Search results for 'red'
-
Faber-Castell Polychromos Pencil Sets
Starting at: £33.95
Faber-Castell Polychromos Pencil Sets, Please note, the Mahogany Box set is is available only to order. Please allow extra time for delivery. Learn More -
Viarco 24 Watercolour Pencil Set
£45.50Water-soluble coloured pencils in a limited edition set. Viarco silkscreen series. Learn More -
Potters Pink Pigment
Starting at: £22.00
PR233
Potter's Pink is an artificial mineral pigment produced by roasting tin oxide with various other oxides. It was first discovered in the pottery region of Staffordshire in the late-1700s, and in the following century Winsor & Newton introduced Potter's Pink into their watercolour range under the name "pink colour". It went on to become a popular addition to watercolour palettes, offering an opaque, lightfast colour with a weak tinting strength and a medium level of oil absorption.
Toxicity A
Learn More -
Faber-Castell PITT Artist Pen Sets
Starting at: £13.00
Faber-Castell Pitt Pen Set of 4 (Super Fine, Fine, Medium, Brush) Learn More -
Quinacridone Magenta Pigment
Starting at: £5.50
Quinacridone Magenta Pigment (PR122). Organic pigment. Very transparent. High tinting strength. Excellent Lightfastness. High oil absorption with slow drying rate. Requires wetting agent. Suitable for all media. Developed in the 1950's. Toxicity A/B. Learn More -
Quinacridone Scarlet Pigment
Starting at: £6.30
Quinacridone Scarlet Pigment (PR209). Organic pigment. Very transparent. High tinting strength. Excellent Lightfastness. High oil absorption with slow drying rate. Requires wetting agent. Suitable for all media. Developed in the 1950's. Toxicity A/B. Learn More -
-
Alizarin Crimson Pigment
Starting at: £4.50
PR83
Alizarin Crimson is a synthetic organic pigment that became available in 1868. It requires a wetting agent to disperse, and in oil it also absorbs a lot of liquid and dries very slowly to form a hard, brittle paint film. It is chemically identical to madder-root pigments and should be protected against UV light where possible as it can fade when applied onto a white ground, although it is less fugitive than its natural counterpart. Alizarin Crimson is a very transparent pigment, with a high tinting strength and slightly blue undertone.
Toxicity: A/B
Larger quantities are available by request.
Learn More -
-
Vermilion Imitation Pigment
Starting at: £8.20
Vermilion Imitation Pigment (PR4, PY1, PW21). Organic pigment. Mixture of Studio Red, Hansa Yellow (Azo) and Blanc Fixe. Semi-transparent. Good tinting strength. Good Lightfastness, but prone to fading when mixed strongly with white . Slow drying rate. Requires wetting agent. Suitable for all media. Used since early 20th Century. Toxicity A. Learn More -
Gamblin Etching Inks 300ml
Starting at: £20.90
Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of color mixing potential. Learn More -
Maimeri Restoration Colours
Starting at: £17.50
33 colours for restoration. Pigments, mastic resin and turpentine. Learn More -
Schmincke PRIMAcryl 250ml
Starting at: £25.30
ONLY AVAILABLE ONLINE[]. Schmincke PRIMAcryl is a high viscosity premium acrylic range. Artists quality high pigment content gives all the shades a new dimension of brilliance and expressiveness. The titanium white is unparalleled. It's high pigmentation, opacity and cover rate enables incredibly brilliant mixtures. No colour shift between the wet and dry states. High lightfastness level either 4 or 5 stars indicates the quality of these premium acrylic paints. All colours do not yellow and the dried paint layers are durable, flexible and water resistant. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Roberson Liquid Metal 250ml
Starting at: £18.90
Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. Coverage is approximately 7 square metres per litre. Two coats are required for most applications but if applied to walls or ceilings with a roller or a brush then three or four coats are recommended. Because of the highly reflective nature of the metallic paint when applying with a roller to a large area apply the paint evenly in long vertical strokes, finishing off the surface by rolling or brushing in one direction, i.e ceiling to floor. This will help to minimise overlapping and create a smooth and even finish. We recommend the use of a professional quality foam roller in order to achieve the best possible finish. When applying with a roller to a large area, apply the paint evenly in long vertical strokes. Finish off the surface by rolling one direction, i.e. ceiling to floor. This will help minimise overlapping and create a smooth, even finish. These paints can also be sprayed and this will produce the best and most consistent finish. To spray Liquid Metal Acrylics, you will need to use HVLP spray equipment with a 1.6mm or 1.8mm nozzle. To ensure proper flow, paint can be thinned with 25-30% water. Learn More -
Schmincke Mussini Limited Edition Shungite Black 15 ml
£26.00Schmincke Mussini Limited Edition Ruby Red 15 ml Learn More -
Cornelissen Historical Inks, Brazilwood
£6.50The highest quality ink ever found on illuminated manuscripts from medieval Britain. The muted peachy red of this ink is achieved by simmering brazilwood chunks in vinegar. Add a tiny drop of Oak Gall Ink to produce wonderfully bright violets.
