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Items 61 to 90 of 104 total

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  1. Schmincke Horadam Box 24 x 5ml Tubes

    Schmincke Horadam Box 24 x 5ml Tubes

    Starting at: £209.60

    Schmincke Horadam Box 24 x 5ml Tubes. Learn More
  2. Schmincke Liquid Frisket, Clear

    Schmincke Liquid Frisket

    Starting at: £5.40

    Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. Apply with writing pen, cotton bud or wooden stick. Contains: synthetic resin dispersion without ammonia. Learn More
  3. Unison 8 Starter Assorted Pastels

    Unison 8 Starter Assorted Pastels

    £45.60

    The Unison classic Starter 8 set, specially selected by John Hersey for a perfect starter pastel set. Unison Colour Soft pastels allow for ease of use with a highly blendable texture.

    Learn More
  4. Schmincke Horadam 12 Whole Pans

    Schmincke Horadam 12 Whole Pans

    Starting at: £90.80

    Call to Order

    Schmincke Horadam 12 Whole Pans. Learn More
  5. Winsor & Newton Cotman Student Set 12 Half Pans

    Winsor & Newton Cotman Student Set 12 Half Pans

    Starting at: £25.95

    Winsor & Newton Cotman Student Set 12 Half Pans **SPECIAL PRICE** Learn More
  6. Roberson A81 Varnish

    Roberson A81 Varnish

    Starting at: £8.50

    Roberson A81 Picture Varnish A reversible picture varnish suitable for both specialist conservation work and general picture varnish needs. Non-yellowing, dries to a gloss finish. Cleaning: Wash brushes in turpentine Learn More
  7. Superior Extra Soft Rubber Rollers

    Superior Extra Soft Rubber Rollers

    Starting at: £212.00

    Extra Soft (35 shore) NBR rubber rollers suitable for fine relief printing (lino, wood engraving and wood cut) and intaglio applications. The surface of the soft rubber is machined several times with a special grinder to achieve the complete smoothness of the rollers. Solid heavy metal handle. Each roller is supplied in secure wooden box. Learn More
  8. Woody Pencil Sharpener Red

    STABILO woody Pencil Sharpener

    £4.75

    Stabilo Woody Pencil Sharpener. Stabilo Woody Pencil Sharpener is a child safe sharpener which is made specifically for the Stabilo Woody 3 in 1 Colouring Pencil. The sharpener includes a safety lock, to protect fingers from accidents. Learn More
  9. Soft Rubber Lino Rollers

    Soft Rubber Lino Rollers

    Starting at: £11.00

    A soft compound EPDM at 40 shore. Resistant to printers chemicals and not affected by exposure to daylight, this is a long life product. This brayer is designed to give a more compliant coverage than hard rubber material. More forgiving on uneven surfaces, proving to be a favourite with certain printing methods but needing extra care in storage to prevent indentation to its soft surface. Especially developed for relief printing. Learn More
  10. STABILO CarbOthello Pencil Sharpener

    STABILO CarbOthello Pencil Sharpener

    £2.95

    The Stabilo CarbOthello Sharpener is a short cone sharpener with special blade especially designed for high quality coloured pencils like the Stabilo CarbOthello. The special blade will make sure that your pencil is correctly sharpened and won't split the chalk lead.

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  11. Lithography Leather Roller 35cm

    Lithography Leather Roller 35cm

    £505.75

    Traditional rolling up roller and colour printing roller supplied with leather grip handles for easy rotation. Diameter: 10cm Length: 35cm. Wider (45 cm) version available upon special order request (£560.00 Inc VAT). Learn More
  12. Schmincke Medium W

    Schmincke Medium W

    Starting at: £10.50

    Schmincke Medium W is an odourless, jelly-like ("lean") medium for mixing oil colours with water instead of organic solvents such as turpentine or turpentine substitute. It increases gloss and transparency, reduces viscosity and harmonizes the drying process.

    Dosage: 50%

    Thinner: Water

    Learn More
  13. Lascaux Tusche Lift Solution 500ml

    Lascaux Tusche Lift Solution 500ml

    £36.50

    The Lascaux Tusches are a unique range of innovative ready-to-use water-soluble painting materials specially designed for creating positives for light-sensitive printmaking processes. The positives can be used with water-based screenprinting, acrylic-resist etching, solar plate printing and traditional printmaking methods. The Lascaux Lift solution can be used in conjunction with Lascaux Tusche spray for making positives or as a lift in the acrylic-resist etching system. Learn More
  14. Cornelissen Historical Inks, Walnut

    Cornelissen Historical Inks, Walnut

    Starting at: £9.00

    Made from organic walnut husks collected in Cambridgeshire, this deep brown walnut ink is made to an 18th-century formula. Small batches of the ink are blended to give the required consistency and strength. It has good permanence, but will eventually fade if left in direct sunlight for sustained periods of time, and is not wholly waterproof, but has some staying power, especially on sized watercolour papers. As with all handmade products derived from natural ingredients, there may be slight variations in the colour and consistency as a result of seasonal changes.

