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  1. Roberson Ormoline Gilding Medium

    Roberson Ormoline Gilding Medium

    Starting at: £9.50

    Acrylic size, fluid enough to use with dip pen. Pink colour. For gilding onto paper and parchment. Learn More
  2. Daniel Smith Artists Watercolour 5ml Tube

    Daniel Smith Artists Watercolour 5ml Tube

    Starting at: £7.20

    The 5ml range consists of 88 colours and includes some of the fabulous Primatek colours that are handmade with authentic mineral pigments and Quinacridones with their pure, intense colour combining the power of staining pigments with the luminosity of the transparents. They also have the more traditional favourites. *Please note, this range is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  3. Miniatum

    Miniatum

    Starting at: £16.60

    Size for high gloss gilding on paper, degreased vellum, leather and flexible surfaces. *Please note - Colours of these products may vary slightly from those depicted in the photograph* Learn More
  4. Sennelier Oil Sticks

    Sennelier Oil Sticks

    Starting at: £7.65

    Solid artists' quality oil paint sticks. (Ø = 3/4 ; length = 5" ) SENNELIER Extra-Fine Solid Oil Sticks can be used alone or in combination with oil colours in tubes. The oil stick colours can be used for an entire painting. They are applied directly to any traditional oil-painting support, such as canvas, wood panel or fine art paper. They need the same archival priming (acrylic gesso or oil ground) that oil paint requires. Surfaces: Before use, the surface film of the oil stick must be peeled off. It will form again after a few days of non-use, protecting and conserving the colour. The oil sticks must be applied in a thin film application of no more than 1mm thick. Once applied they can be painted over with oil stick or oil paint and if desired be diluted with turpentine. Oil stick Medium, a colourless oil stick, may be used to produce transparent effects and glazes. Once applied, the oil stick surface will dry in 2 to 5 days, depending on the atmospheric conditions Varnishing: If varnishing is desired, you must wait 6 months (as in traditional oil paint) until the colour is completely dry, before giving the painting a final coat of picture varnish. Use a soft brush to varnish so that the oil stick marks are not disturbed. SENNELIER Extra-Fine Solid Oil Stick colours are either opaque (O) or transparent (T) depending on the nature of the pigment in each colour. Oil Sticks do not change during storage and require no special precautions except to be kept away from any source of heat, which could adversely affect the stick. Application Techniques After applying the colour with the point or the edge of the oil stick, colours can be mixed directly on the support using the following methods: • Blending, with brush, finger, or drawing stump. With or without turpentine • Wash-drawing, dilute colours with turpentine or mineral spirit • Retouching, with oil stick, palette knife or brush • Textures, thick application oil stick colour. Retouch with a brush or palette knife •Sgraffito, scratching a layer of fresh paint with a point (brush handle, palette knife, etc.) to reveal the layer below. Sgraffito is related to engraving, and is used not only for revealing the under-layers of paint but also to scratch and clean unsatisfactory parts of the painting •Interior Decoration, on glass, ceramics etc. Use for decorative purposes only Learn More
  5. Daler Rowney Ivory Artist's Sketchbooks

    Daler Rowney Ivory Artist's Sketchbooks

    Starting at: £13.25

    The Daler-Rowney Ivory Artists' Sketchbooks with their smooth creamy coloured lighter weight paper and micro-perforated pages remain ever popular sketchbooks for those who sketch with graphite pencils, charcoal or ink & pen technique. Ivory Sketchbooks are available in hardback and softback. - High-quality smooth texture cartridge paper. - 90gsm. Available in sketchbooks. - Ivory colour. - FSC® (FSC-C111372) certified paper. - Microperforated pages. - Ideal for graphite pencils, charcoal or pen & ink technique. Learn More
  6. Fabriano Artist's Journal Black Square

    Fabriano Artist's Journal Black Square

    Starting at: £21.15

    Ideal for ink, pencil, charcoal, pastels, as well as for you every intellectual whim. Made of four elegant colours of Fabriano CMF Ingres 90 gsm (acid free and lightfast). Learn More
  7. 7