Not suitable for fountain pens. Learn More -
Daniel Smith Artists Watercolour 5ml Tube
Starting at: £7.20
The 5ml range consists of 88 colours and includes some of the fabulous Primatek colours that are handmade with authentic mineral pigments and Quinacridones with their pure, intense colour combining the power of staining pigments with the luminosity of the transparents. They also have the more traditional favourites. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
Daler-Rowney Georgian Oil Colour 225 ml
Starting at: £14.50
Georgian Oil colour offers artists high performance at an economical and uniform price across all colours in the range. All 55 colours have fine working qualities and a high degree of performance. Learn More -
Golden Heavy Body Acrylic 236ml
Starting at: £29.40
The first acrylic colors offered by Golden Acrylic, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More -
da Vinci Series 5519 Squirrel/Sable Liner
Starting at: £23.95
Unusual combination of squirrel body and red sable tip facilitating the painting of long continuous lines. Learn More -
Cornelissen Historical Inks, Iron Oak Gall
Starting at: £9.00
Exclusive to Cornelissen, our intense black Iron Oak Gall Ink is inspired by a medieval recipe using oak galls collected in Cambridgeshire. The small, handmade batches are blended to give the required consistency and strength, and are steeped for several weeks and allowed to mature for several more. Lightfast and fully waterproof 5-7 days after application, Oak Gall Ink has been used for centuries by calligraphers and scribes to create illuminated manuscripts and legal documents. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence. As with all products derived from natural ingredients, there may be slight variations in the colour and consistency of the ink due to seasonal changes. Not Suitable for fountain pens.
-
Schmincke Mussini Artists' Oil 35 ml
Starting at: £10.80
Mussini resin oil colours are based on a Florentine recipe, passed on to the German company Schmincke in 1881, in which excess oil is replaced by natural resins. The result is a balanced range of 101 colours with improved brilliance and lustre especially suited to working in glazes. Learn More -
Winsor & Newton Artists' Oil Colour 37 ml
Starting at: £10.15
This long established artists' quality oil colour range of 113 colours is well known for its firm consistency and excellent handling properties. Learn More -
Winsor & Newton Calligraphy Inks
Starting at: £6.20
18 vibrant colours, lightfast, non-clogging and fully intermixable. Non-waterproof. Learn More -
-
Cinnabar Pigment
Starting at: £16.00
PR106
Cinnabar, composed of mercuric sulphide, is a mineral pigment found in crusts or veins in sites of volcanic activity. It has good tinting strength and opacity but, like many red pigments, it dries very slowly in oil media. Due to its high toxicity, it is no longer an ingredient in commercial paints, but is a prominent colour in historical palettes.
Generally, Cinnabar refers to the natural mineral, while Vermilion refers to the synthetic pigment. Cinnabar has been mined since at least the tenth millennium BC, and used as a painting material, gemstone, and ritual object by many cultures around the globe. Toxicity D.
Larger sizes available on request.
Learn More -
Sennelier Oil Pastels Standard
Starting at: £2.85
Beautifully soft and creamy oil pastels in a range of 120 colours. Blend of pure pigment, oil and acid free wax. 10% discount for 10+ pastels. 20% discount for 20+ pastels. Learn More -
Michael Harding Artists' Oil Colour 40 ml
Starting at: £9.20
Michael Harding Artists’ Oil Colours are formulated to the highest possible standards. They do not include any fillers, extenders or driers and the high pigment content of the paint ensures a greater resistance to fading. The range includes 86 rich, intense colours which have a stiff and viscous texture. We have high stock levels on all Series numbers including 5,6 & 7 in larger sizes. Learn More -
Cornelissen Historical Inks, Doomsday
£10.50Oak Gall Ink was originally used in monasteries and by the Crown in medieval Britain. Doomsday Ink initially lays down as a medium blue-grey, darkening to a rich, matte black, slightly warmer in tone than our other Oak Gall Inks. When diluted, beautiful warm red undertones are revealed due to the presence of wine within the mixture.
Not suitable for fountain pens.
Learn More -
Golden Heavy Body Acrylic 59ml
Starting at: £11.70
The first acrylic colors offered by Golden Acrylic, Heavy Body paints are known for their exceptionally smooth, buttery consistency. The Heavy Body palette includes the largest assortment of unique pure pigments in a 100% acrylic emulsion available to professional artists. These colours offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. MULTI-BUY DISCOUNT Buy any five tubes of 59ml Golden Acrylic Heavy and get 10% discount. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More