Search results for: 'acrylic'

Burnt Green Earth Pigment

Starting at: £8.00

PG23 Burnt Green Earth is a semi-transparent pigment that is stable in all media, although it may be difficult to incorporate into an acrylic binder. A calcined form of Green Earth, it has a low tinting strength, long drying time, and is very lightfast. Toxicity: B Limeproof Learn More

Pro Arte Series E Hog Fan

Starting at: £6.25

Used for blending and softening adjacent areas of oil and acrylic colour. Suitable for thicker layers of colour. Learn More

da Vinci Series 5598 CASANEO Watercolour brush, round

Starting at: £6.60

CASANEO water colour brush round - Made from extra soft synthetic fibres with an extraordinary elasticity and an extremely high colour absorbing capacity - Short black polished handles - For watercolour, reverse glass and silk painting, design, graphic and retouching - Extraordinary elasticity and extremely high colour absorption capacity - Particularly suitable for watercolour and fluid acrylic colour Learn More

Omega Series 70 Hog Fitch Round

Starting at: £14.90

Soft round Italian hog hair with long flexible bristles and good colour holding capacity. Ideal for large scale painting in oils or acrylics. 100% pure hog hair. Learn More

Lefranc Flashe 80 ml

Starting at: £9.70

Flash vinyl colours, like resin-based acrylic paints, can be diluted with water, dry very quickly and become insoluble once dry providing lasting flexibility and excellent preservation. They have an even matt finish which recalls primitive Italian fresco painting. This makes Flashe the ideal medium for all artworks to be photographed. Also popular for illustration, graphics, comics, model making, fresco and interior mural decoration. Learn More

da Vinci Series 498 Casaneo Synthetic Watercolour brush, round

Starting at: £15.00

CASANEO Wash brush - Made from extra soft synthetic fibres with an extraordinary elasticity and an extremely high colour absorbing capacity - Manufactured in plastic quills - Bound on black lacquered handles - Ideal for watercolour painting and liquid acrylic colours - Extremely high colour absorbing capacity - Extraordinary elasticity Learn More

Daler-Rowney Pearlescent Ink

Starting at: £6.65

Daler-Rowney Pearlescent Ink Learn More

Burnt Sienna Pigment

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Starting at: £4.00

PBr7

Burnt Sienna is a natural earth pigment that has been in use since antiquity. Our Burnt Sienna comes from Tuscany, and is produced by calcining Raw Sienna to temperatures of about 450 degrees Celsius. This process creates a rich warm colour and increases transparency. It also offers a good tinting strength, excellent lightfastness, and a fast to medium drying rate in oil. It is stable in all media but, like umber pigments, may be difficult to disperse in acrylic binders.

Toxicity B

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Terre Verte Pigment

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Starting at: £4.00

Terre Verte, sometimes known as Green Earth, is a natural earth pigment derived from clay coloured by iron silicate. As with other natural pigments, impurities can prevent it from fully dispersing in an acrylic binder, although it is a popular pigment in all other mediums. It has been in use since antiquity, providing excellent lightfastness and great transparency, with a low tinting strength. It requires a high volume of oil, and dries slowly to create a soft, flexible paint film. When calcined, Terre Verte becomes Burnt Green Earth.
Toxicity B Learn More

Rabbit Skin Glue

Starting at: £13.00

For sizing canvas prior to priming with an oil based primer. Do not use under acrylic primer. Soak overnight in water. Heat in double boiler (do not boil). Ratio water:size 13:1. Use while still warm. Rabbit Skin Glue do not contain any preservatives. 340 - 360 Bloom Learn More

Small, 15ml Pigment sizes

Starting at: £4.00

English Red Light Pigment Learn More

Primed Linen Panels

Starting at: £10.50

Hand-primed pure Belgian linen. Oil or Acrylic (universally) primed. Learn More

Burnt Umber Pigment

Starting at: £4.00

PBr7

Burnt Umber is a natural earth pigment from Italy, composed of iron oxide, manganese, and aluminium silicate. It is a form of Raw Umber that a has undergone a process of calcination, becoming warmer, more transparent and easier to disperse. It has a good tinting strength, and is very lightfast, quick-drying, and stable in all media. In oils it forms a hard, fairly flexible paint film, though it may be difficult to use in acrylic mediums.

