Search results for 'a'
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Rohrer & Klingner Bistre Drawing Ink
Starting at: £7.40
Drawing Ink (series 29 500). A fine, free flowing pigmented ink. Available in gold, silver, sepia, black and bistre lightfast traditional tones in shellac binder. Learn More -
Phthalo Blue Pigment
Starting at: £8.00
PB15:3
Phthalo (Mona) Blue is a synthetic organic pigment, Copper Phthalocyanine, that has been in use since the 1930s. It has an extremely high tinting strength and is a staining colour, so cannot successfully be lifted in watercolour. It requires a wetting agent to fully disperse into a medium, and, when used at full strength, a copper sheen is visible in dried paint film. It is transparent, very lightfast, and has a medium-to-slow drying rate in oil.
Toxicity: C
While stocks last
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Omega Series 203 Pointed Hog Sash
Starting at: £8.70
Similar to series 222 but with shorter hair and a pointed tip. Used in the same way as above but preferred when more control needed or when applying gesso to more elaborate mouldings. 100% pure hog hair. Learn More -
Liquid Glass Mediums
Starting at: £19.50
Call to Order
Renaissance Materials by Dr. David Cranswick.
A thick glazing medium of the 'Old Masters'. Liquid Glass Mediums facilitate building up layers of transparent glaze. Gloss or Satin.
Contains: Damar resin, linseed oil and beeswax (for Satin medium only)
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Liquitex Heavy Body 59ml
Starting at: £10.30
A range of artists quality acrylics which are durable, permanent and do not yellow with age. Heavy Body colour has a thick, buttery consistency and oil-like performance. Learn More -
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Winsor & Newton Art Painting Medium
Starting at: £9.20
From the Winsor & Newton website: A slow drying, gloss medium which is ideal for fine detail work, glazing and smoothly blended areas with no brush marks. Reduces consistency and improves flow. Suitable for oiling out and enriching dull patches. Resistant to yellowing.
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Pre-Lim Metal Burnisher
Starting at: £9.85
A gently abrasive paste for non-scratch cleaning of metals and many sensitive fine-art surfaces. Learn More -
Sennelier Oil Pastels Large
Starting at: £11.50
Beautifully soft and creamy oil pastels in a range of 120 colours. Blend of pure pigment, oil and acid free wax. 20% Discount for purchasing 4+ pastels. Learn More -
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Cornelissen Iconographer's Pigment Set, with Aidan Hart
£38.50Nine pigments, especially selected for L. Cornelissen & Son by Aidan Hart, renowned icon painter, writer and lecturer. Learn More -
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Rohrer & Klingner Black Drawing Ink
Starting at: £7.40
Drawing Ink (series 29 500). A fine, free flowing pigmented ink. Available in gold, silver, black, sepia and bistre lightfast traditional tones in shellac binder. Learn More -
Winsor & Newton Sansodor
Starting at: £6.85
Sansodor is a low-odour solvent which can be used as an alternative to turpentine. It evaporates slowly, increasing the blending time of oil paints, and can be used to clean brushes. Learn More -
Sosaku Brush 24mm
£11.15Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More -
Roberson Acrylic Gloss Medium
Starting at: £11.20
(Copolymer emulsion) add to pigment to make acrylics. May also be added to prepared acrylic colours to extent them and increase gloss. Learn More -
Fullers Earth
Starting at: £6.30
Fullers Earth is used to remove plant debris and other impurities from cold-pressed linseed oil, as its large particle size and unusual shape attracts unwanted matter and pulls it down, away from the surface of the oil. Our Fullers earth consist sly of Bentonite.
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Viridian Green Pigment
Starting at: £6.30
Viridian Green is a synthetic inorganic pigment, similar in composition to Chromium Oxide. However, unlike Chromium Oxide, Viridian contains water molecules within its crystal structure, imparting a greater degree of transparency. Sometimes referred to as Verte Eméraude, Viridian was discovered in France in 1838, patented in 1859, and made available in the UK in 1862. It is stable in all media, and offers excellent lightfastness and good tinting strength. It requires a high oil content, and dries slowly to form a hard, fairly flexible paint film.
Toxicity B
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W&N Professional Watercolour Half Pan
Starting at: £7.90
Water colour, more than any other medium, reflects the unique characteristics of the pigments used. Winsor & Newton Professional Water Colours use only the finest pigments and are known for their brilliance, permanence and strength of colour. Learn More
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W&N Professional Watercolour 37ml Tube
Starting at: £19.20
Water colour, more than any other medium, reflects the unique characteristics of the pigments used and our Professional Water Colours use only the finest pigments, and are known for their brilliance, permanence and strength of colour. Learn More
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Ultramarine PB29 Pigment
Starting at: £9.10
PB29
Ultramarine Blue is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.
It is a transparent pigment, with a high tinting strength and excellent lightfastness. It reacts to alkali, therefore it is not suitable for use in lime-fresco; we do offer a Limeproof Ultramarine Blue for this purpose. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.
Toxicity: B/C
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Empty Watercolour box for 48 half pans
£20.00This unbranded watercolour tin box is the same as the light weight metal boxes used by most of the major European colour-makers. The back of the box includes thumb ring. Dimensions: 22.8 x 11.3 x 2.3cm Learn More -
Milliput
Starting at: £4.80
2 part, epoxy resin moulding material for prepairing surfaces and mouldings. Store in a cool, dry place. Shelf life is 2-3 years. Hardener may yellow if it dries out. This is due to the resin leeching out to the surface of the stick. If this happens, kneading with fingers will make it smooth and white again. Learn More -
Roberson Gloss Picture Varnish
Starting at: £8.70
B-67/stand oil/white spirit. Nearly colourless liquid which dries to a clear non-yellowing, non-blooming high gloss film. Unable to send overseas. Learn More -
W&N Professional Watercolour 5ml Tube
Starting at: £8.25
Water colour, more than any other medium, reflects the unique characteristics of the pigments used and our Professional Water Colours use only the finest pigments, and are known for their brilliance, permanence and strength of colour. Learn More
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Schmincke Calligraphy Gouache
Starting at: £10.95
Brilliant and mainly opaque colours specially developed for use in calligraphy. Superfine pigments. Ideal for making inks. Non waterproof. Learn More -
Schmincke Aqua-Bronze
Starting at: £10.90
Formerly Tro Col, Schmincke Aqua-Bronze is a range of metallic gouache in dry powder form. Mix with distilled water. May also be mixed with acrylic mediums to give a rich colour. Light resistant, but not resistant to humidity. Learn More


