Search results for: 'DE'

Quinacridone Scarlet Pigment

Starting at: £6.30

Quinacridone Scarlet Pigment (PR209). Organic pigment. Very transparent. High tinting strength. Excellent Lightfastness. High oil absorption with slow drying rate. Requires wetting agent. Suitable for all media. Developed in the 1950's. Toxicity A/B. Learn More

Gum Tragacanth

Starting at: £20.00

Call to Order

Gum Tragacanth is a natural tree gum with pigment-binding properties. It can be used to make a very matte watercolour, but is most commonly used in the production of soft pastels.

Please see the Formulas & Recipes section on our homepage for a recipe to make your own pastels using Gum Tragacanth (currently under construction).

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Liquitex Acrylic Matte Medium

Starting at: £20.40

Decreases gloss. Can be used as sealer for canvas etc. Learn More

Terre Verte Pigment

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Starting at: £4.00

Terre Verte, sometimes known as Green Earth, is a natural earth pigment derived from clay coloured by iron silicate. As with other natural pigments, impurities can prevent it from fully dispersing in an acrylic binder, although it is a popular pigment in all other mediums. It has been in use since antiquity, providing excellent lightfastness and great transparency, with a low tinting strength. It requires a high volume of oil, and dries slowly to create a soft, flexible paint film. When calcined, Terre Verte becomes Burnt Green Earth.
Toxicity B Learn More

Charbonnel Whites

Starting at: £19.85

Charbonnel Whites Learn More

Shell Gold Watercolour 1/4 pan Silver

£27.00

Shell gold, so named because it was historically made and stored in a shallow shell such as a mussel shell, consists of finely powdered genuine gold mixed with a variety of gums. It is mixed with a bit of water and applied in the same way as watercolour. After drying for an hour or so, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
Our Shell gold is used by calligraphers, framers, restorers, iconographers and watercolour artists.
In recent years our colour range of genuine gold has been extended and genuine Lapis Lazuli and genuine Malachite have also been added. Learn More

Japanese Shell Gold

Starting at: £28.00

Japanese shell gold in ceramic pans.

Shell gold, so named because it was historically made and stored in shallow shells such as mussel shells, consists of finely powdered genuine gold mixed with a variety of gums. This Japanese shell gold range is made using the highest quality handmade Japanese gold and precious metal powders bound with Nikawa gelatine glue.

Mix with a bit of water and apply in the same way as watercolour (a drop of oxgall can be added to break the surface tension) After drying, it can be burnished to a soft, beautiful lustre using an agate stone burnishing tool.
Contains 0.4g Learn More

Raw Umber Pigment

Starting at: £4.00

PBr7

Raw Umber is a natural earth pigment composed of iron oxide, manganese, and aluminium silicate. It has its roots in the Umbria region of Italy, and was historically a popular colour for underpaintings, as it dries very quickly. It is semi-opaque, very lightfast, and stable in all media but may be difficult to disperse in acrylic. It requires a large amount of liquid when mixed with oil.

Toxicity: B

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W&N Professional Watercolour Chart

£23.50

Winsor & Newton Handmade Professional Watercolour Chart Learn More

Cornelissen Glass Mullers

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Starting at: £24.50

Cornelissen Glass Mullers are handmade using superior boro silicate laboratory glass, which is 40% harder, more heat resistant, and offers better clarity than soda-lime glass. The base of each muller is ground perfectly flat, and sand-blasted to create a fine tooth to facilitate the grinding of pigments. The tall handle features an ergonomic top, to ease fatigue when grinding large amounts of pigment. Mullers act as flat-bottomed pestles, which are used to grind pigment into a binding medium, suspending it evenly to create a uniform covering of binder around each pigment particle. Using a muller and slab, rather than simply mixing pigment and binder together, will create a more homogenised and stable paint. Use in conjunction with a Cornelissen Glass Slab to make paint efficiently. The sand-blasted texture of the muller and plate helps to push and distribute the pigment throughout the binder quickly. This will mean less grinding, and more painting! Learn More

Sosaku Brush 15mm

£6.50

Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More

da Vinci Series 7106 Long Handle Hog Bright

Starting at: £21.10

Finest quality white bristle brushes, built with the natural curve of the bristles turned inwards. Two equally-sized tufts of bristle are set against each other without tension and made to interlock. Properly cleaned after each use the brush will retain this shape even after long use and many washings. Extra long 60 cm handle length. Learn More

Gamblin Gamsol Mineral Sprit

Starting at: £9.30

Gamsol is an odourless mineral spirit created by the American company Gamblin. They describe it as "the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise."