    London Pigment, English Green Earth

    £30.00

    Prepared by hand and bottled in a rare, hand-blown laboratory glass Weighing Bottle. 20 ml. Gently twist the hand-formed, flame-like stopper and pull carefully to open. Learn More

  8. Van Dyke Crystals

    Van Dyke Crystals

    Starting at: £8.40

    Van Dyke Crystals are a traditional and natural water based wood dye made from walnut husks. They produce a colour ranging from a very light brown to dark brown depending upon concentration. Traditional method for colouring oak, mahogany and walnut. Learn More
  9. Daler Calligraphy Pad

    Daler Calligraphy Pad

    Starting at: £14.15

    Daler-Rowney Calligraphy Paper is a high-quality parchment-style paper. The paperweight is 90gsm. It is suitable for calligraphy, pen and ink work, and certificate writing. Learn More
  10. Clear Dewaxed Shellac

    Clear Dewaxed Shellac

    Starting at: £9.20

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  11. Orange Shellac

    Orange Shellac

    Starting at: £8.00

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  12. Lemon Shellac

    Lemon Shellac

    Starting at: £8.20

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  13. Button Shellac

    Button Shellac

    Starting at: £8.40

    Shellac is a natural resin that is deposited by the female lac insect on the branches of trees in India and Thailand. It is soluble with alcohol, but not with mineral spirits or turpentine. It forms a tough yet flexible film, with many applications. It is suitable as a top coat for gilding when applied thinly, a sealant for porous surfaces, an isolating layer for tempera paintings, a base for pigmented inks, a protective layer for collograph plates, and a warm varnish for wooden floors and furniture. As it is prone to darkening with age, it is not recommended as a varnish for oils, and its solubility can reduce over time. There are various grades of shellac. When mixed with alcohol, it may initially form a cloudy mixture, due to traces of wax in the shellac, but this should become clear once it has dried. The highest grades of shellac are Clear Dewaxed Shellac, which has been de-coloured using the carbon filtering method, Lemon Shellac, and Orange Shellac, which are pale in colour. Button Shellac is less refined and therefore produces a reddish varnish. It was, in fact, widely used as a red dye before synthetic dyes became available. Learn More
  14. Liquid Leaf Metallic Paint

    Liquid Leaf Metallic Paint

    Starting at: £12.50

    A remarkable gilding paint that contains its own red primer and film of lustrous gold, premixed into a single liquid. It flows easily onto the surface with no brush marks, forming a beautiful, lustrous finish. It is so controllable that it can be used with a striping brush or ruling pen for fine lines and scrolls. Liquid Leaf can be used on wood, metal, glass, ceramics, papier-mache and cardboard. It can also be used as an ink. One colour of Liquid Leaf can be used over another once dry. For air brushing all colours can be thinned with the Brush Bath. This easy-to-control one-step paint gives a brilliant sheen without brassiness, a permanent finish more closely resembling traditional leafing. A 30ml bottle will cover approximately 2sq/m.

    Learn More
  15. Pilot G-Tec C4 Microtip Rollerball

    Pilot G-Tec C4 Microtip Rollerball

    Starting at: £4.95

    The world's finest rollerball! Extra Fine 0.4mm. Learn More
  16. Pilot G1 Metallic Rollerball

    Pilot G1 Metallic Rollerball

    Starting at: £2.55

    Metallic gel ink. Ideal for light or dark paper. Comfortable cushion grip. Broad 1.0mm. Learn More
  17. Brause Ornament Nibs

    Brause Ornament Nibs

    Starting at: £2.75

    Nib with blade and ink reservoir, used for titles and ornamentation. Learn More
  18. Faber-Castell Albrecht Durer Watercolour Pencils

    Faber-Castell Albrecht Durer Watercolour Pencils

    Starting at: £2.60

    120 lightfast colours with high covering power. Soft and water-soluble, they combine the advantages and applications of classical watercolour paints and coloured pencils. Learn More
  19. Kaweco Classic Sport Fountain Pen, Black

