Search results for 'red'

PR101

Red Ochre is a synthetic iron oxide pigment which provides the same level of semi-opacity that is associated with natural ochres. It has a good tinting strength and is stable in all media, including lime mortar. 

Toxicity B

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PR105

Lead Red is an early articficial pigment that dates back to antiquity. It is created by heating Lead White or Litharge at a constant temperature of 480ºC over a prolonged period of time. It is a fast-drying colour, with good tinting strength and opacity, and has been widely used as an underpaint for gilding and in industry. However, it is highly toxic and generally unstable, so has fallen out of use in favour of Cadmium pigments. The acid in linseed oil causes Lead Red to darken, and it can solidify when stored in a tube. In water-based mediums, it can turn black.

Toxicity: D 

Please note, unfortunately we are not able to send this product outside the UK.

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Coral Red Pigment, Toxicity A/B Learn More

PR108

Cadmium Red Deep is a synthetic organic pigment, which has been in use since the 1920s, effectively replacing vermilion. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film.

Larger quantities are available by request.  

Limeproof

Toxicity: C

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PR108

Cadmium Red is a synthetic organic pigment, which has been in use since the 1920s, effectively replacing vermilion. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film.

Larger quantities are available by request.  

Limeproof

Toxicity: C

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Quinacridone Red Pigment (PV19). Organic pigment. Very transparent. High tinting strength. Excellent Lightfastness. High oil absorption with slow drying rate. Requires wetting agent. Suitable for all media. Developed in the 1950's. Toxicity A/B. Learn More

PR101

Mars Red is an artificial mineral pigment. Its pigment code, PR101, refers to a wide spectrum of synthetic iron oxide pigments including yellows, oranges, reds, violet-browns and green-browns, which replace many natural earth colours to provide pigments without impurities and with great opacity. It has a good tinting strength, is lightfast and stable in all media, and has a medium drying time in oil.

Toxicity: B

Limeproof

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PR101

Indian Red was imported into the UK during the nineteenth century, its present-day equivalent is a synthetic iron oxide. Its pigment code, PR101, refers to a wide spectrum of synthetic iron oxide pigments including yellows, oranges, reds, violet-browns and green-browns; Indian Red is a slightly cool, bluish shade of red. It is semi-opaque, stable in all media, lightfast, and possesses a good tinting strength 

Toxicity: B

Limeproof

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Pozzuoli Red is a natural earth pigment that was originally found in the volcanic areas in Pozzuoli, Italy. It was unique for its cement-like setting qualities due to naturally occurring silica. Modern Pozzuoli Red refers to the warm red colour rather than this physical characteristic.

Toxicity: B

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NR4

Carmine has been used as a dye and pigment since antiquity. Originally derived from the kermes insect, it was replaced by cochineal following the discovery of the Americas. It has a good tinting strength and is very transparent, although it is fugitive to light.

Larger quantities are available by request.

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Venetian Red Pigment (PR101). Iron oxide and chalk. Semi-transparent and very lightfast. Stable in all media.

Limeproof

Toxicity: B

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English Red Light Pigment Learn More

Translucent Red Oxide (PR101). Artificial mineral pigment, hydrated ferric oxides. Transparent and very lightfast. Stable in all media, medium drying rate in oil. Toxicity B. Learn More

Pearl Lustre Pigments 7g. Colour swatch on the left indicates colour on a White Background and Colour on a Black Background on the right. Learn More

English Red Light Pigment Learn More

Rosin is the powdered form of colophony, which is a by-product of the distillation of turpentine. Its primary application is to create tonal areas on metal plates as an aquatint resist. It is also an additive in etching grounds, where it gives a hard surface to the otherwise soft wax. Learn More

Carrageen Moss is a seaweed that is gathered from the Irish coast, whose natural thickening properties are often exploited by the food industry. It is also used as a size in traditional paper marbling, as it allows colours to float and be manipulated on the surface of the water. Learn More

PR108

Cadmium Red is a synthetic organic pigment that has been in use since the 1920s. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film. This shade has been formulated to imitate the bright hue of vermilion.

Larger quantities are available by request.  

Limeproof

Toxicity: C

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Vermilion Imitation Pigment (PR4, PY1, PW21). Organic pigment. Mixture of Studio Red, Hansa Yellow (Azo) and Blanc Fixe. Semi-transparent. Good tinting strength. Good Lightfastness, but prone to fading when mixed strongly with white . Slow drying rate. Requires wetting agent. Suitable for all media. Used since early 20th Century. Toxicity A. Learn More

Ultramarine Pink Pigment, Toxicity A/B Learn More

Quinacridone Scarlet Pigment (PR209). Organic pigment. Very transparent. High tinting strength. Excellent Lightfastness. High oil absorption with slow drying rate. Requires wetting agent. Suitable for all media. Developed in the 1950's. Toxicity A/B. Learn More

Quinacridone Magenta Pigment (PR122). Organic pigment. Very transparent. High tinting strength. Excellent Lightfastness. High oil absorption with slow drying rate. Requires wetting agent. Suitable for all media. Developed in the 1950's. Toxicity A/B. Learn More

PR83

Alizarin Crimson is a synthetic organic pigment that became available in 1868. It requires a wetting agent to disperse, and in oil it also absorbs a lot of liquid and dries very slowly to form a hard, brittle paint film. It is chemically identical to madder-root pigments and should be protected against UV light where possible as it can fade when applied onto a white ground, although it is less fugitive than its natural counterpart. Alizarin Crimson is a very transparent pigment, with a high tinting strength and slightly blue undertone.  

Toxicity: A/B

Larger quantities are available by request. 

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PR233

Potter's Pink is an artificial mineral pigment produced by roasting tin oxide with various other oxides. It was first discovered in the pottery region of Staffordshire in the late-1700s, and in the following century Winsor & Newton introduced Potter's Pink into their watercolour range under the name "pink colour". It went on to become a popular addition to watercolour palettes, offering an opaque, lightfast colour with a weak tinting strength and a medium level of oil absorption.

Toxicity A

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PR108

Cadmium Brown is a shade of Cadmium Red, a synthetic organic pigment that has been in use since the 1920s. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film.

Larger quantities are available by request.  

Limeproof

Toxicity: C

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PR106

Cinnabar, composed of mercuric sulphide, is a mineral pigment found in crusts or veins in sites of volcanic activity. It has good tinting strength and opacity but, like many red pigments, it dries very slowly in oil media. Due to its high toxicity, it is no longer an ingredient in commercial paints, but is a prominent colour in historical palettes.

Generally, Cinnabar refers to the natural mineral, while Vermilion refers to the synthetic pigment. Cinnabar has been mined since at least the tenth millennium BC, and used as a painting material, gemstone, and ritual object by many cultures around the globe. 

Larger sizes available on request.

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Pearl Lustre Pigments 1 kg. Colour swatch on the left indicates colour on a White Background and Colour on a Black Background on the right. Learn More

Pearl Lustre Pigments 100g. Colour swatch on the left indicates colour on a White Background and Colour on a Black Background on the right. Learn More

Aidan Hart Pigment Set. Nine pigment colours especially selected for L. Cornelissen & Son by Aidan Hart, renowned icon painter, writer and lecturer. Ultramarine Blue, Raw Umber, Yellow Ochre Light, Terre Verte, English Red Light, Ivory Black, Warm Ochre, Red Ochre, Titanium White. Learn More