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  1. Liquitex Heavy Body 138ml

    Liquitex Heavy Body 138ml

    Starting at: £15.25

    A range of artists quality acrylics which are durable, permanent and do not yellow with age. Heavy Body colour has a thick, buttery consistency and oil-like performance. Learn More
  2. Lead Red Pigment (Minium)

    Lead Red Pigment (Minium)

    Starting at: £4.50

    PR105

    Lead Red is an early articficial pigment that dates back to antiquity. It is created by heating Lead White or Litharge at a constant temperature of 480ºC over a prolonged period of time. It is a fast-drying colour, with good tinting strength and opacity, and has been widely used as an underpaint for gilding and in industry. However, it is highly toxic and generally unstable, so has fallen out of use in favour of Cadmium pigments. The acid in linseed oil causes Lead Red to darken, and it can solidify when stored in a tube. In water-based mediums, it can turn black.

    Toxicity: D 

    Please note, unfortunately we are not able to send this product outside the UK.

    Learn More
  3. Rohrer & Klingner Bistre Drawing Ink

    Rohrer & Klingner Bistre Drawing Ink

    Starting at: £7.40

    Drawing Ink (series 29 500). A fine, free flowing pigmented ink. Available in gold, silver, sepia, black and bistre lightfast traditional tones in shellac binder. Learn More
  4. Grey shades of Khadi paper in various sizes.

    Khadi Grey Paper Packs

    Starting at: £2.85

    Handmade from 100% long fibred cotton rag. Acid free. Deckle edge. Tub sized (surface sized) with gelatine. Learn More
  5. Winsor & Newton Lightweight Box 24

    Winsor & Newton Lightweight Box 24

    Starting at: £170.85

    This lightweight set contains a selection of 24 Artists’ Water Colour half pans. Includes: Winsor Yellow, Indian Red, Raw Umber, Burnt Umber, Payne's Grey, Ivory Black, Chinese White, Aureolin, Indian Yellow, Winsor Red, Permenant Alizarin Crimson, Permanent Rose, Winsor Dioxazine Purple, French Ultramarine, Cobalt Blue, Winsor Blue (Green hue), Cerulean Blue, Burnt Sienna, Raw Sienna, Lemon Yellow (Nickel Titanate), Winsor Orange, Prussian Blue, Viridian, Indigo. Actual contents may vary depending on availability at Winsor & Newton. Learn More

  6. Schmincke Norma Artists' Oil 35ml

    Schmincke Norma Artists' Oil 35ml

    Starting at: £8.15

    Genuine artists' pigments with highest possible concentration in linseed and sunflower oils. All colours have outstanding brilliance and highest possible lightfastness. Mainly single pigment colours. Learn More
  7. Pentel Refillable Brush Pen

    Pentel Refillable Brush Pen

    Starting at: £8.00

    Resilient, accurate bristles give a brush tip that maintains its shape. Cartridge contains dense, water and fade resistant black pigment ink. Learn More
  8. Ceramic Stucco Medium

    Liquitex Acrylic Textured and Effects Mediums

    Starting at: £20.40

    Liquitex Acrylic Textured and Effects Mediums Learn More
  9. Roberson Liquid Metal 500ml

    Roberson Liquid Metal 500ml

    Starting at: £34.20

    Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. Coverage is approximately 7 square metres per litre. Two coats are required for most applications but if applied to walls or ceilings with a roller or a brush then three or four coats are recommended. Because of the highly reflective nature of the metallic paint when applying with a roller to a large area apply the paint evenly in long vertical strokes, finishing off the surface by rolling or brushing in one direction, i.e ceiling to floor. This will help to minimise overlapping and create a smooth and even finish. We recommend the use of a professional quality foam roller in order to achieve the best possible finish. When applying with a roller to a large area, apply the paint evenly in long vertical strokes. Finish off the surface by rolling one direction, i.e. ceiling to floor. This will help minimise overlapping and create a smooth, even finish. These paints can also be sprayed and this will produce the best and most consistent finish. To spray Liquid Metal Acrylics, you will need to use HVLP spray equipment with a 1.6mm or 1.8mm nozzle. To ensure proper flow, paint can be thinned with 25-30% water. This range of paints is suitable for exterior use but must be applied on a dry day as acrylics take longer to dry out completely than oil-based paints. Once dry the paints cure and are hardwearing. Learn More
  10. Cornelissen Series 1 Kolinsky Sable Watercolour Brush

    Cornelissen Series 1 Kolinsky Sable Watercolour Brush

    Starting at: £11.10

    Made from the highest quality Siberian Kolinsky sable. Golden ferrule with short black polished hexagonal handle. Round watercolour brush. Learn More
  11. Canson Mi-Teintes Touch Pads