    Not Suitable for fountain pens. Learn More
  15. Daniel Smith Watercolour Ground Buff Titanium 4oz

    Daniel Smith Watercolour Ground Buff Titanium 4oz

    £10.30

    Buff Titanium is great for value studies and provides a gorgeous, classic-looking surface for work in neutral grays, earthy reds, black and white. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More
  16. Schmincke Aerocolour Inks

    Schmincke Aerocolour Inks

    Starting at: £8.30

    A highly concentrated acrylic pigmented colour suitable for drawing pens, calligraphy, brush and airbrush techniques. 36 standard colours and 12 'special effects' colours. Lightfast and waterproof when dry. Glass Jar with dropper. Learn More
  17. Traditional Japanese Sumi Baren

    Traditional Japanese Sumi Baren

    £46.50

    Traditional Japanese "ba-ren" is the pressing and rubbing tool for printing. The inner coil or "shin" consists of flat strips of bamboo twisted together into strands and then into a long cord. The cord is then coiled onto a backing disk made from either layers of washi paper, carved wood or plastic. Finally a bamboo sheath or "takenokawa" is used as a covering, with rubbing surface for printing one side and a twisted handle for the artist to hold on the other. Over time the outer sheath may need replacing due to wear and friction of printing. Our "sumi" baren is made in the traditional way with a plastic backing disk and has a finer coil. It is 130mm across and is suitable for printing the "key block" and fine details. This baren comes in a presentation box. Replacement bamboo sheaths are available to order specially. Learn More
  18. Rohrer and Klingner Dokumentus Ink Black 50ml

    Rohrer and Klingner Dokumentus Ink Black 50ml

    £26.20

    Rohrer and Klingner Dokumentus ink is designed for fountain pens (best with wide nibs) and made specifically for signing official documents which require long term permanence. Dokumentus is made with small diameter micronized pigment and is waterproof and lightfast (unlike most fountain pen inks which are made with dyes and therefore not lightfast over time). Learn More
  19. Cobalt Blue Pigment

    Cobalt Blue Pigment

    Starting at: £6.50

    PB28

    Cobalt Blue is an artificial mineral pigment, produced by the calcination of cobalt oxide and aluminium oxide. It has been widely used since the early 1800s, following its discovery by the French chemist Thenard at the beginning of the century. The name Cobalt has its roots in the German word Kobold, meaning imp or evil spirit. German miners specifically used this name in the late-Middle Ages, as the presence of Cobalt ore in the mines made the extraction of silver very difficult. They were possibly aware of the toxic properties of the mineral frustrating their efforts.

    Cobalt remains a very popular colour today, and is present in most ranges of paints, being a semi-transparent pigment that is stable in all media. As a watercolour, all cobalt pigments tend to granulate. As an oil paint, it requires less oil content than most other pigments, and dries quite quickly. Like Cerulean Blue, some artists may choose to bind it with poppy oil, to avoid any possible colour changes brought about by the yellowish cast of linseed oil and the pigment's weak tinting strength.

    Limeproof

    Toxicity: C

    Learn More
  20. STAEDTLER Mars Lumograph Black Carbon Pencil Set of 6 in Tin Box

    STAEDTLER Mars Lumograph Pencil Set of 6

    £11.00

    This tin of STAEDTLER Mars Lumograph Black pencils holds a collection of premium-quality pencils that have a special lead formulation containing a high proportion of carbon for matt, jet black results. The pencils are particularly suitable for drawing and hatching as well as for expressive sketches and portraits.

