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Quill Pens
Starting at: £8.50
Traditional quill pen made from goose and turkey feathers. Cut by hand and cured in hot sand. Learn More -
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Artists' Dipping Pen
Starting at: £7.80
Ergonomic nib penholder with assembled nib. Available in Black or Mahogany. Learn More -
Pearl Lustre Pigments 7g
Starting at: £4.70
Pearl Lustre Pigments 7g. Colour swatch on the left indicates colour on a White Background and Colour on a Black Background on the right. Learn More -
Kolner Classic Caselo Casein Paint 500 ml
Starting at: £32.40
Casein-based paint for Gilders, Framers and Decorators. Adheres to most rigid surfaces including furniture, also used as a base coat when gilding on frames. Once dry can be burnished to a soft sheen. Water resistant & non fading. Matt / Satin finish. Learn More -
Roberson Beeswax Picture Varnish
Starting at: £10.20
A final picture varnish suitable for both oil and acrylic paintings. unable to send overseas. Learn More -
Isinglass
Starting at: £30.10
Isinglass is derived from the dried swim bladders of fish, with Salianski Isinglass being the highest grade available. In the Russian Icon tradition, it commonly provided the glue component in gesso recipes, and was sometimes mixed with pigment to make tempera paints, due to its high binding strength. It can be used to make a pale, clear glue, which is less prone to darkening than other animal glues, and which is particularly flexible, making it a useful material for repairing textiles. Learn More -
Rohrer & Klingner Black Drawing Ink
Starting at: £7.40
Drawing Ink (series 29 500). A fine, free flowing pigmented ink. Available in gold, silver, black, sepia and bistre lightfast traditional tones in shellac binder. Learn More -
Schmincke Mussini Limited Edition Lapis Lazuli 15 ml
£28.00Schmincke Mussini Limited Edition Lapis Lazuli 15 ml Learn More -
Michael Harding Watercolours, Spring Floral Set, 6 x 15ml tubes
Starting at: £82.00
Michael Harding Watercolours, Spring Floral Set, 6 x 15ml tubes, including: Quinacridone Gold, Yellow Lake, Moss Green, Hookers Green, Phthalo Blue Red Shade, and Quinacridone Rose. Learn More -
Ammonium Carbonate
Starting at: £9.70
Ammonium Carbonate is a highly Alkaline substance that reacts with the lactic acid present in casein to form a robust binder for tempera paints. It should only be used in a well-ventilated area, please see below for the Material Safety Data Sheet. Learn More -
Botanical Ultra Smooth Glued Pad
Starting at: £8.05
Mould-made, 50% cotton, surface sized and acid-free. 10 sheets per pad. Hot-pressed (HP) surface. 300 gsm. A4 and A3 pads are glued on the short edge, and A5 pads are glued on the long edge. Learn More
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Schmincke Mussini Limited Edition Topaz Orange 15 ml
£26.00Topaz Orange Limited Edition 15 ml. is an opaque, richly coloured and sparkling brown orange, produced from the mineral phyllosilicate, one of the hardest naturally occurring minerals. Learn More -
Roberson Poppy Oil
Starting at: £10.20
Poppy Oil is a slightly later addition to the artist's cabinet than Linseed Oil and Walnut Oil. It is generally used as a binder for pale colours, where the warmth of Linseed Oil is not desired. It provides a matte finish and dries very slowly, so we would not advise using it in conjunction with slow-drying pigments or in underpaintings. A paint film produced by Poppy Oil is weaker and softer than that created by Linseed Oil. This is because it contains a smaller percentage of linolenic acid than Linseed Oil; this substance imparts both strength and yellowness to an oil.
Although some of these properties can be perceived as drawbacks, paints made with Poppy Oil generally obtain a "short" or buttery texture without the addition of waxes or other additives, which can be an advantage for certain colours that produce poor consistencies in Linseed oil alone. Sometimes, the addition of a small quantity of Poppy Oil when grinding a tricky or "stringy" pigment in Cold Pressed Linseed Oil can introduce some of benefits of Poppy Oil, without transmitting its negative characteristics.
