden Acrylic, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Zinc White Pigment

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Starting at: £4.00

Zinc White, or Zinc Oxide, is an artificial mineral pigment that was first produced in France in the late 18th century. Its use in commercial watercolours as Chinese White pre-dates its inclusion in oil painting. It is a semi-opaque, lightfast pigment, which dries very slowly in oil. Of all white pigments, it produces the most brittle paint film, so is not recommended in large quantities for impasto techniques. However, it is a good addition to a palette which requires a less overwhelming white than Titanium White.

Toxicity: B

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Sennelier Oil Pastels Standard

Starting at: £2.85

Beautifully soft and creamy oil pastels in a range of 120 colours. Blend of pure pigment, oil and acid free wax. 10% discount for 10+ pastels. 20% discount for 20+ pastels. Learn More

Rohrer & Klingner Drying Retarder 50ml

£8.90

Rohrer & Klingner Liquid Watercolour Drying Retarder 50ml Learn More

Winsor & Newton Artists' Oil Colour 37 ml

Starting at: £10.15

This long established artists' quality oil colour range of 113 colours is well known for its firm consistency and excellent handling properties. Learn More

Fabriano Artist's Journal Black Square

Starting at: £21.15

Ideal for ink, pencil, charcoal, pastels, as well as for you every intellectual whim. Made of four elegant colours of Fabriano CMF Ingres 90 gsm (acid free and lightfast). Learn More

Pro Arte Series 202 Round Acrylix

Starting at: £3.45

This brush has an excellen point and spring well suited to detail work in acrylic, watercolour and oils Learn More

Verdigris Pigment

Starting at: £4.90

Verdigris is an artificial pigment that dates from antiquity. Originally, it was produced by exposing copper to vinegar; nowadays acetic acid is used. It is acidic, so can contribute to the deterioration of paper supports. For this reason, it is more suited to oil or tempera painting than it is to watercolour. In tempera painting, it should be bound in animal glue or isinglass glue rather than egg york. When used in oil painting it should be held in a resin oil or balsam such as Venice Turpentine, as it can turn brown when ground directly into linseed oil. It is a fast-drying, transparent pigment, with a visible crystalline structure.

Larger quantities are available by request.

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Khadi White Rag Paper Packs 150gsm

Starting at: £2.85

Handmade Paper, 100% Long Fibred Cotton Rag, Acid free, Medium-Rough surface, Deckle Edged. All papers are internally sized with neutral pH size. Learn More

Spectrafix 360ml

£25.95

Spectrafix 360ml. A natural non-toxic milk casein fixative based on an antique recipe used by Degas himself. This is the perfect fixative for pastel, charcoal, gouache and watercolour. Its workable matt finish allows deep layering with minimal colour shift. Learn More

Prussian Blue Pigment

1 Review(s) | Add Your Review

Starting at: £5.20

PB27

Prussian Blue is a synthetic organic pigment that was discovered by the paint maker Diesbach, apparently by accident, in Germany in the early eighteenth century. For many years, it was used not only as a colour in its own right, but also as a component of the original Hooker's Green. The other ingredient, gamboge, is highly fugitive, which is why many watercolours painted with Hooker's green have taken on a bluish tone with with age.

It is a very transparent and heavily staining colour. It dries quite quickly in oil, and can therefore wrinkly if applied too quickly. It is suitable for use in oils, watercolour, and egg tempera. However, it shouldn't be used in conjunction with alkali substances, such as Lead White or Calcium Carbonate as it can turn brown, so it isn't suitable for fresco. For the same reason, it isn't used with acrylic resin binders due to their alkaline nature, so most paint manufacturers will replace Prussian Blue with a mixture of Phthalo Blue and black in their acrylic ranges. It requires a wetting agent to fully disperse into a binder.

Toxicity: B

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Search results for 'RCO'