    Learn More
  21. Carnauba Wax Grey

    Carnauba Wax Grey

    Starting at: £8.40

    Carnauba Wax is the hardest wax commonly used in the production of artists' materials, with a melting point of 83-86°c. It is derived from a tree native to South America, and is available in a natural colour (grey), or a refined colour (pale yellow). Small amounts of carnauba wax are commonly used in both oil painting mediums and encaustic painting, usually in conjunction with beeswax to add toughness, durability and sheen to the paint film. It creates an inflexible surface, so works best on rigid supports such as gesso panels, and it should be noted that it will raise the melting point of encaustic mixtures. It can produce a glossy finish; as such it is used in waxes and polishes for shoes, cars, musical instruments, furniture, and wooden floors, especially when mixed with beeswax and turpentine. Learn More
  22. Japanese Printmaking Paper

    Japanese Printmaking Paper

    Starting at: £5.20

    Call to Order

    Kozo paper is made from renewable branches of the kozo (paper mulberry) bush, specifically the innermost of three layers of bark which must be isolated to be cooked and beaten before the sheets are formed. Kozo fibre makes strong, translucent and absorbent papers. 46 gsm suitable for relief printing, Japanese woodcut and Chine-collé. Kitakata paper is made of 100% gampi and is suitable for relief printing and Chine-collé. Also successfully used for sumi-e, calligraphy and soft pencil work. Learn More
  23. Schmincke Mussini Artists' Oil 35 ml

    Schmincke Mussini Artists' Oil 35 ml

    Starting at: £10.80

    Mussini resin oil colours are based on a Florentine recipe, passed on to the German company Schmincke in 1881, in which excess oil is replaced by natural resins. The result is a balanced range of 101 colours with improved brilliance and lustre especially suited to working in glazes. Learn More
  24. Roberson Canada Balsam Medium

    Roberson Canada Balsam Medium

    Starting at: £39.10

    A high quality painting medium which will produce a deep glow, made from Canada Balsam and Turpentine. Especially effective with transparent oil colours, it is recommended as the medium of choice in the final stages of an oil painting. Learn More
  25. Pre-lim Metal Cleaner 200 ml

    Pre-Lim Metal Burnisher

    Starting at: £9.85

    A gently abrasive paste for non-scratch cleaning of metals and many sensitive fine-art surfaces. Learn More
  26. STAEDTLER Mars Lumograph Black Carbon Pencil

    STAEDTLER Mars Lumograph Black Carbon Pencils

    Starting at: £1.80

    STAEDTLER's Mars Lumograph pencils are premium-quality pencils that have a special lead formulation containing a high proportion of carbon for matt, jet black results. The pencils are particularly suitable for drawing and hatching as well as for expressive sketches and portraits.

    Learn More
  27. da Vinci, Suzi Morris, Softening and Blending Set for Oil Painting

    da Vinci, Suzi Morris, Softening and Blending Set for Oil Painting

    £47.40

    Versatile, sturdy brushes with short wooden handles for comfort and ease of use. Learn More
  28. Kölner Instacoll Activator

    Instacoll Gilding System

    Starting at: £6.85

    Kölner Instacoll is a two-part system, consisting of a base coat and activator, that can be used on nearly all suitably prepared substrates to create weather-resistant, high gloss interior and exterior gilded surfaces. The Instacoll Tool is a double-ended tool with shaped tips made of elastic rubber, designed for pressing gold and silver transfer leaf into indentations when gilding uneven surfaces. The Instacoll Chiffonnette is an extra soft, lint-free cloth, used for polishing and burnishing surfaces gilded with Instacoll. *PLEASE NOTE - COLOURS OF THESE PRODUCTS MAY VARY SLIGHTLY FROM PRODUCTS PICTURED* Learn More
  29. Illumination Gold and Colour Book

    Illumination Gold and Colour Book

    £15.00

    Patricia Lovett is one of the world’s leading authorities on the techniques and practical processes of making mediæval manuscripts. She lectures and teaches all over the world on calligraphy and illumination, and has written about a dozen books on these subjects, as well as producing a DVD – Illumination – Tools, Materials, Techniques, Projects. Patricia has run calligraphy courses as well as those on traditional manuscript gilding and painting techniques, and was awarded an MBE for her services to heritage crafts and calligraphy. This book takes the beginner and those with more experience through step-by-step processes to produce simple and easy projects using cheap metals and modern adhesives, and also to create mediæval miniatures and illuminated scrolls on vellum (animal skin). Learn More
  30. Stil de Grain

    Stil de Grain

    Starting at: £12.20

    NY13:75640 Stil de Grain is a natural yellow pigment derived from unripe buckthorn berries, which were also once used to produce sap green pigment before the introduction of synthetic alternatives. Stil de Grain may also be known as brown lake, yellow lake, Persian lake, buckthorn lake, Dutch pink, yellow carmine and Italian pink. It has a weak tinting strength, and is very transparent, especially in oil. When mixed with oil, the pigment becomes saturated, darkening considerably in colour and drying very slowly, whereas in a water-based paint it is appears as a warm yellow. It is very fugitive to light, and compatible with all media, except lime. Larger quantities are available by request. Learn More

Items 61 to 90 of 104 total

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