    Canson Mi-Teintes Touch Pads

    Starting at: £32.00

    350GSM, 12 Sheets, A very finely textured sanded pastel paper with fine grit surface primer, 3 sheets each of the 4 colours Cream (407), Flannel Gray (122), Sepia (133) and Black (425). Learn More
  12. Michael Harding Watercolours, The Nocturne Set, 6 x 15ml tubes

    Michael Harding Watercolours, The Nocturne Set, 6 x 15ml tubes

    Starting at: £84.00

    Michael Harding Watercolours, The Nocturne Set, 6 x 15ml tubes, including: Moonlight, Purple Haze, Cosmic Blue, Indigo, Vine Black, and Phthalocyanine Blue Lake. Learn More
  13. Cornelissen Gift Set, Watercolour

    Cornelissen Gift Set, Watercolour

    £150.00

    LIMITED EDITION Cornelissen Watercolour Gift Set contains : -Arches Watercolour Block 20 x 20 cm -Schmincke Watercolour Set with Brush, 12 half pans -Genuine Leather Cornelissen Watercolour Case. Available in green, red, tan and black, while stocks last. Gift wrapped in a box with Cornelissen wrapping paper. To specify the colour of the Leather Watercolour Case (green, red, tan or black) and the Arches Watercolour paper surface (Hot Pressed, Cold Pressed or Rough), please contact us directly. t: 0207 636 1045 e: info@cornelissen.com. Learn More
  14. Schmincke Norma Artists' Oil 120ml

    Schmincke Norma Artists' Oil 120ml

    Starting at: £19.50

    Genuine artists' pigments with highest possible concentration in linseed and sunflower oils. All colours have outstanding brilliance and highest possible lightfastness. Mainly single pigment colours. Learn More
  15. Cornelissen Pearl Lustre Pigments 100g

    Cornelissen Pearl Lustre Pigments 100g

    Starting at: £12.90

    Pearl Lustre Pigments 100g. Colour swatch on the left indicates colour on a White Background and Colour on a Black Background on the right. Learn More
  16. Lascaux Etching Set ARE

    Lascaux Etching Set ARE

    £103.40

    Lascaux ARE Etching Set 3991. Containing one 85ml bottle each of: 2090 Lascaux Hard Resist, 2091 Lascaux Plate-backing Resist, 2092 Lascaux Stop-out Resist, 2093 Lascaux Soft Resist, 2094 Lascaux Wash Resist, 2095 Lascaux Aquatint Spray Resist, 2096 Lascaux Black coating for Hard Resist, 2097 Lascaux White coating for Hard Resist, 2098 Lascaux Remover. Learn More
  17. Roberson Liquid Metal 30ml

    Roberson Liquid Metal 30ml

    Starting at: £7.20

    Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. Coverage is approximately 7 square metres per litre. Two coats are required for most applications but if applied to walls or ceilings with a roller or a brush then three or four coats are recommended. Because of the highly reflective nature of the metallic paint when applying with a roller to a large area apply the paint evenly in long vertical strokes, finishing off the surface by rolling or brushing in one direction, i.e ceiling to floor. This will help to minimise overlapping and create a smooth and even finish. We recommend the use of a professional quality foam roller in order to achieve the best possible finish. When applying with a roller to a large area, apply the paint evenly in long vertical strokes. Finish off the surface by rolling one direction, i.e. ceiling to floor. This will help minimise overlapping and create a smooth, even finish. These paints can also be sprayed and this will produce the best and most consistent finish. To spray Liquid Metal Acrylics, you will need to use HVLP spray equipment with a 1.6mm or 1.8mm nozzle. To ensure proper flow, paint can be thinned with 25-30% water. Learn More
  18. Cornelissen Historical Inks,  Sir Isaac Newton Ink 30ml

    Cornelissen Historical Inks, Sir Isaac Newton Ink 30ml

    £10.50

    Formulated to the exact recipe used by Isaac Newton, this ink is completely permanant, as his surving writings attest. Although composed of very similar ingredients to our Jane Austen Ink, we consider Newton's recipe to be superior, as Austen's has browned slightly over time. Initially a medium blue-grey, it darkens to a rich, matte back, which is slightly warmer in tone than our regular Oak Gall Ink. It is made in small batches and blended to give the required consistency and strength, and is fully waterproof in 5-7 days. Permanent and lightfast, it has been steeped for several weeks and left to ‘mature’ for several more in the bottle. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence. 