Paints made with Poppy Oil are particularly suited to "alla prima" working methods, where paint is applied spontaneously. When working in successive layers, Poppy Oil would only be appropriate for the final stages of a painting.
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Snowdon Cartridge Paper
Starting at: £1.50
Snowdon Cartridge paper with a white shade and matt surface. Designed for drawing and many printing processes including etching and waterbased silkscreen in 300gsm. Woodfree and acid free Learn More -
Sheepskin Parchment
Starting at: £11.75
Pale, thin and translucent. Only the flesh side can be used. A light dusting of sandarac powder is usually sufficient to prepare the surface for writing.
Please note: This is a natural product that has been finished and cut by hand. As such, there may be slight variations in the surface and size of each piece.
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Canson Mi-Teintes Touch Pads
Starting at: £32.00
350GSM, 12 Sheets, A very finely textured sanded pastel paper with fine grit surface primer, 3 sheets each of the 4 colours Cream (407), Flannel Gray (122), Sepia (133) and Black (425). Learn More -
Schmincke Liquid Frisket
Starting at: £5.40
Drawing gum for masking specific areas which should remain white on water-colour paper, smooth drawing carton, photographs or films. Apply with writing pen, cotton bud or wooden stick. Contains: synthetic resin dispersion without ammonia. Learn More -
Schmincke Transparent Primer 50516
£24.40Transparent, lightfast and age-resistant primer. Slightly absorbent character and slightly rough surface. The elastic film dries transparent and water-resistant. After drying it can be overworked with pastels, acrylic, gouache and oil colours. However, this primer does not adhere perfectly on other primers so it is not recommended for mixing techniques with water-colours. Learn More -
Arches Aquarelle Block 640 gsm
Starting at: £56.56
Mould-made, 100% cotton. Gelatine tub sized, neutral pH. Glued 4 edges, 10 sheets per block. Only available in Fin (NOT) surface. Learn More -
Roberson Impasto Medium
Starting at: £16.50
Roberson Impasto medium is a crack-resistant medium for impasto effects. It retains palette knife and brush strokes, giving the paint sharp, defined edges. It remains thick and doubles paint easily, drying to a matte finish. To retain colour strength, mix one part medium to one part oil colour.
Contains: Stand Oil, Damar Resin, Turpentine, Bleached Beeswax.
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Schmincke Medium L
Starting at: £9.45
Schmincke Medium L is a jelly-like medium for “soft” painting with oil colours. It improves flow and reduces brush strokes, accelerates drying, increases gloss and transparency. There is no change of the product quality based on the colour change of the raw material alkyd resin. Close immediately after use. Contains: alkyd resin, mineral spirit, siccative. Dosage:10% to 20% maximum. Thinner: Turpentine substitute Learn More -
Conte Carre Crayons
Starting at: £1.95
Harder than soft pastels, this range of 83 colours includes traditional shades of black, white, bistre, sepia and grey. 15% discount for purchasing 10+ crayons. Learn More -
Michael Harding Watercolours, Traditional English Landscape Set, 10 x 15ml tubes
Starting at: £132.00
Michael Harding Watercolours, Traditional English Landscape Set, 10 x 15ml tubes, including: Warm White, Yellow Lake, Burnt Sienna, Yellow Ochre Deep, Moss Green, Forest Green, Hookers Green, Ultramarine Blue, Sky Blue (Phthalo), and Lamp Black. Learn More -
Schmincke Mussini Limited Edition Shungite Black 15 ml
£26.00Schmincke Mussini Limited Edition Ruby Red 15 ml Learn More -
Clairefontaine Calligraphy Pads
Starting at: £23.00
130 GSM, 24cm x 30cm / 9" x 12" or 30cm x 40cm / 12" x 16", Ivory Shade, Smooth 'Japanese' Style Surface, 25 Sheets. Learn More -
Michael Harding Watercolours, Misty London Set, 6 x 15ml tubes
Starting at: £78.00
Michael Harding Watercolours, Misty London Set, 6 x 15ml tubes, including: Warm White, yellow Ochre, Yellow Ochre Deep, Lavender, Ultramarine Blue, and Forest Green. Learn More
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