Search results for 'The And'
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Empty Watercolour box for 24 half pans
£14.00This unbranded watercolour tin box is the same as the light weight metal boxes used by most of the major European colour-makers. The back of the box includes thumb ring. Dimensions: 22.2 x 7 x 2cm Learn More -
Cornelissen Oil Sable Filbert
Starting at: £8.45
Similar to the Sable Round but with a filbert shape combining the characteristics of rounds and flats. Excellent spring and colour holding capacity. Learn More -
Omega Series 222 Domed Hog Sash
Starting at: £10.30
Long natural bristle hair with copper ferrule. Shaped to a slightly rounded snub tip, these brushes are suited to large scale painting in oils and acrylics. Also useful for decorative paint effects and for applying gesso during gilding. 100% pure hog hair. Learn More -
Van Dyke Brown Pigment
Starting at: £4.50
Van Dyke Brown pigment is know for its poor lightfastness and instability in all mediums. Our Van Dyke Brown, also known as Cassel Earth, offers the same dark brown colour and transparency as the traditional pigment, but without the drawbacks usually associated with its longevity and use. It is made from lignite, or brown coal, from the Alsace region in France.
Toxicity: B
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Sankaku-toh 1.5mm (V Shape)
£36.00The Sankaku-toh is similar to western style “V” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
da Vinci Maestro Kolinsky series 11
Starting at: £11.35
Made by hand with the highest quality Tobolsky Kolinsky sable. Has more belly than the da Vinci series 10 and therefore higher colour holding capacity. Suitable for all watercolour techniques. Learn More -
Lead Red Pigment (Minium)
Starting at: £4.50
PR105
Lead Red is an early articficial pigment that dates back to antiquity. It is created by heating Lead White or Litharge at a constant temperature of 480ºC over a prolonged period of time. It is a fast-drying colour, with good tinting strength and opacity, and has been widely used as an underpaint for gilding and in industry. However, it is highly toxic and generally unstable, so has fallen out of use in favour of Cadmium pigments. The acid in linseed oil causes Lead Red to darken, and it can solidify when stored in a tube. In water-based mediums, it can turn black.
Toxicity: D
Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.
PERMITTED USES: Restoration of art works and protected buildings when there are no suitable alternatives.
IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.
SHIPPING: Please note, we are not able to send this product outside the UK.
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Roberson Rhinds Stopping Out Varnish
Starting at: £8.60
Traditional strongly resistant SOV. Very dark and opaque finish. Appropriate for backing the plate as well as stopping out areas. Learn More -
Hing Clamps (per pair)
£16.00Hinge clamps, these are zinc plated aluminium clamps for attaching screens to any surface to create printing bed. Clamp surface is 60mm wide, and will securely hold a frame depth of min: 12mm and max: 45mm. The clamps have counter sunk screw holes 6mm diameter and 30mm a part (centres). Clamp opens up to 90 degrees. Learn More -
Cornelissen Iron Oak Gall Ink Set
£30.00Three historical oak gall inks handmade to traditional recipes. Jane Austen Ink. Sir Isaac Newton Ink. Doomsday Ink. Learn More -
ArtGraf Tailor Shape Set of 6
£41.50Inspired by traditional tailor’s chalk block, prepared for drawing and painting. Water soluble and extremely soft, the set contains 6 traditional earth colours: sanguine, sepia, dark brown, brown, ochre and carbon black Learn More -
STAEDTLER Mars Lumograph Black Carbon Pencils
Starting at: £1.80
STAEDTLER's Mars Lumograph pencils are premium-quality pencils that have a special lead formulation containing a high proportion of carbon for matt, jet black results. The pencils are particularly suitable for drawing and hatching as well as for expressive sketches and portraits.
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Winsor & Newton Drawing Inks
Starting at: £4.80
The Winsor & Newton Drawing Inks can be intermixed and diluted with distilled water. Not lightfast (except Black and White). All colours are transparent and water resistant once dry (except Gold & Silver). Learn More -
Schmincke Liquid Frisket
Starting at: £5.40
Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. Apply with writing pen, cotton bud or wooden stick. Contains: synthetic resin dispersion without ammonia. Learn More -
Mars Violet Pigment
Starting at: £4.50
PR101
Mars Violet is an artificial mineral pigment. Its pigment code, PR101, refers to a wide spectrum of synthetic iron oxide pigments including yellows, oranges, reds, violet-browns and green-browns, which replace many natural earth colours, to provide pigments without impurities and with great opacity. It has a good tinting strength, is lightfast and stable in all media, and has a medium drying time in oil. Although it is similar to Caput Mortuum and Indian Red, it is less transparent than the former and warmer than the latter.
