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Items 571 to 600 of 909 total

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  1. Roberson Satin Glaze Medium

    Roberson Satin Glaze Medium

    Starting at: £9.80

    Mix with tube oil colours or pigment to improve flow and translucency. For thin glazes, fine details and smooth brushwork. Learn More
  2. Charbonnel Reds

    Charbonnel Reds

    Starting at: £17.70

    Charbonnel Reds Learn More
  3. Winsor & Newton Series 7 Kolinsky Sable

    Winsor & Newton Series 7 Kolinsky Sable

    Starting at: £24.80

    Made from finest selected red sable in seamless cupro-nickel ferrules. These black-handled watercolour brushes have a long established reputation. Learn More

  4. Azure Blue Pigment

    Azure Blue Pigment

    Starting at: £12.00

    Azure Blue Pigment (PB28). Inorganic pigment made from various aluminium, zinc and cobalt compounds. Semi-opaque. Weak tinting strength. Excellent Lightfastness.

    Toxicity: C

    Limeproof

    Learn More
  5. Caligo Safe Wash Etching Inks

    Caligo Safe Wash Etching Inks

    Starting at: £8.00

    Oil-based and washable - Artist quality etching inks for non-toxic printmaking. Solvent-free cleaning and lightfast, this unique range of etching inks can be washed away with liquid soap and water. Suitable for all types of intaglio printing e.g. etching, aquatint and line engraving. This range does not contain any driers. For faster drying rates, add a small amount of cobalt or manganese driers.

    Learn More
  6. Cornelissen 80 Renaissance Gold 22.5 ct

    Cornelissen 80 Renaissance Gold 22.5 ct

    Starting at: £59.20

    Renaissance Gold 22.5 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More
  7. Roberson PVA

    Roberson PVA

    Starting at: £12.60

    PVA mixes with pigments to make glossy acrylic colours or an easy colour wash for walls. Also suitable as an adhesive. Learn More
  8. Cobalt Turquoise Pigment

    Cobalt Turquoise Pigment

    Starting at: £15.00

    Toxicity: B

    Please note, unfortunately we are not able to send this product outside the UK.

    Learn More
  9. Daler-Rowney Artists Watercolour 15ml Tube

    Daler-Rowney Artists Watercolour 15ml Tube

    Starting at: £15.00

    Artists' Water Colour is a professional quality water colour. Based on the finest modern and traditional pigments, it is precisely formulated to offer unparalleled performance and permanence. Learn More
  10. Roberson Glass muller, medium (7 cm)  and small (5 cm) [without logo]

    Roberson Glass Mullers

    Starting at: £42.70

    Roberson Glass Mullers are handmade using high quality-glass. 

    Mullers act as flat-bottomed pestles, which are used to grind pigment into a binding medium, suspending it evenly to create a uniform covering of binder around each pigment particle. Using a muller and slab, rather than simply mixing pigment and binder together, will create a more homogenised and stable paint. 

    Roberson Glass Mullers are handmade using superior boro silicate laboratory glass, which is 40% harder, more heat resistant, and offers better clarity than soda-lime glass. The base of each muller is ground perfectly flat, and sand-blasted to create a fine tooth to facilitate the grinding of pigments.

    Use in conjunction with a Cornelissen Glass Slab to make paint efficiently. The sand-blasted texture of the muller and plate helps to push and distribute the pigment throughout the binder quickly. This will mean less grinding, and more painting! 

    NOTE: Sizes may vary slightly as these are handmade products. 

    Learn More
  11. Lascaux Tusche Diluting Liquid 500ml

    Lascaux Tusche Diluting Liquid 500ml

    £36.50

    A ready-to-use liquid for diluting Lascaux Tusches to alter their handling characteristics or to create delicate washes on positives. Learn More
  12. Raw Sienna Pigment

    Raw Sienna Pigment

    Starting at: £4.00

    PBr7

    Raw Sienna is a natural earth pigment that dates back to antiquity. Our Raw Sienna comes from areas of Tuscany where the earth has been coloured by iron-rich minerals. It provides a good tinting strength, excellent lightfastness, and a fast to medium drying rate in oil. It is stable in all media but, like umber pigments, can be difficult to disperse in an acrylic binder. It is similar in composition to Yellow Ochre, but whereas Yellow Ochre contains a higher proportion of clay, Raw Sienna contains a higher proportion of silica. As a natural material, the exact colour and qualities of the resultant pigments can vary, but generally this difference creates a paler, more opaque Yellow Ochre, and a darker, more transparent Raw Sienna.

