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Lascaux Tusche Soft Ground Effect 500ml
£42.90This slow drying viscous tusche has been designed to produce effects similar to soft ground in traditional etching. Using this method soft non-printing drawings may be made and impressions of fabric, leaves, feathers and other collage materials may be taken. The tusche can also be used for a broad range of painted marks and can be drawn into with paint shapers and other tools. The diluted tusche dries to creategranular washes. Dry marks can be re-wet and altered. Learn More -
Komasuki 1.5mm (U Shape)
£31.00The Komasuki is similar to western style “U” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Japanese Easy Grip Tento Carving Set
£21.00Tento easy grip carving set. This set comes in a plastic box and contains 5pcs, including; 7.5mm Hangi-toh (knife), 7.5mm Aisuki (flat), 6mm Komasuki (U), 3mm Komasuki (U), 3mm Sankatu-toh (V). These are pencil style tools with a soft easy grip, non-slip rubber ferrule and plastic handle. The handle is longer when compared to the traditional tools, perfect as an introduction to Mokuhanga printing. Learn More -
Deburring Plate Tool
£12.60Specially designed swivelling blade will quickly remove sharp edges from copper, zinc and plastic plates to create a light bevelled edge. Learn More -
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Intaglio Etching Set
£88.60The selection covers the basic tools for traditional etching as well as copper and wood engraving. The set consist of small curved burnisher, twisted double needle, scraper and fine, medium and large burin square engraving tools. Learn More -
Rohrer and Klingner Writing Ink 50ml
Starting at: £6.40
Writing Ink (series 40). Dye based inks suitable for fountain pens and many other calligraphy tools. Not waterproof or lightfast. The range of 18 shades includes two Iron Gall inks modified from a traditional recipe to be suitable for fountain pens. The Iron Gall inks are lightfast, deepen in colour with oxidisation over time and are permanent. All colours, with the exception of Sepia, are intermixable. Learn More -
Kentonomi
£37.00Kentonomi, this chisel is used to cut the traditional Mokuhanga Kento registration mark. This tool is 15mm wide and may be used with a mallet. Learn More -
Genuine Malachite Watercolour 1/4 pan
£19.01Shell gold, so named because it was historically made and stored in a shallow shell such as a mussel shell, consists of finely powdered genuine gold mixed with a variety of gums. It is mixed with a bit of water and applied in the same way as watercolour. After drying for an hour or so, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
Our Shell gold is used by calligraphers, framers, restorers, iconographers and watercolour artists.
In recent years our colour range of genuine gold has been extended and genuine Lapis Lazuli and genuine Malachite have also been added. Learn More -
Schmincke Mussini Oil Medium 3
Starting at: £9.45
Highly siccative painting medium. Dries on the palette with 40 minutes. Use sparingly to prevent gloss.
From the Schmincke website:
Medium for oil colours rich in resin (“lean”). Accelerates drying; increases gloss and depth; makes the colour layers more resistant. Close immediately after use. Dosage: 10% to 20%.
Contains: aldehyde resin, mineral spirit, siccative, stand oil.
Learn More -
Easy Grip Crible Point Sharp No 93
£13.90Easy Grip Crible Point Sharp #93 A traditional crible point for creating indentations in the plate. 120mm length dot. -Heavy duty tool with tapered shaft ending in a small dot -Tempered steel Crible points are designed to put small holes or indentations in the surface of the plate, creating a dotted or stippled pattern. Learn More -
Traditional Sumi Baren
£46.50Traditional Japanese "ba-ren" is the pressing and rubbing tool for printing. The inner coil or "shin" consists of flat strips of bamboo twisted together into strands and then into a long cord. The cord is then coiled onto a backing disk made from either layers of washi paper, carved wood or plastic. Finally a bamboo sheath or "takenokawa" is used as a covering, with rubbing surface for printing one side and a twisted handle for the artist to hold on the other. Over time the outer sheath may need replacing due to wear and friction of printing. Our "sumi" baren is made in the traditional way with a plastic backing disk and has a finer coil. It is 130mm across and is suitable for printing the "key block" and fine details. This baren comes in a presentation box. Replacement bamboo sheaths are available to order specially. Learn More -
Japanese Woodcut Tool Set 7
£205.00Japanese Woodcut Tools Set of 7, in a wooden box. Cherrywood handles with hard, durable, High Speed Steel chisels. Sizes: Hangito (Knife) 6 mm Komasuki (U) 3 mm, 6 mm Aisuki (Flat) 1.5 mm, 3 mm, 6 mm V 4.5 mm Learn More -
Georgeson & Son Mahl Sticks
Starting at: £26.00
Each Hazel shaft used in the creation of our Mahl poles is individually selected for straightness and overall appearance before being dried and prepared. We use hazel for strength, weight, and the appearance of its rich brown bark when linseed is applied.
Our pommels and handles are made from a stock of fine Italian leather, used for its durability and flex during assembly.
