Search results for 'roberson'
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Universal Lacquer
Starting at: £14.40
Use to protect metal & silver leaf, white gold, Ormoline paint & Robersons Liquid Metal range. Provides extra protection on exterior projects & high-wear areas. It dries crystal clear with a satin finish, and is non-yellowing. Learn More
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Cornelissen Lemon Oil
Starting at: £12.30
Lemon oil is an essential oil, primarily used for its scent. Learn More -
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Studio Safe Retouching Damar Varnish
Starting at: £15.20
Studio Safe Retouching Damar Varnish. Use where dull or sunken areas of a painting need lifting. Learn More -
Studio Safe Gloss Picture Varnish
Starting at: £17.90
Studio Safe Gloss Picture Varnish. Dries to a gloss finish Learn More -
Studio Safe Liquid Medium
Starting at: £17.10
Studio Safe Liquid Medium is a mix of Studio Safe Solvent and natural artists' oils. It is used to thin paint and increase gloss. This product is non-aromatic, non-flammable and has an orange scent. Learn More -
Polished Copper Plate 1 mm
Starting at: £16.90
Call to Order
Polished Copper Plate, 1 mm thick. Learn More -
Roberson Silverpoint Drawing Ground
Starting at: £13.00
A natural bone ash primer for paper and card for silverpoint drawing, tinted to a traditional off white or sanguine finish. Learn More -
Roberson Improved Gold Body 15 ml
£11.50Raising preparation for illumination. Yellow colour. Learn More -
Roberson Brunswick Black
Starting at: £14.10
White spirit-based slower drying alternative to SOV. Learn More -
Roberson PVA
Starting at: £12.60
PVA mixes with pigments to make glossy acrylic colours or an easy colour wash for walls. Also suitable as an adhesive. Learn More -
Roberson Clear Shellac Varnish
Starting at: £11.50
Fast drying varnish for metal leaf. May also be used to seal absorbent surfaces prior to sizing. Cellulose based. Clean brushes with methylated spirits. Learn More -
Roberson CRP Picture Cleaner
Starting at: £19.00
Cleansing/Reviving/Preserving wax paste for oil paintings, sculptures, any painted & polished surfaces except drawings, water colours or pastels. Learn More -
Roberson Water Gold Size 15 ml
£12.30Traditional size for illumination. Made with natural gums. Yellow colour. Learn More -
Roberson Pigment Binding Medium
Starting at: £10.70
Add Pigment Binding medium to dry or aqueously dispersed pigment to create acrylic colour. Learn More -
Roberson Beeswax Picture Varnish
Starting at: £10.20
A final picture varnish suitable for both oil and acrylic paintings. unable to send overseas. Learn More -
Roberson Acrylic Gloss Medium
Starting at: £11.20
(Copolymer emulsion) add to pigment to make acrylics. May also be added to prepared acrylic colours to extent them and increase gloss. Learn More -
Roberson Maroger Medium
Starting at: £18.60
Roberson Maroger Medium can be mixed in equal parts with oil colours to give a lasting brilliance and workable consistency to paints. It prevents sinking when using a wet-in-wet techniques.
Contains: Damar Resin, Gum Arabic, Linseed Oil
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Roberson Gum Ammoniac
Starting at: £14.00
Natural gum size made to a traditional recipe. Gum Ammoniac is useful for gilding in small areas and, more generally, in detailed gilding. Two applications are needed if gilding on absorbent paper. Raised areas can be developed by using several layers and allowing each layer to dry first. Gum Ammoniac can be reactivated by breathing on the gum surface. Gum Ammoniac comes to us from Asia and is increasingly hard to source. Learn More -
Roberson Mastic Varnish Extra Thin
Starting at: £18.50
Roberson Mastic Varnish Extra Thin. Unable to send overseas. Learn More -
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Roberson Studio Safe Beeswax Medium
Starting at: £18.60
A safe wax medium for impasto effects. This medium retains palette knife marks and brush strokes, remains thick and doubles paint easily, drying to a matt finish.
Studio Safe products are non-aromatic, non-flammable, and have a pleasant orange smell.
Learn More -
Roberson Mastic Varnish Ordinary
Starting at: £18.50
Roberson Mastic Varnish Ordinary. Unable to send overseas. Learn More -
Roberson Matt Medium
Starting at: £13.50
Roberson's Matt Medium creates a dead-flat finish when mixed with oil colour. It aids the flow and increases the artist's control of oil paint, allowing for smooth application flat brush marks with low edges. It can be mixed with oil paint in any ratio. Learn More -
Roberson Pocket Synthetic Travel Brush
Starting at: £15.30
High quality synthetic hair with excellent pointing ability. Double section handle protects the brush head in transit and unscrews to form a comfortable handle. Learn More -
Roberson Florentine Medium
Starting at: £10.80
When Roberson Florentine Medium is mixed with oil colour, it is possible to paint freely on textile fabrics, which will stand up to subsequent hand-washing with soap and water. It may also be used when painting with oils on unprepared paper. Learn More -
Roberson Gilt Wax Medium
Starting at: £15.00
To use as a medium, mix with burnishable bronze powders in equal parts. Or use to protect imitation leaf, metal, wood, furniture and paintings. Learn More -
Roberson Impasto Medium
Starting at: £16.50
Roberson Impasto medium is a crack-resistant medium for impasto effects. It retains palette knife and brush strokes, giving the paint sharp, defined edges. It remains thick and doubles paint easily, drying to a matte finish. To retain colour strength, mix one part medium to one part oil colour.
Contains: Stand Oil, Damar Resin, Turpentine, Bleached Beeswax.
Learn More -
Roberson Linseed Stand Oil
Starting at: £10.50
Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates.
Stand Oil is paler and more viscous than other Linseed Oils, having been heated and kept at temperature to provoke a molecular change. It is not suitable for grinding colours, but it is a very versatile ingredient that can be thinned with turpentine to create a glazing medium or be included in a varnish. Stand Oil is notable for its ability to smooth out brush strokes to create an enamel-like surface.
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