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  1. Cadmium Brown Pigment

    Cadmium Brown Pigment

    Starting at: £10.00

    PR108

    Cadmium Brown is a shade of Cadmium Red, a synthetic organic pigment that has been in use since the 1920s. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film.

    Larger quantities are available by request.  

    Limeproof

    Toxicity: C

    Learn More
  2. Traditional Sumi Baren

    Traditional Sumi Baren

    £46.50

    Traditional Japanese "ba-ren" is the pressing and rubbing tool for printing. The inner coil or "shin" consists of flat strips of bamboo twisted together into strands and then into a long cord. The cord is then coiled onto a backing disk made from either layers of washi paper, carved wood or plastic. Finally a bamboo sheath or "takenokawa" is used as a covering, with rubbing surface for printing one side and a twisted handle for the artist to hold on the other. Over time the outer sheath may need replacing due to wear and friction of printing. Our "sumi" baren is made in the traditional way with a plastic backing disk and has a finer coil. It is 130mm across and is suitable for printing the "key block" and fine details. This baren comes in a presentation box. Replacement bamboo sheaths are available to order specially. Learn More
  3. Bone White Pigment 100 grams, Renaissance Workshop Materials

    Bone White Pigment 100 grams, Renaissance Workshop Materials

    £38.00

    To make grounds for silverpoint drawing. Learn More
  4. Gamblin Gloss Picture Varnish

    Gamblin Gamvar Varnish Gloss

    Starting at: £15.20

    Gamvar Picture Varnish saturates colors in your painting and gives your work a unified and protective surface. Developed in collaboration with the National Gallery of Art, Gamvar goes on water-clear, stays water-clear and can be easily and safely removed with Gamsol. Gamvar is virtually odorless and ready to apply. Brush apply. Do not spray. All Gamvar can be applied when the thickest areas of your painting are thoroughly dry and firm to the touch. Please visit our Video Demos page for additional information. Learn More
  5. STAEDTLER Mars Plastic Eraser Holder

    STAEDTLER Mars Plastic Eraser Holder

    £3.00

    STAEDTLER Mars Plastic holder is a high-quality, retractable eraser for graphite pencil. The eraser is easily advanced and retracted by the sliding mechanism, and compared to conventional erasers more precise erasing can be achieved. Phthalate and latex free.

    Learn More
  6. Japanese Printmaking Paper

    Japanese Printmaking Paper

    Starting at: £5.20

    Call to Order

    Kozo paper is made from renewable branches of the kozo (paper mulberry) bush, specifically the innermost of three layers of bark which must be isolated to be cooked and beaten before the sheets are formed. Kozo fibre makes strong, translucent and absorbent papers. 46 gsm suitable for relief printing, Japanese woodcut and Chine-collé. Kitakata paper is made of 100% gampi and is suitable for relief printing and Chine-collé. Also successfully used for sumi-e, calligraphy and soft pencil work. Learn More
  7. Practical Gilding

    Practical Gilding

    £11.95

    By Peter & Ann Mactaggart. This book is an attempt to set down detailed descriptions and explanations of the traditional, professional methods of both oil and water gilding in a way that can be followed by another craftsman. It does not discuss some of the methods that have been suggested recently for amateur use. (74 pages) Learn More
  8. Indian Red Pigment

    Indian Red Pigment

    Starting at: £4.60

    PR101

    Indian Red was imported into the UK during the nineteenth century, its present-day equivalent is a synthetic iron oxide. Its pigment code, PR101, refers to a wide spectrum of synthetic iron oxide pigments including yellows, oranges, reds, violet-browns and green-browns; Indian Red is a slightly cool, bluish shade of red. It is semi-opaque, stable in all media, lightfast, and possesses a good tinting strength 

