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  1. Schmincke Mussini Special Edition Cobalt Violet 15 ml

    Schmincke Mussini Special Edition Cobalt Violet 15 ml

    £17.10

    Schmincke Mussini Special Edition Cobalt Violet15 ml Learn More
  2. Renaissance Workshop Materials, Silverpoint Stylus, Artisan

    Renaissance Workshop Materials, Silverpoint Stylus, Artisan

    £169.00

    Length 190 mm. For use on prepared paper. Hand-forged in London from silver bullion. Learn More
  3. Chrome Yellow Light Pigment

    Chrome Yellow Light Pigment

    Starting at: £10.00

    Chrome Yellow Light Pigment (PY34). Synthetic Inorganic pigment (Lead Chromate). Opaque. Good tinting strength. Lightfastness is good, but in some cases unstable as it can darken and turn greenish. Low oil absorption with fast drying rate. Recommended for oils not suitable for water-based mediums. Used since late 18th Century. Toxicity D.

    Please note, unfortunately we are not able to send this product outside the UK.

    Learn More
  4. Cornelissen Historical Inks, Yellow Hawthorn Ink 30ml

    Cornelissen Historical Inks, Yellow Hawthorn Ink 30ml

    £6.50

    Made from organic hawthorn berries collected from Cambridgeshire, this bright, warm yellow ink can be layered in order to produce deeper shades. It is not fully lightfast or waterproof due to the presence of organic materials.

    Not suitable for fountain pens. Learn More
  5. Cornelissen Iron Oak Gall Ink Set

    Cornelissen Iron Oak Gall Ink Set

    £30.00

    Three historical oak gall inks handmade to traditional recipes. Jane Austen Ink. Sir Isaac Newton Ink. Doomsday Ink. Learn More
  6. Cobalt Green Light Pigment

    Cobalt Green Light Pigment

    Starting at: £8.70

    PG19

    Cobalt Green is a synthetic pigment that consists of compounds of cobalt and zinc oxides. It is sometimes referred to as Rinman's Green, after the Swedish chemist who discovered it in the late-18th century. It is a permanent, opaque colour, with a weak tinting strength. It dries quite quickly in oil, requiring a high oil content and  forming a hard, fairly fleixible paint film. Cobalt Green is available in light and dark shades; the colour is determined by the amount of zinc oxide present.

    Toxicity: B

    Please note, unfortunately we are not able to send this product outside the UK.

    Learn More
  7. Prussian Blue Pigment

    Prussian Blue Pigment

    Starting at: £5.20

    PB27

    Prussian Blue is a synthetic organic pigment that was discovered by the paint maker Diesbach, apparently by accident, in Germany in the early eighteenth century. For many years, it was used not only as a colour in its own right, but also as a component of the original Hooker's Green. The other ingredient, gamboge, is highly fugitive, which is why many watercolours painted with Hooker's green have taken on a bluish tone with with age.  

    It is a very transparent and heavily staining colour. It dries quite quickly in oil, and can therefore wrinkly if applied too quickly. It is suitable for use in oils, watercolour, and egg tempera. However, it shouldn't be used in conjunction with alkali substances, such as Lead White or Calcium Carbonate as it can turn brown, so it isn't suitable for fresco. For the same reason, it isn't used with acrylic resin binders due to their alkaline nature, so most paint manufacturers will replace Prussian Blue with a mixture of Phthalo Blue and black in their acrylic ranges. It requires a wetting agent to fully disperse into a binder.

    Toxicity: B

    Learn More
  8. Mars Violet Pigment

    Mars Violet Pigment

    Starting at: £4.50

    PR101

    Mars Violet is an artificial mineral pigment. Its pigment code, PR101, refers to a wide spectrum of synthetic iron oxide pigments including yellows, oranges, reds, violet-browns and green-browns, which replace many natural earth colours, to provide pigments without impurities and with great opacity. It has a good tinting strength, is lightfast and stable in all media, and has a medium drying time in oil. Although it is similar to Caput Mortuum and Indian Red, it is less transparent than the former and warmer than the latter.

