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Cranfield (Spectrum) Linseed Oil Paste
Starting at: £24.65
Call to Order
From the Cranfield website:
An almost transparent painting medium based on refined linseed oil and alumina. It is similar in consistency to Studio Oil Colours in tubes. It does not promote quick drying and may be used to extend oil colours. It can be used in large ratios where the desired effect is to increase yellowing and darkening of pale colours. It will not increase gloss.
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da Vinci Series 5025 Impasto Mottler
Starting at: £10.50
Extra strong white synthetic bristles, short lenght short blue polished handle, rust proof steel ferrule. Learn More -
Factis Erasers
Starting at: £0.80
Factis erasers are safe, harmless and non-toxic. They do not contain phthalates (which are used as plasticizers in certain industrial processes), heavy metals or aromatic additives. Learn More -
Schmincke Transparent Primer 50516
£24.40Transparent, lightfast and age-resistant primer. Slightly absorbent character and slightly rough surface. The elastic film dries transparent and water-resistant. After drying it can be overworked with pastels, acrylic, gouache and oil colours. However, this primer does not adhere perfectly on other primers so it is not recommended for mixing techniques with water-colours. Learn More -
da Vinci Series 5519 Squirrel/Sable Liner
Starting at: £23.95
Unusual combination of squirrel body and red sable tip facilitating the painting of long continuous lines. Learn More -
Tissue Paper
Starting at: £0.07
Call to Order
Tissue Paper. White, acid free. Pack quantity 500 sheets. Learn More -
Gamblin Etching Inks 300ml
Starting at: £20.90
Gamblin Etching Inks were formulated at the request of professional printmakers in the Pacific Northwest who wanted strong reliable inks for edition printing. The palette of pure intense pigments offers a broad range of color mixing potential. Learn More -
Schmincke Watercolour Fixative
Starting at: £17.20
Final fixative for watercolours. No colour changes when applied in thin layers. May increase transparency of paper. Unable to send overseas. Learn More -
Gamblin Relief Printing Inks 175ml
Starting at: £16.00
Gamblin Relief Inks are formulated for all relief techniques, including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail yet spread evenly on the block or plate. The palette of ten colors is designed to give artists intense pure pigmented colors straight from the jar, along with a wide range of color mixing capabilities. Gamblin Relief Inks are all bound in the highest quality Burnt Plate Oil. Learn More -
Cornelissen Historical Colours Ink Set
£18.50Three historical coloured inks, handmade to traditional recipes. 3 x 30 ml high quality glass bottle with black plastic lid. Green Hawthorn Ink. Brazilwood Ink. Yellow Hawthorn Ink. Learn More -
Cornelissen Variegated Metal Leaf 236
Starting at: £17.00
Cornelissen Variegated Metal Leaf 236 Learn More -
Cornelissen Historical Inks, Jane Austen Ink 30ml
£10.50This ink is made to the recipe that Jane Austen used to draft her novels. Austen's maid took this formula from Martha Lloyd's book, ‘The House Keeper’. She used good-quality English oak galls, but poorer quality beer than Isaac Newton, and added a little sugar. Her recipe is less stable and turns ‘antique brown’ over a long period of time, while Sir Isaac Newton's remains black. Initially a medium blue-grey, it darkens to a rich matte back, slightly warmer in tone than our regular Oak Gall Ink. It is made in small batches and blended to give the required consistency and strength, and is fully waterproof in 5-7 days. Permanent and lightfast, it has been steeped for several weeks and left to ‘mature’ for several more in the bottle. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence.
