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  1. Gum Copal Manila

    Gum Copal Manila

    Starting at: £6.00

    Gum Copal Manila is derived from the resin of a coniferous tree native to the Philippines. It is not to be confused with other copals, which are the product of fossilised plant materials. It can be dissolved in alcohol to make a spirit varnish, to be used as a substitute for shellac, or as a fixative for pastel and charcoal drawings. Please note, that when used as a fixative it may darken the colour of the image. Learn More
  2. Somerset Enhanced Inkjet Paper

    Somerset Enhanced Inkjet Paper

    Starting at: £52.80

    225GSM, A4 / A3+, Satin / Velvet / Textured Surface, 100% Cotton, pH Neutral, Coated on one side, Radiant White. Learn More
  3. Japanese Printmaking Paper

    Japanese Printmaking Paper

    Starting at: £5.20

    Call to Order

    Kozo paper is made from renewable branches of the kozo (paper mulberry) bush, specifically the innermost of three layers of bark which must be isolated to be cooked and beaten before the sheets are formed. Kozo fibre makes strong, translucent and absorbent papers. 46 gsm suitable for relief printing, Japanese woodcut and Chine-collé. Kitakata paper is made of 100% gampi and is suitable for relief printing and Chine-collé. Also successfully used for sumi-e, calligraphy and soft pencil work. Learn More
  4. Rohrer & Klingner Drawing & Calligraphy Ink 50ml

    Rohrer & Klingner Drawing & Calligraphy Ink 50ml

    Starting at: £7.30

    Drawing & Calligraphy Ink (series 29 700). Lightfast pigmented acrylic inks in 24 colours. Intermixable with Rohrer’s Antique Drawing Inks. Suitable for brush, dip pen, technical drawing pens greater than 0.35mm and airbrush. Learn More
  5. Roberson Water Gold Size 15 ml

    Roberson Water Gold Size 15 ml

    £12.30

    Traditional size for illumination. Made with natural gums. Yellow colour. Learn More
  6. Faber-Castell Pitt Brush Pens

    Faber-Castell Pitt Brush Pens

    Starting at: £3.65

    Flexible brush tip. Extremely fade resistant colours made with pigmented drawing ink. Waterproof and PH neutral. Learn More
  7. Gamblin Relief Printing Inks 175ml

    Gamblin Relief Printing Inks 175ml

    Starting at: £16.00

    Gamblin Relief Inks are formulated for all relief techniques, including woodblock, linocut, monotype, and Solarplate. They contain the right amount of stiffness and tack to hold fine detail yet spread evenly on the block or plate. The palette of ten colors is designed to give artists intense pure pigmented colors straight from the jar, along with a wide range of color mixing capabilities. Gamblin Relief Inks are all bound in the highest quality Burnt Plate Oil. Learn More
  8. ArtGraf Water Soluble Pencil

    ArtGraf Water Soluble Pencil

    Starting at: £1.30

    Water-soluble graphite pencils in two soft grades - 2B and 6B. Learn More
  9. Aluminium Coating Trough 18" with ends

    Aluminium Coating Trough 18" with ends

    £31.00

    Coating Trough, used to coat screens with Photographic Emulsion. Shaped to allow the weight of the coating trough to be supported by the thumb, the palm and all four fingers for a steady and even coat. Features a dual sided coating edge for either a sharp edge thin coat for higher mesh counts, or a rounded dull edge for coating lower mesh count screens. Learn More
  10. Hahnemühle Zig Zag Watercolour Book 300gsm

    Hahnemühle Zig Zag Watercolour Book 300gsm

    Starting at: £6.80

    18 pages of fine-grained watercolour paper with internal and surface sizing, folded in an accordion style. Learn More
  11. Genuine Silver Rolls

    Genuine Silver Rolls

    Starting at: £417.80

    Genuine Silver Rolls Learn More
  12. Alumina Hydrate Light

    Alumina Hydrate Light

    Starting at: £8.30

    Alumina Hydrate is an inert pigment with highly absorbent properties, which can be ground into oil paint as an almost colourless extender. It is often used as an additive in commercial oil paints, particularly in conjunction with transparent or lake pigments, as it provides stability and a homogenous consistency without effecting colour or gloss, although it may effect the pigment strength. When combined with linseed oil, it produces an almost transparent painting medium for extending oil colours. Sometimes referred to as Lake Base. Learn More
  13. Rohrer & Klingner Sepia Drawing Ink

    Rohrer & Klingner Sepia Drawing Ink

    Starting at: £7.40

    Drawing Ink (series 29 500). A fine, free flowing pigmented ink. Available in gold, silver, bistre, sepia and black lightfast traditional tones in shellac binder. Learn More
  14. Gum Tragacanth

    Gum Tragacanth

    Starting at: £20.00

    Call to Order

    Gum Tragacanth is a natural tree gum with pigment-binding properties. It can be used to make a very matte watercolour, but is most commonly used in the production of soft pastels.

    Please see the Formulas & Recipes section on our homepage for a recipe to make your own pastels using Gum Tragacanth (currently under construction). 