    Toxicity: B

    Limeproof

    Learn More
  9. Korns Litho Pencil Core

    Korns Litho Pencil Core

    Starting at: £7.90

    For litho on stone, plate and aquatint. Can be mixed with water. For aquatint applications. No.1, 2 and 3 are the most suitable for creating fine tonal effects. Acid resistant. Pencil core fits in our classic 5.5mm clutch pencil. Learn More
  10. Komasuki 3mm (U Shape)

    Komasuki 3mm (U Shape)

    £31.00

    The Komasuki is similar to western style “U” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when the ferrule is slipped off so that the blade may be removed for sharpening. Learn More
  11. Calligraphy Cartridge Pad A3

    Calligraphy Cartridge Pad A3

    £17.50

    Calligraphy Cartridge Pad A3. Recommended and developed by Patricia Lovett MBE and with a guide to lettering on the inside cover. 150gsm, 40 sheets. *While stocks last. Learn More
  12. Winsor & Newton Series 7 Kolinsky Sable

    Winsor & Newton Series 7 Kolinsky Sable

    Starting at: £24.80

    Made from finest selected red sable in seamless cupro-nickel ferrules. These black-handled watercolour brushes have a long established reputation. Learn More

  13. Schmincke Norma Professional 35ml

    Schmincke Norma Professional 35ml

    Starting at: £8.15

    Professional grade artist's oil paints. High pigment concentration. High lightfastness. Learn More
  14. Daler Rowney Ivory Artist's Sketchbooks

    Daler Rowney Ivory Artist's Sketchbooks

    Starting at: £13.25

    The Daler-Rowney Ivory Artists' Sketchbooks with their smooth creamy coloured lighter weight paper and micro-perforated pages remain ever popular sketchbooks for those who sketch with graphite pencils, charcoal or ink & pen technique. Ivory Sketchbooks are available in hardback and softback. - High-quality smooth texture cartridge paper. - 90gsm. Available in sketchbooks. - Ivory colour. - FSC® (FSC-C111372) certified paper. - Microperforated pages. - Ideal for graphite pencils, charcoal or pen & ink technique. Learn More
  15. Hahnemuhle Etching Paper

    Hahnemuhle Etching Paper

    Starting at: £4.55

    300GSM, 53cm x 78cm, Mould Made, Natural White Shade, Alpha Cellulose, Acid Free, Soft Sized, Watermarked, 3 Deckle Edges, Textured Surface, 25 Sheets. Learn More
  16. Cornelissen Oil Sable Round

    Cornelissen Oil Sable Round

    Starting at: £5.55

    Finest quality red sable to all types of oil techniques. This brush has good sping even in the smaller sizes and retains its point well. Learn More
  17. Sosaku Brush 60mm

    Sosaku Brush 60mm

    £18.60

    Sosaku inking brush for working the pigments and glue paste onto the carved block for printing. These are made from horse hair and are traditionally prepared by splitting and softening the hair on shark-skin or sandpaper before printing. Brushes come in 3 sizes. Learn More
  18. Hardback Book of Drawing Paper

    Hardback Book of Drawing Paper

    £25.00

    This landscape book contains 48 sheets of 200 gsm Fabriano Accademia drawing paper. White, smooth surfaced, acid free paper in a hardbacked cover featuring a 19th-Century design advocating drawing as "a necessary part of the education of all". Sheet size 19cm x 24cm (7.5 x 9.5in). Learn More
  19. Traditional Sumi Baren

    Traditional Sumi Baren

    £46.50

    Traditional Japanese "ba-ren" is the pressing and rubbing tool for printing. The inner coil or "shin" consists of flat strips of bamboo twisted together into strands and then into a long cord. The cord is then coiled onto a backing disk made from either layers of washi paper, carved wood or plastic. Finally a bamboo sheath or "takenokawa" is used as a covering, with rubbing surface for printing one side and a twisted handle for the artist to hold on the other. Over time the outer sheath may need replacing due to wear and friction of printing. Our "sumi" baren is made in the traditional way with a plastic backing disk and has a finer coil. It is 130mm across and is suitable for printing the "key block" and fine details. This baren comes in a presentation box. Replacement bamboo sheaths are available to order specially. Learn More
  20. Roberson Pocket Sable Travel Brush

    Roberson Pocket Sable Travel Brush

    Starting at: £24.80

    Pure Kolinsky sable with a uniquely designed case to satisfy the travelling watercolourist. Double section handle protects the brush head in transit and unscrews to form a comfortable handle. Learn More
  21. Cadmium Yellow Middle Pigment

