Search results for 'The And'

Spectrafix 360ml. A natural non-toxic milk casein fixative based on an antique recipe used by Degas himself. This is the perfect fixative for pastel, charcoal, gouache and watercolour. Its workable matt finish allows deep layering with minimal colour shift. Learn More

Charbonnel Blacks Learn More

PB29

Ultramarine Blue is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.

It is a transparent pigment, with a high tinting strength and excellent lightfastness. It reacts to alkali, therefore it is not suitable for use in lime-fresco; we do offer a Limeproof Ultramarine Blue for this purpose. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.

Toxicity: B/C

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PBr7

Burnt Sienna is a natural earth pigment that has been in use since antiquity. Our Burnt Sienna comes from Tuscany, and is produced by calcining Raw Sienna to temperatures of about 450 degrees Celsius. This process creates a rich warm colour and increases transparency. It also offers a good tinting strength, excellent lightfastness, and a fast to medium drying rate in oil. It is stable in all media but, like umber pigments, may be difficult to disperse in acrylic binders. 

Toxicity B

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Plastic Baren. This is a hard plastic baren 120mm across with dimples over the printing surface. There is no need for a bamboo covering for this baren as with the traditional style and has more durability then the traditional baren due to this. Perfect for those starting mokuhanga. Learn More

Energy saving daylight bulbs consume 80% less energy than incandescent bulbs and last up to ten times longer. The bulbs assist colour matching for those working at night or in weak winter light. They also reduce eye strain and low heat technology means they are extremely safe. Screw or bayonet fittings. Learn More

The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More

PV16

Manganese Violet is a synthetic organic pigment, discovered in Germany in 1868 and formed by combining manganese chloride, phosphoric acid and ammonium carbonate. It is very lightfast, but sensitive to alkalis and oils. It is semi-opaque and fast-drying, with a low tinting strength and low absorption of oil. 

Toxicity: C

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Cornelissen Series 1855 Sable Brush Size 12. The box contain 1 x Artists' Quality Kolinsky Sable watercolour Brush and a brush soap. Learn More

Golden Silverpoint Ground 237 ml. A white acrylic ground, recommended as a preparation for all metalpoint drawing techniques. Light, flexible and sandable, great for fine detailed lines. 100% acrylic polymer dispersion which is ready to use, UV resistant, water resistant and has minimum film formation. Directions: For use on porous surfaces, shake the bottle vigorously, then allow to rest for 5 minutes before applying. Allow each coat to dry thoroughly between applications. Learn More

A range of pastels handmade with a minimum binder by artists living in Northumberland. Reasons for considering Unison are their rich colour harmonies, size and velvet softness. 10% Discount for purchasing 12+ pastels. Learn More

Fast drying, waterproof and scuff resistant, this semi-viscous tusche has homogeneous covering power and is useful for a broad range of painted marks. The diluted tusche dries to resemble ‘toad-skin’ washes usually found in zinc-plate lithography. Learn More

Single-hole tub sharpener for standard-sized black lead pencils up to 8.2 mm Ø with a sharpening angle of 23° for clear and accurate lines. The sharpener has a hinged cover to prevent shavings from spilling and lid with safety lock to avoid accidental opening.

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INTRODUCTORY SET From Michael Harding: Artists unfamiliar with my paints should begin with the MH introductory set. Use this set to mix many colours in my range. Play, experiment, and enjoy true oil paints. 6 x 40ml tubes. The Introductory set contains: Titanium White No.1 Yellow Lake Ultramarine Blue Burnt Umber Scarlet Lake Learn More

Arches Aquarelle paper is a mould-made, 100% cotton watercolour paper. It is available in hot pressed, cold pressed and rough surfaces. Gelatine tub sized internally and externally with four deckle edges, acid free and pH neutral.

Mail-order customers are able to buy this paper in packs of 5 or 10 sheets depending on the gsm. Single sheets are also available in our shop.

