Search results for: 'The And'

Superior Extra Soft Rubber Rollers

Starting at: £212.00

Extra Soft (35 shore) NBR rubber rollers suitable for fine relief printing (lino, wood engraving and wood cut) and intaglio applications. The surface of the soft rubber is machined several times with a special grinder to achieve the complete smoothness of the rollers. Solid heavy metal handle. Each roller is supplied in secure wooden box. Learn More

Cobalt Green Light Pigment

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Starting at: £8.70

PG19

Cobalt Green is a synthetic pigment that consists of compounds of cobalt and zinc oxides. It is sometimes referred to as Rinman's Green, after the Swedish chemist who discovered it in the late-18th century. It is a permanent, opaque colour, with a weak tinting strength. It dries quite quickly in oil, requiring a high oil content and forming a hard, fairly fleixible paint film. Cobalt Green is available in light and dark shades; the colour is determined by the amount of zinc oxide present.

Toxicity: B

Please note, unfortunately we are not able to send this product outside the UK.

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Charbonnel Whites

Starting at: £19.85

Charbonnel Whites Learn More

Sankaku-toh 1.5mm (V Shape)

£36.00

The Sankaku-toh is similar to western style “V” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More

Daler-Rowney Cryla 75ml

Starting at: £9.05

Cryla Artists' Heavy Body colours are designed to retain the intended stroke when applied with a knife or brush, so they are ideal for highly textured impasto painting techniques. Learn More

Schmincke Mussini Limited Edition YInMn Blue 15 ml

£26.00

YInMn-Blue is a unique, bright blue Learn More

Schmincke Artists Watercolour 5 ml Tube

Starting at: £6.35

Finest quality watercolours made in Germany. This range offers 139 colours, including 95 single-pigment colours, 3 perylene pigments, 5 quinacridone pigments, and a selection of granulating colours. They present endless mixing possibilities, and can combined with Schmincke's selection of watercolour mediums as well as with their gouache paints. The solid colours are produced by pouring the liquid paint into the pans four times, ensuring the maximum yield for each colour. Also available in half and whole pans and 15ml tubes. Learn More

Potters Pink Pigment

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Starting at: £22.00

PR233

Potter's Pink is an artificial mineral pigment produced by roasting tin oxide with various other oxides. It was first discovered in the pottery region of Staffordshire in the late-1700s, and in the following century Winsor & Newton introduced Potter's Pink into their watercolour range under the name "pink colour". It went on to become a popular addition to watercolour palettes, offering an opaque, lightfast colour with a weak tinting strength and a medium level of oil absorption.

Toxicity A

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Unison Large Soft Pastels

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Starting at: £11.00

A range of pastels handmade with a minimum binder by artists living in Northumberland. Reasons for considering Unison are their rich colour harmonies, size and velvet softness. 10% Discount for purchasing 12+ pastels. Learn More

STAEDTLER Mars Plastic Eraser Holder

£3.00

STAEDTLER Mars Plastic holder is a high-quality, retractable eraser for graphite pencil. The eraser is easily advanced and retracted by the sliding mechanism, and compared to conventional erasers more precise erasing can be achieved. Phthalate and latex free.

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Roberson Crystal Shellac Varnish

Starting at: £9.30

Clear synthetic varnish with superior clarity. Does not discolour gold and silver leaf. Use as a protective coating over gilded surfaces to prevent tarnishing and for sealing gesso prior to gilding. Learn More

STAEDTLER Mars Plastic Eraser Core

£1.50

STAEDTLER Mars Plastic holder is a high-quality, retractable eraser for graphite pencil. The eraser is easily advanced and retracted by the sliding mechanism, and compared to conventional erasers more precise erasing can be achieved. Phthalate and latex free.

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Winsor & Newton Drawing Inks

Starting at: £4.80

The Winsor & Newton Drawing Inks can be intermixed and diluted with distilled water. Not lightfast (except Black and White). All colours are transparent and water resistant once dry (except Gold & Silver). Learn More

Lilian May, J.M.W. Turner Watercolours, Matchbox Set, 4 Wells

£20.00

Matchbox Set Dimensions 5.5 cm x 3.5 cm Prussian Blue PB27 Yellow Ochre PY43 Vermilion PR4, PY1, W21 Genuine Madder NR9 Learn More

Somerset Enhanced Inkjet Paper

Starting at: £52.80

225GSM, A4 / A3+, Satin / Velvet / Textured Surface, 100% Cotton, pH Neutral, Coated on one side, Radiant White. Learn More

Cornelissen Sable Bright

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Starting at: £5.95

Made from the same quality red sable as the rounds and used for short, thicker strokes of paint. Learn More

Schmincke Horadam Gouache

Starting at: £8.75

Finest quality gouache paints, available in 48 shades, all of which are fully inter-mixable with the HORADAM® WATERCOLOUR range. Made following a traditional gum arabic recipe, they are naturally opaque, without the addition of white. They provide a luminous, velvet-matte finish, drying to a slightly lighter shade than when wet.

