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Schmincke Medium L
Starting at: £9.45
Schmincke Medium L is a jelly-like medium for “soft” painting with oil colours. It improves flow and reduces brush strokes, accelerates drying, increases gloss and transparency. There is no change of the product quality based on the colour change of the raw material alkyd resin. Close immediately after use. Contains: alkyd resin, mineral spirit, siccative. Dosage:10% to 20% maximum. Thinner: Turpentine substitute Learn More -
Aluminium Ready Stretched Screen
Starting at: £39.00
Pre-stretched aluminium screens. Our screens use the highest quality monofilament polyester mesh and are available in 43T (for fabric), 90T (for paper) and 120T (for finest detail on paper). The mesh appears in different colours, white is for fabric and yellow is for the higher mesh counts, the colour this makes registering with stencils underneath the screen easier. The screen is made of quality aluminium with a profile of 20mm x 30mm x 1.2mm thick. Learn More -
Unison Small Soft Pastels
Starting at: £5.00
A range of pastels handmade with a minimum binder by artists living in Northumberland. Reasons for considering Unison are their rich colour harmonies, size and velvet softness. 10% Discount for purchasing 12+ pastels. Learn More
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Screen Cleaning Brush
£9.00Cleaning brush. Abrasive cleaning pad for cleaning, degreasing and reclaiming screens. This brush is safe on all mesh types. Learn More -
Verdigris Pigment
Starting at: £4.90
Verdigris is an artificial pigment that dates from antiquity. Originally, it was produced by exposing copper to vinegar; nowadays acetic acid is used. It is acidic, so can contribute to the deterioration of paper supports. For this reason, it is more suited to oil or tempera painting than it is to watercolour. In tempera painting, it should be bound in animal glue or isinglass glue rather than egg york. When used in oil painting it should be held in a resin oil or balsam such as Venice Turpentine, as it can turn brown when ground directly into linseed oil. It is a fast-drying, transparent pigment, with a visible crystalline structure.
Larger quantities are available by request.
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Easy Grip Crible Point Squat No 94
£15.76Easy Grip Crible Point Squat #94 Heavy duty tool with tapered shaft ending in a point Crible points are designed to put small holes or indentations in the surface of the plate, creating a dotted or stippled pattern. Learn More -
Rohrer & Klingner Sepia Drawing Ink
Starting at: £7.40
Drawing Ink (series 29 500). A fine, free flowing pigmented ink. Available in gold, silver, bistre, sepia and black lightfast traditional tones in shellac binder. Learn More -
Fullers Earth
Starting at: £6.30
Fullers Earth is used to remove plant debris and other impurities from cold-pressed linseed oil, as its large particle size and unusual shape attracts unwanted matter and pulls it down, away from the surface of the oil. Our Fullers earth consist sly of Bentonite.
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Roberson Series 43B Hog Bristle Round
Starting at: £5.20
Good quality Chinese white interlocking hog hair. Nickel-plated brass seamless ferrule. Maroon handle. Length approximately 300mm / 370mm depending on size. Learn More -
Red Ochre Pigment
Starting at: £4.00
PR101
Red Ochre is a synthetic iron oxide pigment which provides the same level of semi-opacity that is associated with natural ochres. It has a good tinting strength and is stable in all media, including lime mortar.
Toxicity B
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Sankaku-toh 4.5mm (V Shape)
£36.00The Sankaku-toh is similar to western style “V” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Rohrer & Klingner Transparent Ground Cap
£9.30Transparent etching ground in cap form is a light-coloured, transparent product for etching plates that already carry sketch which is meant to remain visible under the etching ground. Learn More -
STABILO CarbOthello Pencil Sharpener
£2.95The Stabilo CarbOthello Sharpener is a short cone sharpener with special blade especially designed for high quality coloured pencils like the Stabilo CarbOthello. The special blade will make sure that your pencil is correctly sharpened and won't split the chalk lead.
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Gamblin Gamvar Varnish Gloss
Starting at: £15.20
Gamvar Picture Varnish saturates colors in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamvar is virtually odorless and ready to apply. Brush apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm to the touch. Please visit our Video Demos page for additional information. Learn More -
Cornelissen Iron Oak Gall Ink Set
£30.00Three historical oak gall inks handmade to traditional recipes. Jane Austen Ink. Sir Isaac Newton Ink. Doomsday Ink. Learn More -
Lithography Leather Roller 35cm
£505.75Traditional rolling up roller and colour printing roller supplied with leather grip handles for easy rotation. Diameter: 10cm Length: 35cm. Wider (45 cm) version available upon special order request (£560.00 Inc VAT). Learn More -
Unison 8 Bright Assorted Pastels
£45.60The Unison Bright 8 set, is specially selected by Unison Colour. This smaller set is a perfect addition to a full set if you want to increase the number of vibrant colours in your collection.