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Box Set Dimensions 9 cm x 5.5 cm Utramarine PB29 Burnt Umber PBR6 Genuine Madder NR9 Vermilion PR4, PY1, W21 Mars Orange PY42, PR10 Indigo NB1 Yellow Ochre PY43 Prussian Blue PB27. Learn More

PB35

Cerulean Blue is an artificial mineral pigment that is prepared by heating a mixture of Cobalt Chloride and Potassium Stannate. It was first synthesised in the early nineteenth century, becoming more widely used from 1870, when Rowney introduced Coeruleum Blue into their range. It produces a very bright, clear, and unusually opaque blue, hence its name, which is derived from the Latin for "sky-blue", or perhaps "heaven-blue". It has a very low tinting strength meaning that, although it is stable in all media, some artists may choose to bind it in poppy rather than linseed oil, so that the colour isn't affected by the colour of the binder. It creates a fairly flexible paint film, and is a fast-to-medium drying pigment.

Limeproof

Toxicity: B

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LIMITED EDITION Cornelissen Watercolour Gift Set contains : -Arches Watercolour Block 20 x 20 cm -Schmincke Watercolour Set with Brush, 12 half pans -Genuine Leather Cornelissen Watercolour Case. Available in green, red, tan and black, while stocks last. Gift wrapped in a box with Cornelissen wrapping paper. To specify the colour of the Leather Watercolour Case (green, red, tan or black) and the Arches Watercolour paper surface (Hot Pressed, Cold Pressed or Rough), please contact us directly. t: 0207 636 1045 e: info@cornelissen.com. Learn More

Pigment collected from erosion of modern red brick stock. Learn More

The Sankaku-toh is similar to western style “V” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More

PBk 6

Lamp Black is an inorganic, synthetic, pure carbon pigment. Originally made from soot collected from oil lamps and fireplaces, its modern equivalent is derived from partly combusted mineral and vegetable oil. It is a cool, transparent, bluish black, with a good tinting strength, and stable in all media. It requires a wetting agent, and in oil it has a very high absorption drying very slowly.

Larger quantities are available by request. 

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Finest quality watercolours made in Germany. This range offers 139 colours, including 95 single-pigment colours, 3 perylene pigments, 5 quinacridone pigments, and a selection of granulating colours. They present endless mixing possibilities, and can combined with Schmincke's selection of watercolour mediums as well as with their gouache paints. The solid colours are produced by pouring the liquid paint into the pans four times, ensuring the maximum yield for each colour. Also available in half and whole pans and 5ml tubes. Learn More

Traditional strongly resistant SOV. Very dark and opaque finish. Appropriate for backing the plate as well as stopping out areas. Learn More

Unlike other commercially available oil paints, Roberson Artists' Oil Colours do not contain any fillers, extenders or stabilisers. Each paint consists solely of high-quality pigment that has been ground into cold pressed linseed oil, resulting in a highly pigmented paint. This strength of colour presents the possibility of greater economy of use and a less homogenised texture between each tube, instead allowing the unique qualities of each individual pigment to reveal themselves. By limiting our range to 59 shades, we dispense with colours that can be easily mixed, creating a focussed palette of intense, lightfast paints that offer limitless combinations. 

Available in 40ml and 225ml tubes

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Wooden handle with 5 blades. The blades are pushed into the handle, and removed by using the dowel. The blades are made from hardened steel. The set contains 1 x V blade, 3 x U blades and 1 straight blade. Replacement blades are available for this set. Learn More

ArtGraf Watercolour Graphite Small 20g allows for interesting and very expressive mark making offering an extensive scale of graphite greys that range from the deep blacks to more subtle, brighter and more transparent ones Learn More

Flash vinyl colours, like resin-based acrylic paints, can be diluted with water, dry very quickly and become insoluble once dry providing lasting flexibility and excellent preservation. They have an even matt finish which recalls primitive Italian fresco painting. This makes Flashe the ideal medium for all artworks to be photographed. Also popular for illustration, graphics, comics, model making, fresco and interior mural decoration. Learn More

PB29

Ultramarine Blue Light is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today. 

It is a transparent pigment, with a high tinting strength and excellent lightfastness. It reacts to alkali, therefore it is not suitable for use in lime-fresco; we do offer a Limeproof Ultramarine Blue for this purpose. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.

Toxicity B

Learn More

The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More