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  1. Leather Regent Long Handle Brush Case

    Leather Regent Long Handle Brush Case

    Starting at: £103.10

    This sturdy brush case measures 39cm, which is long enough to hold a selection of oil-painting brushes. All of our leather goods are handmade in Spain, and dyed with natural dyes that will fade and age beautifully over time. Please ring our office if you would like to make a custom order of this product.

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  2. Liquid Glass Mediums

    Liquid Glass Mediums

    Starting at: £19.50

    Renaissance Materials by Dr. David Cranswick.

    A thick glazing medium of the 'Old Masters'. Liquid Glass Mediums facilitate building up layers of transparent glaze. Gloss or Satin.

    Contains: Damar resin, linseed oil and beeswax (for Satin medium only)

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  3. Gamblin Galkyd Medium

    Gamblin Galkyd Medium

    Starting at: £12.00

    Galkyd is an oil painting medium created by Gamblin. They write:

    "Galkyd thins oil colours and increases transparency and gloss. When used in greater proportions with oil colour, Galkyd will level brush-strokes, creating an enamel-like surface. Galkyd is our fastest-drying painting medium. Thin layers will be touch-dry in approximately 24 hours."

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  4. Schmincke Medium L 180ml

    Schmincke Medium L 180ml

    £15.00

    Schmincke Medium L is a jelly-like medium for “soft” painting with oil colours. It improves flow and reduces brush strokes, accelerates drying, increases gloss and transparency. There is no change of the product quality based on the colour change of the raw material alkyd resin. Shake well and stir – if necessary – before use. Close immediately after use.

    Contains: alkyd resin, mineral spirit, siccative.

    Dosage:10% to 20% maximum.

    Thinner: Turpentine substitute

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  5. Gamblin Gamsol Mineral Sprit

    Gamblin Gamsol Mineral Sprit

    Starting at: £12.10

    Gamsol is an odourless mineral spirit created by the American company Gamblin. They describe it as "the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise."

    Please see below for Gamsol's primary applications.

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  6. Schmincke Medium W

    Schmincke Medium W

    Starting at: £9.60

    Schmincke Medium W is an odourless, jelly-like ("lean") medium for mixing oil colours with water instead of organic solvents such as turpentine or turpentine substitute. It increases gloss and transparency, reduces viscosity and harmonizes the drying process.

    Dosage: 50%

    Thinner: Water

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  7. Colour Shapers

    Colour Shapers

    Starting at: £7.00

    Unique silicone tipped tools for painting heavy mediums such as acrylic and oil paint. Excellent for spreading adhesives and appplying masking fluid. Can be used with Batik and encaustic wax. Available in soft ivory tip and firm grey tip. Learn More
  8. One Shot Lettering Enamel Paint

    One Shot Lettering Enamel Paint

    Starting at: £20.55

    Designed for traditional sign painting, these oil based lettering enamels provide superior vibrancy, flexibility, durability, and single stroke coverage. Specified for fine, sign paint lettering on store fronts and vehicles, the vibrant colours of 1 Shot Lettering Enamels spread evenly and offer outstanding hiding, durability and fade resistance. Superior flow characteristics assure the virtual absence of brush marks and provide a clean, sharp edge. Ideal for use on interior or exterior metal, glass, wood, and enamel receptive banners and vinyl. Learn More
  9. Daler-Rowney Cryla 250ml

    Daler-Rowney Cryla 250ml

    Starting at: £8.90

    Cryla Artists' Heavy Body colours are designed to retain the intended stroke when applied with a knife or brush, so they are ideal for highly textured impasto painting techniques. Learn More
  10. Daler-Rowney Cryla 75ml

    Daler-Rowney Cryla 75ml

    Starting at: £9.05

    Cryla Artists' Heavy Body colours are designed to retain the intended stroke when applied with a knife or brush, so they are ideal for highly textured impasto painting techniques. Learn More
  11. Omega Series 203 Pointed Hog Sash