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Fabriano Medioevalis Cards and Envelopes
Starting at: £4.05
Hand torn, deckle-edged cards with matching envelopes for invitations and greetings. 260 gsm watercolour type paper. Portrait folded. *PLEASE NOTE: Cards and matching envelopes are grouped A, B, C. Select cards and envelopes from within the same group, A. B, C. The listed card dimensions are for unfolded, flat paper; once folded along the integrated score line, cards fit into corresponding group envelopes. Learn More -
Indigo Blue Genuine Pigment
Starting at: £8.00
NB1
Genuine Indigo is a natural vegetable pigment derived from the Indigofera Tinctoria plant, which was first imported into Europe from India in the seventeenth century. It replaced woad, which had been grown natively in Europe for its blue dye. The leaves are soaked in water to ferment; upon drying, an oxidised residue forms on the dry leaves, which is removed, washed, boiled in water, and then dried to form cakes of pigment or dye.
Indigo is very transparent, with a good tinting strength. It requires a wetting agent to disperse, and in oil it dries very slowly. It is fugitive to light; this drawback means that it is no longer commonly available in commercial paints. It fell out of general use at the beginning of the seventeenth century, largely replaced by Prussian Blue, and synthetic Indigo was patented in the 1890s. However, it provides a subtle shade of blue that is still desirable in works that are going to be protected from light.
Toxicity: B
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Japanese Gold 23,44ct
Starting at: £60.00
Highest quality 23,44ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ～0.2μ in thickness. These Tachikiri (contemporary) leaves are beaten in between glassine paper which leaves a much softer impression on the surface of each leaf, resulting in a slightly shinier finish than the more traditional Enzuke gold leaf. Each pack contains 10 leaves. Learn More -
Korns Litho Tusche Stick
£33.60108 x 29 x 10 mm. Prepare by mixing with distilled water to desired concentration. Can be used on aquatint as well as litho plates and stones. Recommended for higher quality results. Learn More -
Arches Aquarelle Block 640 gsm
Starting at: £56.56
Mould-made, 100% cotton. Gelatine tub sized, neutral pH. Glued 4 edges, 10 sheets per block. Only available in Fin (NOT) surface. Learn More -
Roberson Gum Ammoniac
Starting at: £14.00
Natural gum size made to a traditional recipe. Gum Ammoniac is useful for gilding in small areas and, more generally, in detailed gilding. Two applications are needed if gilding on absorbent paper. Raised areas can be developed by using several layers and allowing each layer to dry first. Gum Ammoniac can be reactivated by breathing on the gum surface. Gum Ammoniac comes to us from Asia and is increasingly hard to source. Learn More -
Cobalt Violet Dark Pigment
Starting at: £14.00
Cobalt Violet Dark Pigment (PV14). Synthetic inorganic pigment. Semi-transparent. High tinting strength. Excellent Lightfastness. Low oil absorption with fast drying rate. All media including ceramics. Used since late 19th Century.
Limeproof
Toxicity: C
Please note, unfortunately we are not able to send this product outside the UK.
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Aisuki 1mm (Chisel Shape)
£28.00The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Chrome Yellow Middle Pigment
Starting at: £10.00
Chrome Yellow Middle Pigment.
Toxicity: D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.
PERMITTED USES: Restoration of art works and protected buildings when there are no suitable alternatives.
IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.
SHIPPING: Please note, we are not able to send this product outside the UK.
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Cadmium Vermilion Pigment
Starting at: £7.50
PR108
Cadmium Red is a synthetic organic pigment that has been in use since the 1920s. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film. This shade has been formulated to imitate the bright hue of vermilion.
Larger quantities are available by request.
Limeproof
Toxicity: C
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Cornelissen Historical Inks, Sir Isaac Newton Ink 30ml
£10.50Formulated to the exact recipe used by Isaac Newton, this ink is completely permanant, as his surving writings attest. Although composed of very similar ingredients to our Jane Austen Ink, we consider Newton's recipe to be superior, as Austen's has browned slightly over time. Initially a medium blue-grey, it darkens to a rich, matte back, which is slightly warmer in tone than our regular Oak Gall Ink. It is made in small batches and blended to give the required consistency and strength, and is fully waterproof in 5-7 days. Permanent and lightfast, it has been steeped for several weeks and left to ‘mature’ for several more in the bottle. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence.
Not suitable for fountain pens. Learn More -
Blue Verditer Pigment
Starting at: £7.50
** While stocks last ** Blue Verditer, sometimes referred to as Bremen Blue, is a synthetic form of Azurite, or copper-calcium carbonate. It has a weak tinting strength and is sligtly transparent. It works best in water-based binders, as the acidity of linseed oil can cause discolouration.
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Larger sizes available on request -
Miniatum
Starting at: £16.60
Size for high gloss gilding on paper, degreased vellum, leather and flexible surfaces. *Please note - Colours of these products may vary slightly from those depicted in the photograph* Learn More
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