Toxicity: B

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Rohrer & Klingner Antique Ink

Starting at: £10.20

The Rohrer & Klingner Traditional Ink range provides 18 colours of high luminance and brilliance, suitable for use with dip pens, brushes, fountain pens, and even airbrush devices. They can be used to produce crisp edges or more painterly washes. They have an acrylic resin base, with a high pigment content, and are completely intermixable. They can also be used in conjunction with Rohrer & Klingner's Drawing and Calligraphy range, to create an even more extensive range of tones. Learn More

Raw Sienna Pigment

Starting at: £4.00

PBr7

Raw Sienna is a natural earth pigment that dates back to antiquity. Our Raw Sienna comes from areas of Tuscany where the earth has been coloured by iron-rich minerals. It provides a good tinting strength, excellent lightfastness, and a fast to medium drying rate in oil. It is stable in all media but, like umber pigments, can be difficult to disperse in an acrylic binder. It is similar in composition to Yellow Ochre, but whereas Yellow Ochre contains a higher proportion of clay, Raw Sienna contains a higher proportion of silica. As a natural material, the exact colour and qualities of the resultant pigments can vary, but generally this difference creates a paler, more opaque Yellow Ochre, and a darker, more transparent Raw Sienna.

Toxicity: B

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Schmincke Aqua-Bronze

Starting at: £10.90

Formerly Tro Col, Schmincke Aqua-Bronze is a range of metallic gouache in dry powder form. Mix with distilled water. May also be mixed with acrylic mediums to give a rich colour. Light resistant, but not resistant to humidity. Learn More

Roberson Ormoline Gilding Medium

Starting at: £9.50

Acrylic size, fluid enough to use with dip pen. Pink colour. For gilding onto paper and parchment. Learn More

Roberson Pigment Binding Medium

Starting at: £10.70

Add Pigment Binding medium to dry or aqueously dispersed pigment to create acrylic colour. Learn More

Clove Bud Oil

£18.00

Clove Bud Oil 60ml Learn More

Roberson Studio Safe Beeswax Medium

Starting at: £18.60

A safe wax medium for impasto effects. This medium retains palette knife marks and brush strokes, remains thick and doubles paint easily, drying to a matt finish.

Studio Safe products are non-aromatic, non-flammable, and have a pleasant orange smell.

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Winsor & Newton Artists' Gloss Varnish

Starting at: £9.20

Ketone resin/white spirit. Water white liquid dries to non-yellowing glossy film. Learn More

Schmincke Malbutter Impasto Medium

Starting at: £8.20

A gel medium that increases the buttery character of oil colours and decreases their drying time. Useful for impasto techniques and knife application. Add to oils in a maximum ratio of 1:4. Contains alkyd resin.

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Schmincke Mussini Oil Medium 3

Starting at: £9.45

Accelerates drying. Learn More

Old Holland Early Oil Colours

Starting at: £38.95

Old Holland Early Oil Colours Learn More

Roberson 1810 Medium

Starting at: £34.20

This is a traditional, high-oil "fat" painting medium, made using the highest quality materials. It will retain colour strength, is resistant to bleeding, has good flow release, is ideal for blending, and can be mixed with oil colours in any ratio. When dry, it creates an enamel-like surface.

Contains: Stand oil, Cold-pressed Linseed oil, Canada Balsam, Rectified Spirit of Turpentine, Beeswax, Driers.

Clean tools in white spirit. Do not use as a varnish, always mix with oil colour.

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Roberson Florentine Medium

Starting at: £10.80

When Roberson Florentine Medium is mixed with oil colour, it is possible to paint freely on textile fabrics, which will stand up to subsequent hand-washing with soap and water. It may also be used when painting with oils on unprepared paper. Learn More

Schmincke Mussini Limited Edition Shungite Black 15 ml

£26.00

Schmincke Mussini Limited Edition Ruby Red 15 ml Learn More

Gamblin Oil Colours 150ml

Starting at: £27.20

* Only available online.* Robert Gamblin started making artists' oil paints in 1980. Since then he has built a reputation as both an innovative and imaginative maker of some of the best oils on the market today. As well as usual single pigment colours you would expect, the range also includes an interesting selection of neutral greys, beautiful metallics and the truly innovative Radiant range of pastel colours. Combining science and artistry, Gamblin paints are truly exceptional. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

Michael Harding Oil Paint Medium PM1

Starting at: £9.95

PM1 is a basic paint medium, designed to increase the flow of your oil paints and the gloss and transparency of your paint layers, adding to the depth and beauty of the your pigment colour. The inclusion of linseed stand oil in the recipe of this oil based medium prevents the “yellowing” of your paint film.

Recommendation: Add 10-20% to your oil colour as you require.

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Michael Harding Artists' Oil Colour Chart

£22.04

Michael Harding Artists Oil Colour Chart Learn More

Search results for 'acrylic'