    Toxicity: B

    Limeproof

    Learn More
  9. Fredrix Inkjet Canvas Pack

    Fredrix Inkjet Canvas Pack

    Starting at: £16.90

    Call to Order

    340GSM, A4, 10 Sheets, Poly-Cotton Blend. Learn More
  10. Essdee Lino Set

    Essdee Lino Set

    £43.40

    5 x Lino Cutters Styles 1 to 5 1 x Safety Lino Cutter, Style A
  11. 1 x Lino Cutter Handle 1 x Aluminium Ferrule 2 x Linoleum Blocks 178x127mm 2 x Softcut Blocks 150x100mm 1 x Practice Piece 1 x Ink Roller (Brayer) 100mm Wide 1 x Ink Tray 240x200mm 1 x Safety Hand Guard 1 x Baren Cap 1 x Baren Base 1 x Tube of Premium Quality Water-Based Block Printing Ink (100ml) 2 x 45mm Printing Stamps 1 x Instructions Learn More
  • Cornelissen Series 1 Kolinsky Sable Watercolour Brush

    Cornelissen Series 1 Kolinsky Sable Watercolour Brush

    Starting at: £11.10

    Made from the highest quality Siberian Kolinsky sable. Golden ferrule with short black polished hexagonal handle. Round watercolour brush. Learn More
  • Carbon Black Pigment

    Carbon Black Pigment

    Starting at: £10.80

    PBk7

    Carbon Black is an inorganic synthetic pigment, created by burning natural gases to form an almost pure carbon. It is semi-transparent, and in oil dries very slowly to a soft, brittle paint film. It requires a wetting agent, and can show in streaks, even when mixed with other colours. 

    Larger quantities are available by request. 

    Learn More
  • Chrome Yellow Light Pigment

    Chrome Yellow Light Pigment

    Starting at: £10.00

    Chrome Yellow Light Pigment (PY34). Synthetic Inorganic pigment (Lead Chromate). Opaque. Good tinting strength. Lightfastness is good, but in some cases unstable as it can darken and turn greenish. Low oil absorption with fast drying rate. Recommended for oils not suitable for water-based mediums. Used since late 18th Century.

    Toxicity: D  Lead is a highly poisonous metal which, if inhaled, ingested, or introduced to the blood through cuts in the skin, builds up in the body and can affect multiple parts of the body, including the digestive and nervous systems.

    PERMITTED USES: Restoration of art works and protected buildings when there are no suitable alternatives.

    IMPORTANT: Please refer to the MSDS (Material Safety Data Sheet) below.

    SHIPPING: Please note, we are not able to send this product outside the UK.

    Learn More
  • Schmincke Norma Professional 35ml

    Schmincke Norma Professional 35ml

    Starting at: £8.15

    Professional grade artist's oil paints. High pigment concentration. High lightfastness. Learn More
  • Cerulean Blue Pigment

    Cerulean Blue Pigment

    Starting at: £14.50

    PB35

    Cerulean Blue is an artificial mineral pigment that is prepared by heating a mixture of Cobalt Chloride and Potassium Stannate. It was first synthesised in the early nineteenth century, becoming more widely used from 1870, when Rowney introduced Coeruleum Blue into their range. It produces a very bright, clear, and unusually opaque blue, hence its name, which is derived from the Latin for "sky-blue", or perhaps "heaven-blue". It has a very low tinting strength meaning that, although it is stable in all media, some artists may choose to bind it in poppy rather than linseed oil, so that the colour isn't affected by the colour of the binder. It creates a fairly flexible paint film, and is a fast-to-medium drying pigment.

    Limeproof

    Toxicity: B

    Learn More
  • Ultramarine Blue Light Pigment

    Ultramarine Blue Light Pigment

    Starting at: £6.00

    PB29

    Ultramarine Blue Light is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today. 

    It is a transparent pigment, with a high tinting strength and excellent lightfastness. It reacts to alkali, therefore it is not suitable for use in lime-fresco; we do offer a Limeproof Ultramarine Blue for this purpose. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.

