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  1. Botanical Ultra Smooth Fat Pad

    Botanical Ultra Smooth Fat Pad

    Starting at: £20.75

    Mould-made, 50% cotton, surface sized and acid-free. Spiral bound short edge. 25 sheets per pad. Hot-pressed (HP) surface. 300 gsm. Learn More
  2. Schmincke Medium W

    Schmincke Medium W

    Starting at: £9.60

    Schmincke Medium W is an odourless, jelly-like ("lean") medium for mixing oil colours with water instead of organic solvents such as turpentine or turpentine substitute. It increases gloss and transparency, reduces viscosity and harmonizes the drying process.

    Dosage: 50%

    Thinner: Water

    Learn More
  3. Schmincke Mussini Medium 1

    Schmincke Mussini Medium 1

    Starting at: £9.45

    Low-fat (lean) painting and thinning medium for oil colours. Recommended for thin grounds and for creating transparent layers over gouache, tempera and acrylic paintings. Thins with minimal affect on drying time and gloss. Dosage: 10% to max. 20% Contains: Safflower oil, natural and synthetic resins, mineral spirit. Learn More
  4. Somerset Enhanced Inkjet Paper

    Somerset Enhanced Inkjet Paper

    Starting at: £52.80

    225GSM, A4 / A3+, Satin / Velvet / Textured Surface, 100% Cotton, pH Neutral, Coated on one side, Radiant White. Learn More
  5. Litharge Pigment

    Litharge Pigment

    Starting at: £8.00

    PY46

    Litharge is lead monoxide, also known as Massicot. It is an opaque pigment, with a weak tinting strength. Its toxicity and fugitive nature means that it is rarely used as a pigment. Instead, its fast drying time means that it has been used as a siccative in oil mediums. The colour tends to darken in all media, and it is also unstable in its dry form, as the powder can lighten when exposed to air. Toxicity D. 

    Larger quantities are available by request.

    Please note, unfortunately we are not able to send this product outside the UK.

    Learn More
  6. Indigo Blue Genuine Pigment

    Indigo Blue Genuine Pigment

    Starting at: £8.00

    NB1

    Genuine Indigo is a natural vegetable pigment derived from the Indigofera Tinctoria plant, which was first imported into Europe from India in the seventeenth century. It replaced woad, which had been grown natively in Europe for its blue dye. The leaves are soaked in water to ferment; upon drying, an oxidised residue forms on the dry leaves, which is removed, washed, boiled in water, and then dried to form cakes of pigment or dye.

    Indigo is very transparent, with a good tinting strength. It requires a wetting agent to disperse, and in oil it dries very slowly. It is fugitive to light; this drawback means that it is no longer commonly available in commercial paints. It fell out of general use at the beginning of the seventeenth century, largely replaced by Prussian Blue, and synthetic Indigo was patented in the 1890s. However, it provides a subtle shade of blue that is still desirable in works that are going to be protected from light.

    Toxicity: B

    Learn More
  7. Schmincke Horadam 24 Whole Pans

    Schmincke Horadam 24 Whole Pans

    Starting at: £188.55

    Schmincke Horadam 24 Whole Pans. Learn More
  8. Komasuki 1mm (U Shape)

    Komasuki 1mm (U Shape)

    £31.00

    The Komasuki is similar to western style “U” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More
  9. Roberson Damar Varnish Low Gloss

    Roberson Damar Varnish Low Gloss

    Starting at: £8.90

    Gum Damar/Turpentine. Dries hard/clear. Gives low gloss. Less prone to blooming than mastic. Non-yellowing. Removable with turpentine or white spirit. Unable to send overseas. Learn More
  10. Omega Series 203 Pointed Hog Sash

    Omega Series 203 Pointed Hog Sash

    Starting at: £8.70

    Similar to series 222 but with shorter hair and a pointed tip. Used in the same way as above but preferred when more control needed or when applying gesso to more elaborate mouldings. 100% pure hog hair. Learn More
  11. Winsor & Newton Drying Poppy Oil

    Winsor & Newton Drying Poppy Oil

    Starting at: £9.20

    From the Winsor & Newton website: A fast-drying, pale oil made from poppy seeds which is well suited for whites and pale colours. Reduces consistency. Increases gloss & transparency. Resists yellowing.

