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  1. Roberson White Siccative

    Roberson White Siccative

    Starting at: £8.40

    A strontium-based siccative, milder than cobalt driers. Add sparingly to oil colours to accelerate drying, particularly recommended for pale colours. Learn More
  2. Pearl Lustre Bronze Powder

    Pearl Lustre Bronze Powder

    Starting at: £6.20

    Pearl Lustre Bronze Powder Learn More
  3. Schmincke Horadam Naturals

    Schmincke Horadam Naturals

    Starting at: £13.00

    Schmincke have combined the unique properties of gouache and watercolour paint in a unique formulation, to create Horadam Naturals. Made using natural earths, plant-based pigments and resins, the resulting high-quality watercolours are environmentally friendly and vegan. The 16 matte colours are semi-/transparent with good lightfastness and can be mixed and combined with all water and gouache colours. Learn More
  4. Fabriano Artist's Journal Black Square

    Fabriano Artist's Journal Black Square

    Starting at: £21.15

    Ideal for ink, pencil, charcoal, pastels, as well as for you every intellectual whim. Made of four elegant colours of Fabriano CMF Ingres 90 gsm (acid free and lightfast). Learn More
  5. Gamblin Neo-Megilp Medium

    Gamblin Neo-Megilp Medium

    Starting at: £12.00

    Neo-Megilp Medium is produced by Gamblin. They say:

    "Neo Megilp is a contemporary version of Maroger. This soft gel medium maintains the body of oil colours, increases transparency and flow, and imparts a smooth, silky feel. Neo Megilp dries at a moderate rate and remains workable for hours. Neo Megilp gives colours a satin gloss."

    Learn More
  6. Conte Carre Crayons

    Conte Carre Crayons

    Starting at: £1.95

    Harder than soft pastels, this range of 83 colours includes traditional shades of black, white, bistre, sepia and grey. 15% discount for purchasing 10+ crayons. Learn More
  7. Rohrer & Klingner Black Drawing Ink

    Rohrer & Klingner Black Drawing Ink

    Starting at: £7.40

    Drawing Ink (series 29 500). A fine, free flowing pigmented ink. Available in gold, silver, black, sepia and bistre lightfast traditional tones in shellac binder. Learn More
  8. Schmincke Mussini Oil Medium 2

    Schmincke Mussini Oil Medium 2

    Starting at: £9.45

    Slows drying time. Learn More
  9. Laponite ®

    Laponite ®

    Starting at: £34.40

    For cleaning marble. Mix with water to thick paste. LAPONITE® is a registered trademark of BYK Additives Ltd Learn More
  10. Sheepskin Parchment

    Sheepskin Parchment

    Starting at: £11.75

    Pale, thin and translucent. Only the flesh side can be used. A light dusting of sandarac powder is usually sufficient to prepare the surface for writing.

    Please note: This is a natural product that has been finished and cut by hand. As such, there may be slight variations in the surface and size of each piece.

    Learn More
  11. Van Dyke Crystals

    Van Dyke Crystals

    Starting at: £8.40

    Van Dyke Crystals are a natural, water-based wood dye, made from walnut husks. They produce a colour ranging from a very light brown to dark brown depending upon concentration. Traditionally used for colouring oak, mahogany and walnut. Learn More
  12. Gamblin Gloss Picture Varnish

    Gamblin Gamvar Varnish Gloss

    Starting at: £15.20

    Gamvar Picture Varnish saturates colors in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamvar is virtually odorless and ready to apply. Brush apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm to the touch. Please visit our Video Demos page for additional information. Learn More
  13. Canson Mi-Teintes Touch Pads

    Canson Mi-Teintes Touch Pads

    Starting at: £32.00

    350GSM, 12 Sheets, A very finely textured sanded pastel paper with fine grit surface primer, 3 sheets each of the 4 colours Cream (407), Flannel Gray (122), Sepia (133) and Black (425). Learn More
  14. Isinglass

    Isinglass

    Starting at: £30.10

    Isinglass is derived from the dried swim bladders of fish, with Salianski Isinglass being the highest grade available. In the Russian Icon tradition, it commonly provided the glue component in gesso recipes, and was sometimes mixed with pigment to make tempera paints, due to its high binding strength. It can be used to make a pale, clear glue, which is less prone to darkening than other animal glues, and which is particularly flexible, making it a useful material for repairing textiles. Learn More
  15. Gamblin Cold Wax Medium

    Gamblin Cold Wax Medium

    Starting at: £12.60

    * Only available online.* Cold Wax medium is made by Gamblin. They say:

    "Cold Wax medium is made from naturally white, pure beeswax. Formulated to knife consistency, Cold Wax Medium makes oil colours thicker and more matte. Cold Wax Medium can be used to make Gamblin mediums and Gamvar more matte. It can also be applied alone as a matte varnish."

    Please see below for more information.

    Learn More
  16. Calf Vellum

    Calf Vellum

    Starting at: £16.75

    Medium to thick. Both sides useable for writing. Whiter and less translucent than parchment.

    Please note: This is a natural product that has been finished and cut by hand. As such, there may be slight variations in the surface and size of each piece.