Toxicity: B
Limeproof
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Schmincke Mussini Special Edition Cobalt Violet 15 ml
£17.10Schmincke Mussini Special Edition Cobalt Violet15 ml Learn More -
Möbius & Ruppert Triple Metal Sharpener
£4.25Metal sharpener for graphite pencils. Three different blades for shaping different points. Up to 11mm barrel. Learn More -
Komasuki 1.5mm (U Shape)
£31.00The Komasuki is similar to western style “U” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More -
Schmincke Mussini Artists' Oil 35 ml
Starting at: £10.80
Mussini resin oil colours are based on a Florentine recipe, passed on to the German company Schmincke in 1881, in which excess oil is replaced by natural resins. The result is a balanced range of 101 colours with improved brilliance and lustre especially suited to working in glazes. Learn More -
Calligraphy Cartridge Pad A3
£17.50Calligraphy Cartridge Pad A3. Recommended and developed by Patricia Lovett MBE and with a guide to lettering on the inside cover. 150gsm, 40 sheets. *While stocks last. Learn More -
Rohrer & Klingner Soft Ground 16g
£17.10Soft ground is a soft wax mixture for soft ground and cotton ground techniques. The warm ground plate gets coated with suet, which is then wiped off, leaving only a thin film. The soft ground is then applied on the warm plate and spread evenly with a small leather roller. Learn More -
Chrome Yellow Orange Pigment
Starting at: £14.00
Chrome Yellow Orange Pigment (PY34). Synthetic Inorganic pigment (Lead Chromate). Opaque. Good tinting strength. Lightfastness is good, but in some cases unstable as it can darken and turn greenish. Low oil absorption with fast drying rate. Recommended for oils not suitable for water-based mediums. Used since late 18th Century.
Toxicity: D Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.
PERMITTED USES: Restoration of art works and protected buildings when there are no suitable alternatives.
IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.
SHIPPING: Please note, we are not able to send this product outside the UK.
Learn More -
Daler-Rowney Georgian Oil Colour 225 ml
Starting at: £14.50
Georgian Oil colour offers artists high performance at an economical and uniform price across all colours in the range. All 55 colours have fine working qualities and a high degree of performance. Learn More -
Lascaux Tusche Wash 500ml
£42.90This Tusche has handling qualities similar to ink and can be diluted to make gradated washes typical of stone lithography. By scratching into the dry marks, delicate non-printing lines can be created. Learn More -
Gamblin Gamvar Varnish Gloss
Starting at: £15.20
Gamvar Picture Varnish saturates colors in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamvar is virtually odorless and ready to apply. Brush apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm to the touch. Please visit our Video Demos page for additional information. Learn More -
STAEDTLER Mars Plastic Eraser Holder
£3.00STAEDTLER Mars Plastic holder is a high-quality, retractable eraser for graphite pencil. The eraser is easily advanced and retracted by the sliding mechanism, and compared to conventional erasers more precise erasing can be achieved. Phthalate and latex free.
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Japanese Printmaking Paper
Starting at: £5.20
Call to Order
Kozo paper is made from renewable branches of the kozo (paper mulberry) bush, specifically the innermost of three layers of bark which must be isolated to be cooked and beaten before the sheets are formed. Kozo fibre makes strong, translucent and absorbent papers. 46 gsm suitable for relief printing, Japanese woodcut and Chine-collé. Kitakata paper is made of 100% gampi and is suitable for relief printing and Chine-collé. Also successfully used for sumi-e, calligraphy and soft pencil work. Learn More -
Practical Gilding
£11.95By Peter & Ann Mactaggart. This book is an attempt to set down detailed descriptions and explanations of the traditional, professional methods of both oil and water gilding in a way that can be followed by another craftsman. It does not discuss some of the methods that have been suggested recently for amateur use. (74 pages) Learn More -
Ultramarine PB29 Pigment
Starting at: £9.10
PB29
Ultramarine Blue is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.
It is a transparent pigment, with a high tinting strength and excellent lightfastness. It reacts to alkali, therefore it is not suitable for use in lime-fresco; we do offer a Limeproof Ultramarine Blue for this purpose. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.
Toxicity: B/C
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Alizarin Crimson Pigment
Starting at: £4.50
PR83
Alizarin Crimson is a synthetic organic pigment that became available in 1868. It requires a wetting agent to disperse, and in oil it also absorbs a lot of liquid and dries very slowly to form a hard, brittle paint film. It is chemically identical to madder-root pigments and should be protected against UV light where possible as it can fade when applied onto a white ground, although it is less fugitive than its natural counterpart. Alizarin Crimson is a very transparent pigment, with a high tinting strength and slightly blue undertone.
Toxicity: A/B
Larger quantities are available by request.
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