    Learn More
  12. ArtGraf Water Soluble Pencil

    ArtGraf Water Soluble Pencil

    Starting at: £1.30

    Water-soluble graphite pencils in two soft grades - 2B and 6B. Learn More
  13. Variegated Leaf Original Sample Chart

    Variegated Leaf Original Sample Chart

    £15.00

    Original hand made sample chart using genuine samples of each Variegated shade. Learn More
  14. Arches Aquarelle Block 300 gsm

    Arches Aquarelle Block 300 gsm

    Starting at: £26.80

    Mould-made, 100% cotton. Gelatine tub sized, neutral pH. Glued 4 edges, 20 sheets per block. available in Hot Pressed (HP), Cold Pressed (NOT) and Rough. Learn More
  15. Cornelissen Silverpoint Pencil

    Cornelissen Silverpoint Pencil

    £22.95

    The Cornelissen Silverpoint Pencil is comprised of a wooden handle sheathing a 50 mm length of silver. Diameter of the silver point is 1.6 mm. Overall length is 175 mm. The silver point can be sharpened or rounded like a lead pencil. Learn More
  16. Roberson Safflower Oil

    Roberson Safflower Oil

    Starting at: £7.70

    Safflower Oil is light-coloured, making it suitable for grinding pale pigments. It is still sometimes used as a binder for commercially available paints, although due to its very slow drying time it is best reserved for the final layers of a painting. Compared to Linseed oil, Safflower Oil will give a matte finish.

    Learn More
  17. Daler Calligraphy Pad

    Daler Calligraphy Pad

    Starting at: £14.15

    Daler-Rowney Calligraphy Paper is a high-quality parchment-style paper. The paperweight is 90gsm. It is suitable for calligraphy, pen and ink work, and certificate writing. Learn More
  18. Gold Leaf Starter Packs

    Gold Leaf Starter Packs

    Starting at: £14.50

    Gold leaf starter packs - 5 leaf booklets of genuine gold leaf available in 22 ct Yellow gold and 23 3/4 ct Warm gold Learn More
  19. Laponite ®

    Laponite ®

    Starting at: £34.40

    For cleaning marble. Mix with water to thick paste. LAPONITE® is a registered trademark of BYK Additives Ltd Learn More
  20. Schmincke Aero Tex Medium 28ml

    Schmincke Aero Tex Medium 28ml

    £8.60

    Produces a textile air-brush colour when mixed with 1 part AERO TEX and 1 part AERO COLOR® Professional. Wash, dry and iron the material beforehand. After finishing the design let it dry out. Iron the reverse side. (Cotton about 2 minutes; silk/wool about 4-6 minutes; synthetics about 8 minutes.) Do not dryclean. Contains a polyurethane dispersion. Learn More
  21. Cornelissen Historical Inks, Brazilwood

    Cornelissen Historical Inks, Brazilwood

    £6.50

    The highest quality ink ever found on illuminated manuscripts from medieval Britain. The muted peachy red of this ink is achieved by simmering brazilwood chunks in vinegar. Add a tiny drop of Oak Gall Ink to produce wonderfully bright violets. 

    Not suitable for fountain pens. Learn More
  22. da Vinci Series 498 Casaneo Synthetic Watercolour brush, round

    da Vinci Series 498 Casaneo Synthetic Watercolour brush, round

    Starting at: £15.00

    CASANEO Wash brush - Made from extra soft synthetic fibres with an extraordinary elasticity and an extremely high colour absorbing capacity - Manufactured in plastic quills - Bound on black lacquered handles - Ideal for watercolour painting and liquid acrylic colours - Extremely high colour absorbing capacity - Extraordinary elasticity Learn More
  23. Hahnemuhle Etching Paper

