Click to Hide Notification

Search results for 'effects paint'

26 Item(s)

per page

Grid  List 

Set Ascending Direction
  1. Roberson Canada Balsam Medium

    Roberson Canada Balsam Medium

    Starting at: £22.90

    A high quality painting medium which will produce a deep glow, made from Canada Balsam and Turpentine. Especially effective with transparent oil colours, it is recommended as the medium of choice in the final stages of an oil painting. Learn More
  2. Roberson Acrylic Craquelure

    Roberson Acrylic Craquelure

    Starting at: £33.40

    Roberson Acrylic Craquelure. This product has been discontinued and is only available while stocks last. Learn More
  3. Lefranc Aging Varnish

    Lefranc Aging Varnish

    Starting at: £13.20

    Lefranc Aging Varnish Learn More
  4. Lefranc Cracking Varnish

    Lefranc Cracking Varnish

    Starting at: £13.20

    Lefranc Cracking Varnish Learn More
  5. Omega Series 222 Domed Hog Sash

    Omega Series 222 Domed Hog Sash

    Starting at: £8.80

    Long soft Italian hair with copper ferrule. Shaped to a slightly rounded snub tip, these brushes are suited to large scale painting in oils and acrylics. Also useful for decorative paint effects and for applying gesso during gilding. Learn More
  6. Casein Lactic

    Casein Lactic

    Starting at: £18.30

    Casein is a protein derived from dried milk, which has been used in painting since ancient times. It can be combined with Ammonium Carbonate to form an emulsion, which acts as a durable, non-resoluble binder for pigments, producing a matte, fast-drying paint, similar in appearance to egg tempera. We use casein as a binder for our L. Cornelissen & Son Pigment Colour Charts, as it is a medium that clearly showcases the characteristics and behaviour of each pigment in its pure form. Casein paints can be applied in thin layers to watercolour paper, but would require a more rigid support, such as a gesso panel, to be applied thickly, as the comparative inflexibility of the paint layer means that it can be prone to cracking. Subsequent layers of paint should be more diluted to aid adhesion, and impasto effects are not recommended. It is possible to varnish casein paintings using an acrylic or damar varnish to obtain a glossy surface if desired, although this is not a necessary step. Casein can also be used as an ingredient in gesso, and is a suitable binder for fresco secco techniques.

    Some pigments may require a wetting agent in order to fully disperse within the binder, in which case alcohol may be used.

    Learn More
  7. Sennelier Oil Sticks

    Sennelier Oil Sticks

    Starting at: £6.95

    Solid artists' quality oil paint sticks. Learn More
  8. Lascaux Tusche Soft Ground Effect 500ml

    Lascaux Tusche Soft Ground Effect 500ml

    £42.90

    This slow drying viscous tusche has been designed to produce effects similar to soft ground in traditional etching. Using this method soft non-printing drawings may be made and impressions of fabric, leaves, feathers and other collage materials may be taken. The tusche can also be used for a broad range of painted marks and can be drawn into with paint shapers and other tools. The diluted tusche dries to creategranular washes. Dry marks can be re-wet and altered. Learn More
  9. Lascaux Tusche Wash Spray 500ml

    Lascaux Tusche Wash Spray 500ml

    £42.90

    This tusche can be sprayed from a simple airbrush and is required if Lascaux Lift Solution is to be used. Other airbrush techniques can be employed and tonal effects similar to aquatints in etching can be created. It can also be used for painting washes and handles like Chinese ink. When diluted it creates a further range of washes. Learn More
  10. Natural Beeswax

    Natural Beeswax

    Starting at: £11.20

    Beeswax is derived from melted honeycomb, and is available in two grades. Bleached Beeswax Pellets are white, having been bleached by the sun, and are an appropriate choice for using with pale colours, although they may revert to yellow over time. Natural Beeswax Pellets are yellow in colour, and offer a more flexible structure with a higher resin content. Beeswax has a melting point of 63-66°c, and may turn brown if over-heated. It is the most widely used wax in artists' materials, having a wide range of applications. Please see below for more details.

     

    Learn More
  11. Lascaux Wash Resist 500ml

    Lascaux Wash Resist 500ml

    £38.70

    This coloured granular resist is painted on the plate and used in conjunction with Lascaux Spray/aquatint to create unusual etched effects similar to watercolour or tusche washes. Learn More
  12. Bleached Beeswax

    Bleached Beeswax

    Starting at: £12.30

    Beeswax is derived from melted honeycomb, and is available in two grades. Bleached Beeswax Pellets are white, having been bleached by the sun, and are an appropriate choice for using with pale colours, although they may revert to yellow over time. Natural Beeswax Pellets are yellow in colour, and offer a more flexible structure with a higher resin content. Beeswax has a melting point of 63-66°c, and may turn brown if over-heated. It is the most widely used wax in artists' materials, having a wide range of applications. Please see below for more details.

    Learn More
  13. Roberson Impasto Medium

    Roberson Impasto Medium

    Starting at: £15.50

    Roberson Impasto medium is a crack-resistant medium for impasto effects. It retains palette knife and brush strokes, giving the paint sharp, defined edges. It remains thick and doubles paint easily, drying to a matte finish. To retain colour strength, mix one part medium to one part oil colour.