    Learn More
  15. Winsor & Newton Liquin Light Gel

    Winsor & Newton Liquin Light Gel

    Starting at: £9.20

    From the Winsor & Newton website: This quick drying gloss medium offers a slight gel that brushes out smoothly and is ideal for artists looking for a non-drip effect when mixed with colour. Speeds drying (touch dry in 1-6 days depending on colour and film thickness). Ideal for glazing. Resists yellowing. Not suitable as a varnish or final coat. Learn More
  16. Superior Extra Soft Rubber Rollers

    Superior Extra Soft Rubber Rollers

    Starting at: £212.00

    Extra Soft (35 shore) NBR rubber rollers suitable for fine relief printing (lino, wood engraving and wood cut) and intaglio applications. The surface of the soft rubber is machined several times with a special grinder to achieve the complete smoothness of the rollers. Solid heavy metal handle. Each roller is supplied in secure wooden box. Learn More
  17. Fabriano Artistico Paper Traditional

    Fabriano Artistico Paper Traditional

    Starting at: £46.10

    Gelatine free. A mould-made, acid-free 100% cotton watercolour paper with 2 deckle edges.

    Mail-order customers are able to buy this paper in packs of 10 sheets. Single sheets are also available in our shop.

    Learn More
  18. Fabriano Rosaspina Paper

    Fabriano Rosaspina Paper

    Starting at: £2.90

    285GSm, 70cm x 50cm, Mould Made, 60% Cotton, Internally Sized, Acid free, Watermarked, 2 Deckle Edges, Matt Surface, White / Ivory Shades. Learn More
  19. Liquitex Acrylic Varnish Gloss

    Liquitex Acrylic Varnish Gloss

    Starting at: £20.40

    Increases colour brilliance and transparency. Promotes flow and levelling. Use as varnish over varnished painting to add gloss and depth of colour. Non removable. Learn More
  20. Cornelissen Copper Leaf

    Cornelissen Copper Leaf

    Starting at: £7.80

    Coverage per book of 25 leaves is 0.49 m2 (5.29 sq feet) Learn More
  21. Cobalt Yellow Pigment

    Cobalt Yellow Pigment

    Starting at: £8.80

    Cobalt Yellow Pigment, Aureolin (PY40). Synthetic Inorganic pigment (Potassium Cobaltinitrate). Transparent. Good tinting strength. Very good Lightfastness. Medium to high oil absorption. Suitable for all media except Lime-fresco. Used since mid 19th Century. Toxicity C.

    Please note, unfortunately we are not able to send this product outside the UK.

    Learn More
  22. Winsor & Newton Liquin Impasto

    Winsor & Newton Liquin Impasto

    Starting at: £11.65

    From the Winsor & Newton website: A quick drying, semi-gloss medium which thickens slowly and extends tube colour retaining crisp textures brush marks without any visible levelling. Speeds drying (touch dry in 1-6 days depending on colour and film thickness). Resists yellowing. Not suitable as a varnish or final coat.

    Learn More
  23. Arches Aquarelle Paper

    Arches Aquarelle Paper

    Starting at: £51.95

    Arches Aquarelle paper is a mould-made, 100% cotton watercolour paper. It is available in hot pressed, cold pressed and rough surfaces. Gelatine tub sized internally and externally with four deckle edges, acid free and pH neutral.

    Mail-order customers are able to buy this paper in packs of 5 or 10 sheets depending on the gsm. Single sheets are also available in our shop.

    Learn More
  24. Cornelissen 80 Yellow Gold Leaf 22 ct

    Cornelissen 80 Yellow Gold Leaf 22 ct

    Starting at: £51.20

    Yellow Gold Leaf 22 ct, 80 x 80 mm. Book of 25 leaves. Coverage per book is 0.16 m2 (1.69 sq. feet) Learn More
  25. Velin Arches Printmaking Paper

    Velin Arches Printmaking Paper

    Starting at: £7.15

    Mould made, 100% rag, acid free, soft textured surface, 250 gsm. White or cream. Pack quantity 25 sheets. Learn More
  26. Treasure Gold

    Treasure Gold

    Starting at: £12.30

    Treasure Gold is a metallic wax which is unparalleled in restoring gold lead and the finishing touches for antiquing. Blend any of the colours together for just the right shade. Apply with the fingers or a cloth and buff lightly. The metal lustre won't fade or tarnish. It is ready to be polished in ten minutes. Treasure Gold is highly concentrated and is to be used sparingly. A 25g jar will cover approximately 2sq/m. Learn More

  27. Schmincke Horadam 24 Whole Pans

    Schmincke Horadam 24 Whole Pans

    Starting at: £188.55

    Schmincke Horadam 24 Whole Pans. Learn More
  28. Roberson Prouts Brown Ink

    Roberson Prouts Brown Ink

    Starting at: £6.40

    Non waterproof, The ink can be used in all types of pens. Learn More
  29. da Vinci Series 5522 COLINEO Watercolour brush, round

    da Vinci Series 5522 COLINEO Watercolour brush, round

    Starting at: £5.30

    Composed of different lengths of straight and wavy synthetic fibres, with extra fine tips. Precise point, high elasticity and colour absorption with a silver metal ferrule Handle made of water-resistant, hi-tech multicolour laminated wood. Ideal for watercolour painting. Very similar to Kolinsky Red Sable hair brushes. Learn More
  30. Cinnabar Pigment

    Cinnabar Pigment

    Starting at: £16.00

    PR106

    Cinnabar, composed of mercuric sulphide, is a mineral pigment found in crusts or veins in sites of volcanic activity. It has good tinting strength and opacity but, like many red pigments, it dries very slowly in oil media. Due to its high toxicity, it is no longer an ingredient in commercial paints, but is a prominent colour in historical palettes.

    Generally, Cinnabar refers to the natural mineral, while Vermilion refers to the synthetic pigment. Cinnabar has been mined since at least the tenth millennium BC, and used as a painting material, gemstone, and ritual object by many cultures around the globe. Toxicity D.

    Larger sizes available on request.

    Learn More

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