"Georgeson and Son established in 2012 with a singular aim. To resurrect and manufacture forgotten Artist's tools by hand, as carefully and as beautifully as possible.
A desire to make useful things that will last underpins all that we do. We use only the finest quality materials, sustainably sourced and refuse to compromise this quality for the sake of profitability."
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Sankaku-toh 4.5mm (V Shape)
£36.00The Sankaku-toh is similar to western style “V” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Shell Gold Watercolour 1/4 pan Palladium
£41.00Shell gold, so named because it was historically made and stored in a shallow shell such as a mussel shell, consists of finely powdered genuine gold mixed with a variety of gums. It is mixed with a bit of water and applied in the same way as watercolour. After drying for an hour or so, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
Our Shell gold is used by calligraphers, framers, restorers, iconographers and watercolour artists.
In recent years our colour range of genuine gold has been extended and genuine Lapis Lazuli and genuine Malachite have also been added. Learn More -
Schmincke Mussini Oil Medium 2
Starting at: £9.45
A slow-drying medium that allows for extending the working period, wet-in-wet painting and blending techniques.
From the Schmincke website:
Medium for oil colours rich in oil. Retards drying; allows wet-in-wet painting; its high content of oil and resin improves the gloss and develops a smooth, elastic film. Dosage: 10% to 20% maximum.
ontains: sunflower oil, stand oil, mineral spirit, aldehyde resin
Learn More -
Aisuki 1mm (Chisel Shape)
£28.00The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Roberson 1810 Medium
Starting at: £34.20
This is a traditional, high-oil "fat" painting medium, made using the highest quality materials. It will retain colour strength, is resistant to bleeding, has good flow release, is ideal for blending, and can be mixed with oil colours in any ratio. When dry, it creates an enamel-like surface.
Contains: Stand oil,Cold-pressed Linseed oil, Canada Balsam, Rectified Spirit of Turpentine, Beeswax, Driers.
Clean tools in white spirit. Do not use as a varnish, always mix with oil colour.
Learn More -
Aisuki 4.5mm (Chisel Shape)
£28.00The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Shell Gold Watercolour 1/4 pan Silver
£27.00Shell gold, so named because it was historically made and stored in a shallow shell such as a mussel shell, consists of finely powdered genuine gold mixed with a variety of gums. It is mixed with a bit of water and applied in the same way as watercolour. After drying for an hour or so, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
Our Shell gold is used by calligraphers, framers, restorers, iconographers and watercolour artists.
In recent years our colour range of genuine gold has been extended and genuine Lapis Lazuli and genuine Malachite have also been added. Learn More -
Lascaux Coloured coating for Hard Resist
Starting at: £38.70
These black or white coatings may be painted onto a dry layer of Hard resist so that the drawing made with etching tools is highly visible. The coloured coatings are not acid-resistant and are designed to be washed away with water before the plate is stopped-out or etched. Learn More -
Illumination Gold and Colour Book
£15.00Patricia Lovett is one of the world’s leading authorities on the techniques and practical processes of making mediæval manuscripts. She lectures and teaches all over the world on calligraphy and illumination, and has written about a dozen books on these subjects, as well as producing a DVD – Illumination – Tools, Materials, Techniques, Projects. Patricia has run calligraphy courses as well as those on traditional manuscript gilding and painting techniques, and was awarded an MBE for her services to heritage crafts and calligraphy. This book takes the beginner and those with more experience through step-by-step processes to produce simple and easy projects using cheap metals and modern adhesives, and also to create mediæval miniatures and illuminated scrolls on vellum (animal skin). Learn More -
Silverpoint Pencil
£22.95The Cornelissen Silverpoint Pencil is comprised of a wooden handle sheathing a 50 mm length of silver. Diameter of the silver point is 1.6 mm. Overall length is 175 mm. The silver point can be sharpened or rounded like a lead pencil. Learn More -
Metalpoint Wire
Starting at: £0.50
Metalpoint Wire, sold as individual pieces, 2 inches long Learn More -
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Silverpoint Stylus, Artisan
Starting at: £105.00
The Artisan Silverpoint Stylus is inspired by Roger Van der Weyden's painting of Saint Luke Drawing a portrait of the Virgin. Each stylus has been hand-forged with a brass body and silver bullion tips at each end, to form two gradually tapered points which can be easily re-sharpened with fine sandpaper. For use on prepared paper.
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Roberson Silverpoint Drawing Ground
Starting at: £13.00
A natural bone ash primer for paper and card for silverpoint drawing, tinted to a traditional off white or sanguine finish. Learn More -
Metalpoint Storage Box
£1.50Storage box for metalpoint wires with 2 inch length. Rectangular rigid clear polystyrene box. Internal size 60x44x24 mm Learn More -
Metalpoint Holder
£31.00One end of our metalpoint holder is a reversible chuck to hold a range of wire sizes, while the other end can hold the lead of a clutch pencil.
Please note, the image differs from the product, the newer model has a metal body with black plastic ends.
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