Schmincke recommends the following:

"The application possibilities of HORADAM® GOUACHE are extremely versatile. Although it can be heavily diluted, gouache is mainly intended to provide opaque application of colour. Opaque, in this case, means that it is not impasto, because impasto application tends to produce cracking, unless the percentage of binder is increased by adding gum arabic (50302). While watercolour painting work goes from light to dark (the white paper is the light), in gouache painting, any process can be used. While “back painting” of lights is limited in watercolour painting, when working in gouache (and other opaque colours), light values and lights can be added later using colours."

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London Pigment, Hampshire Grey

£30.00

Pigment collected from erosion. Learn More

Komasuki 1.5mm (U Shape)

£31.00

The Komasuki is similar to western style “U” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More

Cadmium Yellow Light Pigment

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Starting at: £6.20

Cadmium Yellow Light Pigment (PY37). Synthetic Inorganic pigment. Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with slow drying rate. Suitable for all media. Good acid and alkali resist. Exterior application not advised as discoloration occurs. Used since 19th Century. Toxicity B/C. Learn More

Shell Gold Watercolour 1/4 pan Silver

£27.00

Shell gold, so named because it was historically made and stored in a shallow shell such as a mussel shell, consists of finely powdered genuine gold mixed with a variety of gums. It is mixed with a bit of water and applied in the same way as watercolour. After drying for an hour or so, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
Our Shell gold is used by calligraphers, framers, restorers, iconographers and watercolour artists.
In recent years our colour range of genuine gold has been extended and genuine Lapis Lazuli and genuine Malachite have also been added. Learn More

Maimeri Fixative Varnish

Starting at: £14.95

Non-yellowing synthetic resin dissolved in ethyl alcohol. 609 is for use on charcoal, pencil, pastel, watercolour and gouache, 675 is for universal use. Use sparingly to fix and protect your pieces. Learn More

Japanese Printmaking Paper

Starting at: £5.20

Call to Order

Kozo paper is made from renewable branches of the kozo (paper mulberry) bush, specifically the innermost of three layers of bark which must be isolated to be cooked and beaten before the sheets are formed. Kozo fibre makes strong, translucent and absorbent papers. 46 gsm suitable for relief printing, Japanese woodcut and Chine-collé. Kitakata paper is made of 100% gampi and is suitable for relief printing and Chine-collé. Also successfully used for sumi-e, calligraphy and soft pencil work. Learn More

Phthalo Blue Pigment

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Starting at: £8.00

PB15:3

Phthalo (Mona) Blue is a synthetic organic pigment, Copper Phthalocyanine, that has been in use since the 1930s. It has an extremely high tinting strength and is a staining colour, so cannot successfully be lifted in watercolour. It requires a wetting agent to fully disperse into a medium, and, when used at full strength, a copper sheen is visible in dried paint film. It is transparent, very lightfast, and has a medium-to-slow drying rate in oil.

Toxicity: C

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Burnt Sienna Pigment

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Starting at: £4.00

PBr7

Burnt Sienna is a natural earth pigment that has been in use since antiquity. Our Burnt Sienna comes from Tuscany, and is produced by calcining Raw Sienna to temperatures of about 450 degrees Celsius. This process creates a rich warm colour and increases transparency. It also offers a good tinting strength, excellent lightfastness, and a fast to medium drying rate in oil. It is stable in all media but, like umber pigments, may be difficult to disperse in acrylic binders.

Toxicity B

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Sosaku Brush 24mm

£11.15

Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More

Liquitex Soft Body 237 ml

Starting at: £25.50

A range of artists quality acrylics which are durable, permanent and do not yellow with age. Soft Body colour has a creamy consistancy which dries to a smooth, even surface which is slightly more matt than the Heavy Body colour. Learn More

da Vinci Series 11 Tobolski Kolinsky

Starting at: £10.60

Made with the highest quality Tobalsky Kolinsky sable. Has more belly then the series 10 and therefore higher colour holding capacity. Suitable for all watercolour techniques. Learn More

Rohrer & Klingner Soft Ground 16g

£17.10

Soft ground is a soft wax mixture for soft ground and cotton ground techniques. The warm ground plate gets coated with suet, which is then wiped off, leaving only a thin film. The soft ground is then applied on the warm plate and spread evenly with a small leather roller. Learn More

Lead Red Pigment (Minium)

Starting at: £4.50

PR105

Lead Red is an early articficial pigment that dates back to antiquity. It is created by heating Lead White or Litharge at a constant temperature of 480ºC over a prolonged period of time. It is a fast-drying colour, with good tinting strength and opacity, and has been widely used as an underpaint for gilding and in industry. However, it is highly toxic and generally unstable, so has fallen out of use in favour of Cadmium pigments. The acid in linseed oil causes Lead Red to darken, and it can solidify when stored in a tube. In water-based mediums, it can turn black.

Toxicity: D

Please note, unfortunately we are not able to send this product outside the UK.

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