    Not suitable for fountain pens. Learn More
  19. Winsor & Newton Series 7 Kolinsky Sable

    Winsor & Newton Series 7 Kolinsky Sable

    Starting at: £24.80

    Made from finest selected red sable in seamless cupro-nickel ferrules. These black-handled watercolour brushes have a long established reputation. Learn More

  20. ArtGraf Watercolour Graphite Small

    ArtGraf Watercolour Graphite Small

    ArtGraf Watercolour Graphite Small 20g allows for interesting and very expressive mark making offering an extensive scale of graphite greys that range from the deep blacks to more subtle, brighter and more transparent ones Learn More
  21. Schmincke Liquid Charcoal 35 ml

    Schmincke Liquid Charcoal 35 ml

    Starting at: £18.30

    Call to Order

    Liquid charcoal in the 35 ml tube - a clean, dust-free way of painting, charcoal drawing and underpainting with charcoal. The three pigments of natural origin used for this (PBK 8, pit black) are created by charring fruit seeds from the EU area and result in the following unique coal nuances: a neutral peach stone black - 18 757 a warm, brownish cherry pit black - 18 756 a cool, bluish grape seed black - 18 755 Due to the larger quantity of available paint, liquid charcoal can be used to quickly process large areas. The liquid charcoal contains the high-quality binder gum arabic like traditional artists' watercolours (gouaches, watercolours, etc.), has a gouache-like consistency and can be diluted with water, so that different shades, structures and layer thicknesses can be achieved by different application. Depending on the substrate and the thickness of the layer, it can be wiped off by hand and removed with water. Used as thin underpainting (e.g. in oil painting), subsequent paints do not become dirty or become less dirty than with conventional charcoal underpainting due to the higher adhesion of the bound carbon pigments to the substrate. Of course, the liquid charcoal can be combined with drawing charcoal. The blurring and removability of the liquid charcoal depends on the surface of the substrate - the more even and firm the surface, the easier to change the application. Pre-tests are recommended. Learn More
  22. Tom's Studio, Flourish - Oblique Calligraphy Pen holder, Black

    Tom's Studio, Flourish - Oblique Calligraphy Pen holder, Black

    Starting at: £55.00

    Call to Order

    The Flourish is precision machined from a solid Aluminium bar meaning that it will last a lifetime and give you just the right amount of weight without feeling too heavy. This unique design fits nibs as large as a Nikko G, all the way down to smaller nibs like the Brause 66EF, as well as 3.5mm pencil lead, so you can draft your creations before committing to ink. This holder is designed so that you can easily customise the angle of the nib to suit your calligraphy style. The balance of the pen has been refined so that the centre of gravity sits between your forefinger and your thumb joint, making it feel neither top nor bottom heavy. Learn More
  23. Rohrer & Klingner Liquid Watercolour Inks

    Rohrer & Klingner Liquid Watercolour Inks

    Starting at: £9.30

    Call to Order

    Liquid Watercolour (series 27). 18 shades of highly concentrated organic pigment in a light acrylic base. Low dosage of the binder allows dried colour to be dissolved up to 24 hours after application. Colours retain their strength when diluted with water, Drying Retarder or Gloss Intensifier mediums. Undiluted applications may bronze when dry. Learn More
  24. Schmincke Lino Water-based Inks 250ml

    Schmincke Lino Water-based Inks 250ml

    Starting at: £21.10

    Call to Order

    Water based inks for block printing and linocut. Learn More
  25. Canson Mi Teintes Pastel Paper A4

    Canson Mi Teintes Pastel Paper A4

    Starting at: £12.00

    Call to Order

    Each pack contains 25 sheets (21cm x 29.7cm / A4) of 50% cotton, 160GSM pastel paper. Features: Acid free, tub sized, antique wove, roller marked, textured surface. Learn More
  26. Flake White Pigment

    Flake White Pigment

    Starting at: £18.75

    Call to Order

    PW1

    Flake White Pigment, sometimes referred to as Lead White or Cremnitz White, is an artificial mineral pigment, lead carbonate. It is no longer available as a paint, due to its extreme toxicity. For this reason, great care must be taken when handling the dry pigment.

    It is not usuable in water-based media, but works well in oils. It creates a flexible paint film that dries quickly. Although opaque, small quantities do not dominate mixtures, and can help slow-drying pigments to dry. For this reason, it has been a popular mixing white historically; in fact, until the mid-19th century, Flake White was the only white pigment available to artists. Although varnishing is generally considered optional for oil paintings, it is recommended for works containing Flake White, as contact with sulphur in the atmosphere can cause it to blacken. It creates a warm white, which can yellow over time when mixed with linseed oil.

    Toxicity: D

    Permitted uses: Restoration of art works and protected buildings when alternatives unsuitable.

    Learn More
  27. Artists' Giant Willow Charcoal pictured with ruler for scale

    Artists' Giant Willow Charcoal Stick

    £14.60

    Call to Order

    Each stick measures approximately 53cm in length and 35-40 mm in diameter. Learn More
  28. Asphaltum Powder

    Asphaltum Powder

    Starting at: £14.30

    Call to Order

    Used in etching grounds and stopping out varnishes. Can be used as a blackish brown colourant but when combined with oil causes wrinkling and cracking. Learn More

Items 211 to 238 of 238 total

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