    Toxicity: B

    Learn More
  13. Mussini Set 10 x 35 ml tubes

    Mussini Set 10 x 35 ml tubes

    £120.20

    Schmincke Mussini Wooden Set 10 x 35 ml tubes Learn More
  14. Schmincke Lino Water-based Inks 35ml

    Schmincke Lino Water-based Inks 35ml

    Starting at: £7.75

    Water based inks for block printing and linocut. Learn More
  15. Pro Arte Series 202 Round Acrylix

    Pro Arte Series 202 Round Acrylix

    Starting at: £3.45

    This brush has an excellen point and spring well suited to detail work in acrylic, watercolour and oils Learn More
  16. Curved Burnisher 2 inc

    Curved Burnisher

    Starting at: £15.20

    Curved burnishers set in a 3.5 inch wooden handle. Learn More
  17. Clutch Pencil with Sharpener Stand

    Clutch Pencil with Sharpener Stand

    Starting at: £28.00

    Classic 5.5mm clutch pencil made from FSC certified beechwood. Supplied with display stand sharpener and HB graphite lead. Packed in a gift box. Available in Ash (oiled finish) or Black Stained. Learn More
  18. Schmincke Malbutter Impasto Medium

    Schmincke Malbutter Impasto Medium

    Starting at: £8.20

    A gel medium that increases the buttery character of oil colours and decreases their drying time. Useful for impasto techniques and knife application. Add to oils in a maximum ratio of 1:4. Contains alkyd resin.

    Learn More
  19. Sosaku Brush 15mm

    Sosaku Brush 15mm

    £6.50

    Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More
  20. Realgar Pigment

    Realgar Pigment

    Starting at: £12.75

    Realgar, like Orpiment, is sulphide of arsenic, and these two substances are often found in close proximity to each other in nature. Realgar exists in small deposits throughout the world and has been used for its colour since ancient times, although its extreme toxicity means that it has been superseded by cadmiums in modern painting. It is an opaque pigment with poor tinting strength. Toxicity D.

    Larger quantities are available by request.

    Learn More
  21. Ultramarine Blue Dark Pigment

    Ultramarine Blue Dark Pigment

    Starting at: £4.00

    PB29

    Ultramarine Blue Dark is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.

    It is a transparent pigment, with a high tinting strength and excellent lightfastness. It reacts to alkali, therefore it is not suitable for use in lime-fresco; we do offer a Limeproof Ultramarine Blue for this purpose. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.

    Toxicity: B

    Learn More
  22. Cornelissen Pointed Quill Writer

    Cornelissen Pointed Quill Writer

    Starting at: £18.45

    Traditional long sable hair with plain wood handles bound in genuine quill. These brushes hold large amounts of colour for long lines but also point well for detail. Learn More
  23. Schmincke Horadam 12 Whole Pans

    Schmincke Horadam 12 Whole Pans

    Starting at: £90.80

    Call to Order

    Schmincke Horadam 12 Whole Pans. Learn More
  24. Aisuki 4.5mm (Chisel Shape)

    Aisuki 4.5mm (Chisel Shape)

    £28.00

    The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More
  25. Cornelissen Imitation Gold No 2.5

    Cornelissen Imitation Gold No 2.5

    Starting at: £7.40

    Coverage per book of 25 leaves is 0.49 m2 (5.29 sq feet) Learn More
  26. da Vinci Series 1200 Sable Rigger

    da Vinci Series 1200 Sable Rigger

    Starting at: £9.40

    Made from pure Kolinsky sable hair to give added control and spring when painting long lines. Learn More
  27. Winsor & Newton Drying Poppy Oil

    Winsor & Newton Drying Poppy Oil

    Starting at: £9.20

    From the Winsor & Newton website: A fast-drying, pale oil made from poppy seeds which is well suited for whites and pale colours. Reduces consistency. Increases gloss & transparency. Resists yellowing.

    Learn More
  28. Cornelissen Variegated Metal Leaf 227

    Cornelissen Variegated Metal Leaf 227

    Starting at: £23.00

    Cornelissen Variegated Metal Leaf Learn More
  29. Cornelissen Variegated Metal Leaf 282

    Cornelissen Variegated Metal Leaf 282

    Starting at: £23.00

    Cornelissen Variegated Metal Leaf 282 Learn More
  30. Daler-Rowney Cryla 75ml

    Daler-Rowney Cryla 75ml

    Starting at: £9.05

    Cryla Artists' Heavy Body colours are designed to retain the intended stroke when applied with a knife or brush, so they are ideal for highly textured impasto painting techniques. Learn More

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