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Michael Harding Watercolours, Botanical Set, 10 x 15ml tubes
Starting at: £138.00
Michael Harding Watercolours, Botanical Set, 10 x 15ml tubes, including: Phthalocyanine Blue Lake, Sap Green, Hookers Green, Aqua Green, Bright Green Lake, Green Gold, Yellow Benzimidazolone, Quinacridone Gold, Burnt Sienna and Quinacridone Rose. Learn More -
Maimeri Strong Solvent for Restoration 75 ml
£22.00Maimeri Strong Solvent for Restoration 75ml. Learn More -
Alizarin Crimson Pigment
Starting at: £4.50
PR83
Alizarin Crimson is a synthetic organic pigment that became available in 1868. It requires a wetting agent to disperse, and in oil it also absorbs a lot of liquid and dries very slowly to form a hard, brittle paint film. It is chemically identical to madder-root pigments and should be protected against UV light where possible as it can fade when applied onto a white ground, although it is less fugitive than its natural counterpart. Alizarin Crimson is a very transparent pigment, with a high tinting strength and slightly blue undertone.
Toxicity: A/B
Larger quantities are available by request.
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Chinese Brush, White Cloud, Bristle and Goat Hair, Small
£5.00Extra strength, 'White Cloud' brush. A versatile brush for painting and calligraphy. 2 cm brush head. Learn More -
Cranfield (Spectrum) Clear Acrylic Canvas Sealer
Starting at: £11.60
Use when a transparent primer is needed. Can also be used under acrylic or oil primer. Learn More -
Cornelissen Oil Sable Filbert
Starting at: £8.45
Similar to the Sable Round but with a filbert shape combining the characteristics of rounds and flats. Excellent spring and colour holding capacity. Learn More -
Cornelissen Historical Inks, Brazilwood
£6.50The highest quality ink ever found on illuminated manuscripts from medieval Britain. The muted peachy red of this ink is achieved by simmering brazilwood chunks in vinegar. Add a tiny drop of Oak Gall Ink to produce wonderfully bright violets.
Not suitable for fountain pens. Learn More -
Cornelissen Iron Oak Gall Ink Set
£30.00Three historical oak gall inks handmade to traditional recipes. Jane Austen Ink. Sir Isaac Newton Ink. Doomsday Ink. Learn More -
Chinese Liquid Ink
Starting at: £10.00
Thick, black ink for use wih dip pen, reed pen or bush. Learn More -
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Cornelissen Variegated Metal Leaf 227
Starting at: £23.00
Cornelissen Variegated Metal Leaf Learn More -
Stil de Grain
Starting at: £12.20
NY13:75640 Stil de Grain is a natural yellow pigment derived from unripe buckthorn berries, which were also once used to produce sap green pigment before the introduction of synthetic alternatives. Stil de Grain may also be known as brown lake, yellow lake, Persian lake, buckthorn lake, Dutch pink, yellow carmine and Italian pink. It has a weak tinting strength, and is very transparent, especially in oil. When mixed with oil, the pigment becomes saturated, darkening considerably in colour and drying very slowly, whereas in a water-based paint it is appears as a warm yellow. It is very fugitive to light, and compatible with all media, except lime. Larger quantities are available by request. Learn More -
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Michael Harding Watercolours, Spring Floral Set, 6 x 15ml tubes
Starting at: £82.00
Michael Harding Watercolours, Spring Floral Set, 6 x 15ml tubes, including: Quinacridone Gold, Yellow Lake, Moss Green, Hookers Green, Phthalo Blue Red Shade, and Quinacridone Rose. Learn More -
Cornelissen Variegated Metal Leaf 282
Starting at: £23.00
Cornelissen Variegated Metal Leaf 282 Learn More -
Cornelissen Historical Inks, Doomsday
£10.50Oak Gall Ink was originally used in monasteries and by the Crown in medieval Britain. Doomsday Ink initially lays down as a medium blue-grey, darkening to a rich, matte black, slightly warmer in tone than our other Oak Gall Inks. When diluted, beautiful warm red undertones are revealed due to the presence of wine within the mixture.
Not suitable for fountain pens.
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Quinacridone Magenta Pigment
Starting at: £5.50
Quinacridone Magenta Pigment (PR122). Organic pigment. Very transparent. High tinting strength. Excellent Lightfastness. High oil absorption with slow drying rate. Requires wetting agent. Suitable for all media. Developed in the 1950's. Toxicity A/B. Learn More