    Hahnemuhle Etching Paper

    Starting at: £4.55

    300GSM, 53cm x 78cm, Mould Made, Natural White Shade, Alpha Cellulose, Acid Free, Soft Sized, Watermarked, 3 Deckle Edges, Textured Surface, 25 Sheets. Learn More
  24. Mars Black Pigment

    Mars Black Pigment

    Starting at: £5.70

    PBk11

    Mars Black is an artificial mineral pigment composed of hydrated ferric oxides. Like other Mars colours, it provides a very opaque, permanent colour, which is stable in all media. It has an average drying time in oil, forming a hard, fairly flexible film, making it more suitable for impasto application than carbon-based black pigments, which tend to be brittle. It also wets more easily than other black pigments, and possesses a warm, brownish undertone.

    Toxicity: B

    Limeproof

    Larger quantities are available by request. 

    Learn More
  25. Faber-Castell Polychromos Pencils

    Faber-Castell Polychromos Pencils

    Starting at: £2.60

    120 lightfast colours with high covering power. The particularly soft waterproof wax leads are smudge resistant but can be dissolved with turpentine. Learn More
  26. Schmincke Mussini Artists' Oil 35 ml

    Schmincke Mussini Artists' Oil 35 ml

    Starting at: £10.80

    Mussini resin oil colours are based on a Florentine recipe, passed on to the German company Schmincke in 1881, in which excess oil is replaced by natural resins. The result is a balanced range of 101 colours with improved brilliance and lustre especially suited to working in glazes. Learn More
  27. Liquid Leaf Brush Bath Thinner and Cleaner

    Liquid Leaf Brush Bath Thinner and Cleaner

    Starting at: £9.90

    Brush Bath is a paint thinner and solvent especially formulated for the thinning or cleaning of Liquid Leaf. For spray application, use 15-20% Brush Bath with Liquid Leaf. For cleaning, apply to a soft cloth and wipe affected area. For thinning, mix a small amount of Brush Bath with Liquid Leaf, stirring or shaking container until desired consitency. To clean brushes, pour Brush Bath into a small container and let brushes soak.

    Learn More
  28. Traditional Sumi Baren

    Traditional Sumi Baren

    £46.50

    Traditional Japanese "ba-ren" is the pressing and rubbing tool for printing. The inner coil or "shin" consists of flat strips of bamboo twisted together into strands and then into a long cord. The cord is then coiled onto a backing disk made from either layers of washi paper, carved wood or plastic. Finally a bamboo sheath or "takenokawa" is used as a covering, with rubbing surface for printing one side and a twisted handle for the artist to hold on the other. Over time the outer sheath may need replacing due to wear and friction of printing. Our "sumi" baren is made in the traditional way with a plastic backing disk and has a finer coil. It is 130mm across and is suitable for printing the "key block" and fine details. This baren comes in a presentation box. Replacement bamboo sheaths are available to order specially. Learn More
  29. Gamblin Solvent-Free Fluid Medium

    Gamblin Solvent-Free Fluid Medium

    Starting at: £12.60

    Gamblin Solvent-Free Fluid is an oil painting medium created by the American company Gamblin. They write:

    "Gamblin Solvent-Free Fluid painting medium gives oil colours more flow and transparency. It has a moderately fast drying rate and increases gloss. Made from safflower oil and alkyd resin, Gamblin Solvent-Free Fluid is non-toxic and contains no Gamsol or petroleum distillates. To ensure proper drying and prevent beading-up of paint layers, Solvent-Free Fluid should be used in moderation with oil colours – no more than 25% by volume. To avoid wrinkling, apply mixtures of Solvent-Free Fluid and oil colors thinly. For underpainting, we recommend adding Gamsol to Solvent-Free Fluid."

    Learn More
  30. Daniel Smith Watercolour Ground Mars Black 4oz

    Daniel Smith Watercolour Ground Mars Black 4oz

    £10.30

    Mars Black makes our Luminescent Watercolors “pop” and also provides an exciting, unexpected background for all your standard watercolour paints. Soft pastels, graphite and watercolour pencils show up beautifully on both the buff and black. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

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