    Contains: Stand Oil, Damar Resin, Turpentine, Bleached Beeswax.

    Learn More
  14. Roberson Studio Safe Beeswax Medium

    Roberson Studio Safe Beeswax Medium

    Starting at: £15.00

    A safe wax medium for impasto effects. This medium retains palette knife marks and brush strokes, remains thick and doubles paint easily, drying to a matt finish.

    Studio Safe products are non-aromatic, non-flammable, and have a pleasant orange smell.

    Learn More
  15. Roberson Solid Metal Sticks

    Roberson Solid Metal Sticks

    Starting at: £15.50

    Artists' quality metallic oil paint sticks for painting & drawing. Non-tarnishing and highly pigmented, these soft paint sticks are made with an unique mix of mica pigments, oils and waxes which generate a solid metal effect. Easy to use alongside regular oil paint. Blend and shade the colours together to make further shades. Treat as oil paint for surface preparation and clean-up. Learn More
  16. Cadmium Red Deep Pigment

    Cadmium Red Deep Pigment

    Starting at: £10.10

    PR108

    Cadmium Red Deep is a synthetic organic pigment, which has been in use since the 1920s, effectively replacing vermilion. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film.

    Larger quantities are available by request.  

    Limeproof

    Toxicity: C

    Learn More
  17. Clairefontaine Oil Paper

    Clairefontaine Oil Paper

    Starting at: £3.45

    360GSM, 50cm x 65cm / 19.5" x 25.5", 10 Sheets, Acid free, Subtle Linen Texture. Learn More
  18. Schmincke Medium W

    Schmincke Medium W

    Starting at: £8.86

    Schmincke Medium W is an odourless, jelly-like ("lean") medium for mixing oil colours with water instead of organic solvents such as turpentine or turpentine substitute. It increases gloss and transparency, reduces viscosity and harmonizes the drying process.

    Dosage: 50%

    Thinner: Water

    Learn More
  19. Lefranc Harlem Duroziez Drying Medium

    Lefranc Harlem Duroziez Drying Medium

    Starting at: £9.10

    Lefranc Bourgeois are a paint manufacturer with a long history of supplying to artists since their beginnings in 1720.

    From their website: The Harlem Duroziez drying medium increases the brilliance and transparency of glazes. It enables the build-up of layers over the course of half a day thanks to the rapid drying effect of thin layers. It is completely dry within three days.

    Learn More
  20. Cadmium Red Pigment

    Cadmium Red Pigment

    Starting at: £6.30

    PR108

    Cadmium Red is a synthetic organic pigment, which has been in use since the 1920s, effectively replacing vermilion. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film.

    Larger quantities are available by request.  

    Limeproof

    Toxicity: C

    Learn More
  21. Alumina Hydrate Light

    Alumina Hydrate Light

    Starting at: £8.30

    Alumina Hydrate is an inert pigment with highly absorbent properties, which can be ground into oil paint as an almost colourless extender. It is often used as an additive in commercial oil paints, particularly in conjunction with transparent or lake pigments, as it provides stability and a homogenous consistency without effecting colour or gloss, although it may effect the pigment strength. When combined with linseed oil, it produces an almost transparent painting medium for extending oil colours. Sometimes referred to as Lake Base. Learn More
  22. Cranfield (Spectrum) Beeswax in White Spirit

    Cranfield (Spectrum) Beeswax in White Spirit

    Starting at: £16.35

    From the Cranfield website:

    A pereparation of pure beeswax in white spirit, this is used to achieve a soft sheen on your finished painting. It will retard drying, allowing you to achieve a range of effects.

    Learn More
  23. Papyrus

    Papyrus

    Starting at: £28.05

    30cm x 40cm / 12" x 16", 5 Sheets, Made by hand in the traditional manner from Papyrus reeds. Learn More
  24. Schmincke Supergranulating Watercolours Half Pan

    Schmincke Supergranulating Watercolours Half Pan

    Starting at: £7.50

    Schmincke’s new supergranulating watercolour range is produced by combining two or more granulating pigments in each paint. Grouped into eight colour palettes, these beautiful shades have a textural surface effect, which is exaggerated when used on rougher and more structured paper. Learn More
  25. Cranfield (Spectrum) Linseed Oil Paste

    Cranfield (Spectrum) Linseed Oil Paste

    Starting at: £20.40

    From the Cranfield website:

    An almost transparent painting medium based on refined linseed oil and alumina. It is similar in consistency to Studio Oil Colours in tubes. It does not promote quick drying and may be used to extend oil colours. It can be used in large ratios where the desired effect is to increase yellowing and darkening of pale colours. It will not increase gloss.

    Learn More
  26. Lefranc et Bourgeois Transcryl Medium

    Lefranc et Bourgeois Transcryl Medium

    Starting at: £13.20

    Call to Order

    Lefranc et Bourgeois Transcryl Medium Learn More

26 Item(s)

per page

Grid  List 

Set Ascending Direction