    Cadmium Yellow Middle Pigment

    Starting at: £6.30

    Cadmium Yellow Middle Pigment (PY37). Synthetic Inorganic pigment. Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with slow drying rate. Suitable for all media. Good acid and alkali resist. Exterior application not advised as discoloration occurs. Used since 19th Century. Toxicity B/C. Learn More
  22. Daler-Rowney Artists Watercolour 5ml Tube

    Daler-Rowney Artists Watercolour 5ml Tube

    Starting at: £7.10

    Artists' Water Colour is a professional quality water colour. Based on the finest modern and traditional pigments, it is precisely formulated to offer unparalleled performance and permanence. Learn More
  23. Roberson Acrylic Gloss Medium

    Roberson Acrylic Gloss Medium

    Starting at: £11.20

    (Copolymer emulsion) add to pigment to make acrylics. May also be added to prepared acrylic colours to extent them and increase gloss. Learn More
  24. Ferric Chloride

    Ferric Chloride

    Starting at: £15.00

    For the etching of plates for printing fine art images in intaglio. Ferric Chloride can be used as a non toxic alternative to nitric acid in the etching process. Suitable for etching most types of metals including copper, zinc, mild steel, aluminium, iron and brass. Learn More
  25. Indigo Blue Genuine Pigment

    Indigo Blue Genuine Pigment

    Starting at: £8.00

    NB1

    Genuine Indigo is a natural vegetable pigment derived from the Indigofera Tinctoria plant, which was first imported into Europe from India in the seventeenth century. It replaced woad, which had been grown natively in Europe for its blue dye. The leaves are soaked in water to ferment; upon drying, an oxidised residue forms on the dry leaves, which is removed, washed, boiled in water, and then dried to form cakes of pigment or dye.

    Indigo is very transparent, with a good tinting strength. It requires a wetting agent to disperse, and in oil it dries very slowly. It is fugitive to light; this drawback means that it is no longer commonly available in commercial paints. It fell out of general use at the beginning of the seventeenth century, largely replaced by Prussian Blue, and synthetic Indigo was patented in the 1890s. However, it provides a subtle shade of blue that is still desirable in works that are going to be protected from light.

    Toxicity: B

    Learn More
  26. Indian Red Pigment

    Indian Red Pigment

    Starting at: £4.60

    PR101

    Indian Red was imported into the UK during the nineteenth century, its present-day equivalent is a synthetic iron oxide. Its pigment code, PR101, refers to a wide spectrum of synthetic iron oxide pigments including yellows, oranges, reds, violet-browns and green-browns; Indian Red is a slightly cool, bluish shade of red. It is semi-opaque, stable in all media, lightfast, and possesses a good tinting strength 

    Toxicity: B

    Limeproof

    Learn More
  27. Fredrix Inkjet Canvas Pack

    Fredrix Inkjet Canvas Pack

    Starting at: £16.90

    Call to Order

    340GSM, A4, 10 Sheets, Poly-Cotton Blend. Learn More
  28. Schmincke Artists Watercolour Half Pan

    Schmincke Artists Watercolour Half Pan

    Starting at: £6.05

    Finest quality watercolours made in Germany. This range offers 139 colours, including 95 single-pigment colours, 3 perylene pigments, 5 quinacridone pigments, and a selection of granulating colours. They present endless mixing possibilities, and can combined with Schmincke's selection of watercolour mediums as well as with their gouache paints. The solid colours are produced by pouring the liquid paint into the pans four times, ensuring the maximum yield for each colour. Also available in whole pans and tubes of 5 and 15ml. Learn More
  29. Komasuki 1mm (U Shape)

    Komasuki 1mm (U Shape)

    £31.00

    The Komasuki is similar to western style “U” gouge tool and comes in a variety of useful sizes. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More
  30. Schmincke Supergranulating Watercolours Half Pan

    Schmincke Supergranulating Watercolours Half Pan

    Starting at: £8.10

    Schmincke’s new supergranulating watercolour range is produced by combining two or more granulating pigments in each paint. Grouped into eight colour palettes, these beautiful shades have a textural surface effect, which is exaggerated when used on rougher and more structured paper. Learn More

Items 121 to 150 of 592 total

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