    Omega Series 203 Pointed Hog Sash

    Starting at: £8.70

    Similar to series 222 but with shorter hair and a pointed tip. Used in the same way as above but preferred when more control needed or when applying gesso to more elaborate mouldings. 100% pure hog hair. Learn More
  12. Omega Series 222 Domed Hog Sash

    Omega Series 222 Domed Hog Sash

    Starting at: £10.30

    Long natural bristle hair with copper ferrule. Shaped to a slightly rounded snub tip, these brushes are suited to large scale painting in oils and acrylics. Also useful for decorative paint effects and for applying gesso during gilding. 100% pure hog hair. Learn More
  13. Roberson Series 43B Hog Bristle Round

    Roberson Series 43B Hog Bristle Round

    Starting at: £5.20

    Good quality Chinese white interlocking hog hair. Nickel-plated brass seamless ferrule. Maroon handle. Length approximately 300mm / 370mm depending on size. Learn More
  14. Roberson Interlon Series 63 Round

    Roberson Interlon Series 63 Round

    Starting at: £5.60

    Made with new improved brown interlocking tapered filaments, these brushes have an excellent shape retention and firm texture. Good spring. Gold colour ferrule with bottle green handle. Learn More
  15. Cornelissen Series 41 Hog Bristle Bright

    Cornelissen Series 41 Hog Bristle Bright

    Starting at: £5.00

    Finest quality selected interlocking Chinese white hog hair. Seamless copper ferrule. Green handle. Length approximately 300mm / 370mm depending on size. Learn More
  16. Roberson Series 42B Hog Bristle Flat

    Roberson Series 42B Hog Bristle Flat

    Starting at: £5.10

    Good quality Chinese white interlocking hog hair. Nickel-plated brass seamless ferrule. Maroon handle. Length approximately 300mm / 370mm depending on size. Learn More
  17. Roberson Series 44B Hog Bristle Filbert

    Roberson Series 44B Hog Bristle Filbert

    Starting at: £5.00

    Good quality Chinese white interlocking hog hair. Nickel-plated brass seamless ferrule. Maroon handle. Length approximately 300mm / 370mm depending on size. Learn More
  18. Roberson Interlon Series 62 Flat

    Roberson Interlon Series 62 Flat

    Starting at: £5.60

    Made with new improved brown interlocking tapered filaments, these brushes have an excellent shape retention and firm texture. Good spring. Gold colour ferrule with bottle green handle. Learn More
  19. Cornelissen Series 44 Hog Bristle Filbert

    Cornelissen Series 44 Hog Bristle Filbert

    Starting at: £5.00

    Finest quality selected interlocking Chinese white hog hair. Seamless copper ferrule. Green handle. Length approximately 300mm depending on size. Size / A [width at ferrule]mm / B [visible hair / fibre length]mm / C [total length]mm 0 4 11 291 1 5 15 297 2 6 17 303 3 7 20 305 4 10 22 309 5 10 24 315 6 11 26 320 7 14 28 330 8 14 32 337 10 19 35 342 12 22 38 349 Learn More
  20. Cornelissen Series 42 Hog Bristle Flat

    Cornelissen Series 42 Hog Bristle Flat

    Starting at: £5.00

    Finest quality selected interlocking Chinese white hog hair. Seamless copper ferrule. Green handle. Length approximately 300mm / 370mm depending on size. Learn More
  21. Roberson Series 41B Hog Bristle Bright

    Roberson Series 41B Hog Bristle Bright

    Starting at: £5.10

    Good quality Chinese white interlocking hog hair. Nickel-plated brass seamless ferrule. Maroon handle. Length approximately 300mm / 370mm depending on size. Learn More
  22. Gamblin Solvent-Free Gel

    Gamblin Solvent-Free Gel

    Starting at: £6.50

    Gamblin Solvent-Free Gel is manufactured by the American company Gamblin. They write:

    "Gamblin Solvent-Free Gel is the only solvent-free painting medium that supports a broad range of painting techniques with minimal compromise. Solvent-Free Gel gives colours more flow and transparency, yet holds the shape of your brushmark. Solvent-Free Gel has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Gel is non-toxic and contains no Gamsol or petroleum distillates. In comparison to other solvent-free mediums, Gamblin Solvent-Free Gel supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. To ensure proper drying of paint layers, Solvent-Free Gel should be used in moderation with oil colors. No more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Gel and oil colors thinly. To paint solvent-free, we recommend Gamblin Safflower Oil for cleaning brushes while you are working. After your painting session, brushes can be further cleaned using Gamsol and/or soap and water."