    Toxicity B

    Learn More
  • da Vinci Maestro Kolinsky series 10

    da Vinci Maestro Kolinsky series 10

    Starting at: £8.70

    Made by hand with the highest quality Tobolsky Kolinsky sable, this comes to a very fine point retaining excellent spring characteristics. This is an outstanding series of brushes. Learn More
  • Plastic Baren

    Plastic Baren

    £7.30

    Plastic Baren. This is a hard plastic baren 120mm across with dimples over the printing surface. There is no need for a bamboo covering for this baren as with the traditional style and has more durability then the traditional baren due to this. Perfect for those starting mokuhanga. Learn More
  • Schmincke Acrylic Binder 200 ml

    Schmincke Acrylic Binder 200 ml

    £15.95

    For satin-matt acrylic colours. Ready to use. Learn More
  • Aisuki 3mm (Chisel Shape)

    Aisuki 3mm (Chisel Shape)

    £28.00

    The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More
  • Ultramarine Violet Pigment

    Ultramarine Violet Pigment

    Starting at: £6.20

    PV15

    Ultramarine Violet is a synthetic organic pigment that is produced by heating Ultramarine Blue with Ammonium Chloride, causing the removal of some of the sodium and sulphur and thus a change in colour. It is lightfast and semi-transparent, with a weak tinting strength. In oils, it dries quite slowly, forming a hard, flexible film.

    Toxicity: B

    Learn More
  • Lascaux Plate-Backing Resist 500ml

    Lascaux Plate-Backing Resist 500ml

    £45.60

    This tough scratch-resistant coloured resist is painted onto the back and edges of the plate to prevent any biting during the etching process. Learn More
  • Daler-Rowney Artists Watercolour 5ml Tube

    Daler-Rowney Artists Watercolour 5ml Tube

    Starting at: £7.10

    Artists' Water Colour is a professional quality water colour. Based on the finest modern and traditional pigments, it is precisely formulated to offer unparalleled performance and permanence. Learn More
  • Intaglio Etching Set

    Intaglio Etching Set

    £88.60

    The selection covers the basic tools for traditional etching as well as copper and wood engraving. The set consist of small curved burnisher, twisted double needle, scraper and fine, medium and large burin square engraving tools. Learn More
  • STAEDTLER Noris sharpener

    STAEDTLER Single-Hole Tub Sharpener in Noris Design

    £4.00

    Single-hole tub sharpener for standard-sized black lead pencils up to 8.2 mm Ø with a sharpening angle of 23° for clear and accurate lines. The sharpener has a hinged cover to prevent shavings from spilling and lid with safety lock to avoid accidental opening.

    Learn More
  • Michael Harding Artists Oils Introductory Set of 6 40ml

    Michael Harding Artists Oils Introductory Set of 6 40ml

    Starting at: £55.50

    INTRODUCTORY SET From Michael Harding: Artists unfamiliar with my paints should begin with the MH introductory set. Use this set to mix many colours in my range. Play, experiment, and enjoy true oil paints. 6 x 40ml tubes. The Introductory set contains: Titanium White No.1 Yellow Lake Ultramarine Blue Burnt Umber Scarlet Lake Learn More
  • Terre Verte Pigment

    Terre Verte Pigment

    Starting at: £4.00

    Terre Verte, sometimes known as Green Earth, is a natural earth pigment derived from clay coloured by iron silicate. As with other natural pigments, impurities can prevent it from fully dispersing in an acrylic binder, although it is a popular pigment in all other mediums. It has been in use since antiquity, providing excellent lightfastness and great transparency, with a low tinting strength. It requires a high volume of oil, and dries slowly to create a soft, flexible paint film. When calcined, Terre Verte becomes Burnt Green Earth.
    Toxicity B Learn More

  • Charbonnel Blacks

    Charbonnel Blacks

    Starting at: £18.60

    Charbonnel Blacks Learn More
  • London Pigment, Hampshire Grey

    London Pigment, Hampshire Grey

    £30.00

    Pigment collected from erosion. Learn More
  • Schmincke Akademie Acryl Color Royal Academy of Arts Set

    Schmincke Akademie Acryl Color Royal Academy of Arts Set

    £20.00

    Schmincke Akademie Acryl Color in association with the RA (Royal Academy of Arts) Learn More
  • Items 121 to 150 of 602 total

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