    Learn More

  17. Schmincke Masking Fluid, Clear

    Schmincke Masking Fluid

    Starting at: £8.65

    Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. For direct application with the dispensing bottle. Contains: synthetic resin dispersion without ammonia. Learn More
  18. Roberson Poppy Oil

    Roberson Poppy Oil

    Starting at: £10.20

    Poppy Oil is a slightly later addition to the artist's cabinet than Linseed Oil and Walnut Oil. It is generally used as a binder for pale colours, where the warmth of Linseed Oil is not desired. It provides a matte finish and dries very slowly, so we would not advise using it in conjunction with slow-drying pigments or in underpaintings. A paint film produced by Poppy Oil is weaker and softer than that created by Linseed Oil. This is because it contains a smaller percentage of linolenic acid than Linseed Oil; this substance imparts both strength and yellowness to an oil.  

    Although some of these properties can be perceived as drawbacks, paints made with Poppy Oil generally obtain a "short" or buttery texture without the addition of waxes or other additives, which can be an advantage for certain colours that produce poor consistencies in Linseed oil alone. Sometimes, the addition of a small quantity of Poppy Oil when grinding a tricky or "stringy" pigment in Cold Pressed Linseed Oil can introduce some of benefits of Poppy Oil, without transmitting its negative characteristics.

    Paints made with Poppy Oil are particularly suited to "alla prima" working methods, where paint is applied spontaneously. When working in successive layers, Poppy Oil would only be appropriate for the final stages of a painting.

    Learn More
  19. Ceramic Stucco Medium

    Liquitex Acrylic Textured and Effects Mediums

    Starting at: £20.40

    Liquitex Acrylic Textured and Effects Mediums Learn More
  20. da Vinci Series 488 Spin Synthetic

    da Vinci Series 488 Spin Synthetic

    Starting at: £11.10

    Wash brush, very smooth light brown synthetic fibre in plastic quills, wooden lacquered handle. Learn More
  21. Arches Aquarelle Block 640 gsm

    Arches Aquarelle Block 640 gsm

    Starting at: £56.56

    Mould-made, 100% cotton. Gelatine tub sized, neutral pH. Glued 4 edges, 10 sheets per block. Only available in Fin (NOT) surface. Learn More
  22. Parchment Clippings

    Parchment Clippings

    Starting at: £9.90

    Parchment Clippings, usually waste goatskin vellum, were utilised throughout the Middle Ages to make an animal hide glue. This continued to be commonly used as a sizing for canvas before rabbit skin glue came to prominence in the nineteenth century. Parchment glue is comparable to isinglass glue, as it also produces a very pale, almost transparent glue with a degree of flexibility. Our parchment clippings are a mixture of vellum scraps, and may include goatskin, calfskin and sheepskin. Cennino Cennini gives a recipe for gesso using parchment in his treatise about painting; please see below for our recipe. Learn More
  23. Canvas Carrier M-Clip

    Canvas Carrier M-Clip

    Starting at: £11.00

    Canvas Carrier M-Clip Learn More
  24. Liquitex Acrylic Iridescent Tinting Medium

    Liquitex Acrylic Iridescent Tinting Medium

    Starting at: £20.40

    Creates iridescent colours and glazes. Learn More
  25. Faber-Castell Albrecht Durer Watercolour Pencil Sets

    Faber-Castell Albrecht Durer Watercolour Pencil Sets

    Starting at: £33.95

    Faber-Castell Albrecht Durer Watercolour Pencil Sets (Please note, the Mahogany Box set is to order only, so please allow extra time for delivery) Learn More
  26. Soft Rubber Lino Rollers

    Soft Rubber Lino Rollers

    Starting at: £11.00

    A soft compound EPDM at 40 shore. Resistant to printers chemicals and not affected by exposure to daylight, this is a long life product. This brayer is designed to give a more compliant coverage than hard rubber material. More forgiving on uneven surfaces, proving to be a favourite with certain printing methods but needing extra care in storage to prevent indentation to its soft surface. Especially developed for relief printing. Learn More
  27. Mars Violet Pigment

    Mars Violet Pigment

    Starting at: £4.50

    PR101

    Mars Violet is an artificial mineral pigment. Its pigment code, PR101, refers to a wide spectrum of synthetic iron oxide pigments including yellows, oranges, reds, violet-browns and green-browns, which replace many natural earth colours, to provide pigments without impurities and with great opacity. It has a good tinting strength, is lightfast and stable in all media, and has a medium drying time in oil. Although it is similar to Caput Mortuum and Indian Red, it is less transparent than the former and warmer than the latter.

    Toxicity: B

    Limeproof

    Learn More
  28. Schmincke Malbutter Impasto Medium

    Schmincke Malbutter Impasto Medium

    Starting at: £8.20

    A gel medium that increases the buttery character of oil colours and decreases their drying time. Useful for impasto techniques and knife application. Add to oils in a maximum ratio of 1:4. Contains alkyd resin.

    Learn More
  29. Roberson 1810 Medium

    Roberson 1810 Medium

    Starting at: £34.20

    This is a traditional, high-oil "fat" painting medium, made using the highest quality materials. It will retain colour strength, is resistant to bleeding, has good flow release, is ideal for blending, and can be mixed with oil colours in any ratio. When dry, it creates an enamel-like surface.

    Contains: Stand oil, Cold-pressed Linseed oil, Canada Balsam, Rectified Spirit of Turpentine, Beeswax, Driers.

    Clean tools in white spirit. Do not use as a varnish, always mix with oil colour.

    Learn More
  30. Hot pressed surface

    Fabriano 4 Cartridge Paper

    Starting at: £31.30

    Fabriano 4 Cartridge paper in bright white shade. Available in either smooth or not surfaces. Woodfree. Pack quantity 25 sheets. Learn More

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