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  23. Gamblin Gloss Picture Varnish

    Gamblin Gamvar Varnish Gloss

    Starting at: £16.00

    Gamvar Picture Varnish saturates colors in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamvar is virtually odorless and ready to apply. Brush apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm to the touch. Please visit our Video Demos page for additional information. Learn More
  24. da Vinci Series 5570 Nova Round

    da Vinci Series 5570 Nova Round

    Starting at: £3.65

    Finest golden synthetic fibre. More springy than Cosmotop Spin making it an excellent brush for watercolour, gouache, acrylic and oil painting. Learn More
  25. da Vinci Series 122 One Stroke

    da Vinci Series 122 One Stroke

    Starting at: £3.85

    Finest golden synthetic fibre. More springy than Cosmotop Spin making it an excellent brush for watercolour, gouache, acrylic and oil painting. Learn More
  26. Omega Series 40 Varnish

    Omega Series 40 Varnish

    Starting at: £6.90

    Flat soft hog hair in cupro-nickel ferrule on short flat handle used for applying varnish to both oil and acrylic paintings. Also recommended for applying warm glue size and primers to all surfaces. Pure bristle / synthetic mix. Learn More
  27. Schmincke Mussini Oil Medium 2

    Schmincke Mussini Oil Medium 2

    Starting at: £9.45

    A slow-drying medium that allows for extending the working period, wet-in-wet painting and blending techniques.

    From the Schmincke website:

    Medium for oil colours rich in oil. Retards drying; allows wet-in-wet painting; its high content of oil and resin improves the gloss and develops a smooth, elastic film. Dosage: 10% to 20% maximum.

    ontains: sunflower oil, stand oil, mineral spirit, aldehyde resin

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  28. Schmincke Mussini Oil Medium 3

    Schmincke Mussini Oil Medium 3

    Starting at: £9.45

    Highly siccative painting medium. Dries on the palette with 40 minutes. Use sparingly to prevent gloss.

    From the Schmincke website:

    Medium for oil colours rich in resin (“lean”). Accelerates drying; increases gloss and depth; makes the colour layers more resistant. Close immediately after use. Dosage: 10% to 20%.

    Contains: aldehyde resin, mineral spirit, siccative, stand oil.

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  29. Schmincke Mussini Oil Medium 1

    Schmincke Mussini Oil Medium 1

    Starting at: £9.45

    From the Schmincke website:

    Low-fat (“lean”) painting and thinning medium for oil colours. Recommended for thin grounds and to create transparent layers over gouache, tempera and acrylic paintings; thins without hardly affecting the drying time and gloss. Dosage: 10% to max. 20%

    Contains: Safflower oil, natural and synthetic resins, mineral spirit.

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  30. Roberson Linseed Stand Oil

    Roberson Linseed Stand Oil

    Starting at: £10.50

    Linseed Oil is derived from flax seeds, and appears on our shelves in many guises: Cold Pressed, Refined, Stand Oil, and as a key ingredient in many mediums. It has been appreciated for its drying properties since the Medieval period, and has become the most popular oil used in painting today due to the strong, flexible and glossy film that it creates.

    Stand Oil is paler and more viscous than other Linseed Oils, having been heated and kept at temperature to provoke a molecular change. It is not suitable for grinding colours, but it is a very versatile ingredient that can be thinned with turpentine to create a glazing medium or be included in a varnish. Stand Oil is notable for its ability to smooth out brush strokes to create an enamel-like surface.

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