Please see below for Gamsol's primary applications.

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Roberson Water Gold Size 15 ml

£12.30

Traditional size for illumination. Made with natural gums. Yellow colour. Learn More

Aisuki 3mm (Chisel Shape)

£28.00

The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More

Ultramarine Blue Dark Pigment

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Starting at: £4.00

PB29

Ultramarine Blue Dark is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.

It is a transparent pigment, with a high tinting strength and excellent lightfastness. It reacts to alkali, therefore it is not suitable for use in lime-fresco; we do offer a Limeproof Ultramarine Blue for this purpose. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.

Toxicity: B

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Schmincke Horadam Box 48 Half Pans

Starting at: £271.95

Schmincke Horadam Box 48 Half Pans. Learn More

Rohrer and Klingner Dokumentus Ink Black 50ml

£26.20

Rohrer and Klingner Dokumentus ink is designed for fountain pens (best with wide nibs) and made specifically for signing official documents which require long term permanence. Dokumentus is made with small diameter micronized pigment and is waterproof and lightfast (unlike most fountain pen inks which are made with dyes and therefore not lightfast over time). Learn More

da Vinci Series 1200 Sable Rigger

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Starting at: £9.40

Made from pure Kolinsky sable hair to give added control and spring when painting long lines. Learn More

ArtGraf Watercolour Graphite Small

£10.50 As low as: £8.20

ArtGraf Watercolour Graphite Small 20g allows for interesting and very expressive mark making offering an extensive scale of graphite greys that range from the deep blacks to more subtle, brighter and more transparent ones Learn More

Roberson Retouching Varnish

Starting at: £8.20

Damar resin/white spirit. Rectifies dull areas caused by sinking of paint. Also helps adhesion of succeeding layer. Finish between matt and satin. Unable to send overseas. Learn More

Lyons Twisted Double Needle

£11.60

Twisted double-ended drypoint needle/scriber used for adding linear detail to metal plates. Made of high-carbon tool-steel. Total length: 17 cm. Learn More

Unison 8 Bright Assorted Pastels

£45.60

The Unison Bright 8 set, is specially selected by Unison Colour. This smaller set is a perfect addition to a full set if you want to increase the number of vibrant colours in your collection.

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Lyons Single-Row Roulette Wheels

£46.00

Made of high-carbon tool-steel, Lyons roulettes produce regular line or dot patterns on metal plates. The 85-line, single-row tool is ideal for adding fine details and retouching. Total length: 12.5 cm. Learn More

Cornelissen Aluminium Leaf

Starting at: £7.40

Coverage per book of 25 leaves is 0.49 m2 (5.29 sq feet) Learn More

STABILO woody Pencil Sharpener

£4.75

Stabilo Woody Pencil Sharpener. Stabilo Woody Pencil Sharpener is a child safe sharpener which is made specifically for the Stabilo Woody 3 in 1 Colouring Pencil. The sharpener includes a safety lock, to protect fingers from accidents. Learn More

Techniques of Icon and Wall Painting

£40.00

Techniques of Icon and Wall Painting - Egg Tempera, Fresco, Secco by Aidan Hart. The most comprehensive description to date of the techniques, formulae and history of Icon and Wall Painting. The book is beautifully designed and over its 490 pages, there are 450 coloured images and 180 drawings. Cornelissen materials are included in the text and in the images. Learn More

Lascaux Tusche Lift Solution 500ml

£36.50

The Lascaux Tusches are a unique range of innovative ready-to-use water-soluble painting materials specially designed for creating positives for light-sensitive printmaking processes. The positives can be used with water-based screenprinting, acrylic-resist etching, solar plate printing and traditional printmaking methods. The Lascaux Lift solution can be used in conjunction with Lascaux Tusche spray for making positives or as a lift in the acrylic-resist etching system. Learn More

Bockingford Paper Cold Pressed (NOT)

Starting at: £55.36

Surface sized, wove, white, mould made, acid and wood free. Calcium carbonate buffered. Pack contains 25 sheets. Trimmed 4 edges. Learn More

Cobalt Violet Light Pigment

Starting at: £10.00

Cobalt Violet Light Pigment (PV14). Synthetic inorganic pigment. Semi-opaque. Weak tinting strength. Excellent Lightfastness. Fast drying rate. Good for oil and watercolour but not acrylic as pigment 'settles out'. Used since early 1900's. This colour cannot be matched through mixing other colours.

Limeproof

Toxicity: C

Please note, unfortunately we are not able to send this product outside the UK.

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Search results for 'DE'