    Kaweco Classic Sport Fountain Pen, Black

    Starting at: £24.00

    The Kaweco Sport was first designed in 1911 as a pocket fountain pen which could be carried everywhere. It has an octagonal design and an oversized cap. Kaweco Sport fountain pens measure only 10.5 cm when closed, but when the cap is mounted on top of the barrel they become a 13 cm-long, standard-sized pen, hence the slogan: "small in the pocket, large in the hand". The Kaweco CLASSIC Sport series is made of ABS injection-moulded plastic and has gold accents. It is hand assembled in Germany and comes in a Kaweco gift carton. The nib is made in Germany and comes in 5 sizes from EF to BB. A standard international ink cartridge is included. Accessories are available separately (see below). Learn More
  20. London Pigment, Verdigris Ink, 20 ml

    London Pigment, Verdigris Ink, 20 ml

    £12.50

    Ink made from pure copper metal leaf that has reacted with distilled vinegar. Learn More
  21. Schmincke Aerocolour Inks

    Schmincke Aerocolour Inks

    Starting at: £8.30

    A highly concentrated acrylic pigmented colour suitable for drawing pens, calligraphy, brush and airbrush techniques. 36 standard colours and 12 'special effects' colours. Lightfast and waterproof when dry. Glass Jar with dropper. Learn More
  22. Plain stroke, No.1 Automatic pen, made in England.

    Automatic Plain Stroke Pens

    Starting at: £18.60

    Square cut pens with smooth action and large ink reservoir. Ideal for creating posters and large lettering. Learn More
  23. Cornelissen Historical Inks, Turquoise

    Cornelissen Historical Inks, Turquoise

    £6.50

    This turquoise ink is a beautiful, transparent, deep blue-green. It can be layered for deeper shades; when used at full opacity it is a deep viridian green, and when diluted with water it reveals a marked blue undertone. Made from a blend of botanical dyes, this ink is not fully lightfast.

    Not suitable for fountain pens. Learn More
  24. Cornelissen Historical Inks, Doomsday

    Cornelissen Historical Inks, Doomsday

    £10.50

    Oak Gall Ink was originally used in monasteries and by the Crown in medieval Britain. Doomsday Ink initially lays down as a medium blue-grey, darkening to a rich, matte black, slightly warmer in tone than our other Oak Gall Inks. When diluted, beautiful warm red undertones are revealed due to the presence of wine within the mixture.

    Not suitable for fountain pens.

    Learn More
  25. Border stroke, No.7 Automatic pen, made in England.

    Automatic Border Stroke Pens

    Starting at: £18.60

    Square cut pens with smooth action and large ink reservoir. Ideal for creating double edged borders around book covers, artwork or picture mounts. Learn More
  26. Cornelissen Historical Inks, Brazilwood

    Cornelissen Historical Inks, Brazilwood

    £6.50

    The highest quality ink ever found on illuminated manuscripts from medieval Britain. The muted peachy red of this ink is achieved by simmering brazilwood chunks in vinegar. Add a tiny drop of Oak Gall Ink to produce wonderfully bright violets. 

    Not suitable for fountain pens. Learn More
  27. Cornelissen Historical Inks, Virginia Woolf Purple

    Cornelissen Historical Inks, Virginia Woolf Purple

    £6.50

    This ink is inspired by the distinctive purple ink used by Virginia Woolf for her work and correspondence. Handmade by a master inkmaker, especially for Cornelissen, using a historic recipe based on blackthorn berries. Suitable for fountain pens and work on paper and parchment. Indelible and waterproof over time.

    Learn More
  28. Brause Bandzug Nibs

    Brause Bandzug Nibs

    Starting at: £2.85

    Square nib for round hand writing. Ink reservoir on top. Learn More
  29. Faber-Castell Perfection Eraser Pencil

    Faber-Castell Perfection Eraser Pencil

    Starting at: £2.40

    Available in soft or firm. May be sharpened to a fine point. White (firm) for ink, India ink, ballpoint pen. Pink (soft) for graphite pencil and carbon copies. PVC-free. Learn More
  30. Rohrer & Klingner Drawing & Calligraphy Black Ink 1L

    Rohrer & Klingner Drawing & Calligraphy Black Ink 1L

    £64.20

    Lightfast pigmented acrylic ink. Intermixable with Rohrer’s Antique Drawing Inks. Suitable for brush, dip pen, technical drawing pens greater than 0.35mm and airbrush. Learn More

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