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Gamblin Portland Black Litho Ink 1lb

£25.00

Artist-grade lithography ink, formulated with high-quality oil and a high pigment load. Learn More

Silverpoint Stylus, Artisan. Renaissance Workshop Materials

£180.00

Length 190 mm. For use on prepared paper. Hand-forged in London from silver bullion. Renaissance Workshop Materials are historically authentic drawing materials and tools, which would be recognisable to the artists of Renaissance Europe. Each product is made in the workshop by hand, using historical methods. Each product is borne from the same historical, European craft tradition, as the drawings and artworks from the Renaissance. In the words of the artisan maker, 'We make these materials in order to experience the historical craft and method of drawing in the most authentic way possible.' Learn More

Glassine

Starting at: £0.35

Clear and acid free. For protecting artwork. 40 gsm. Individual sheets available at the shop only. Learn More

Dry point, long handle No 46P

£10.45

Dry points, wooden long handle #46P Learn More

Ultramarine PB29 Pigment

Starting at: £9.10

PB29

Ultramarine Blue is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.

It is a transparent pigment, with a high tinting strength and excellent lightfastness. It reacts to alkali, therefore it is not suitable for use in lime-fresco; we do offer a Limeproof Ultramarine Blue for this purpose. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.

Toxicity: B/C

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Silverpoint Stylus, Artista. Renaissance Workshop Materials

£215.00

Length 170mm. For use on prepared paper. Hand-forged in London from silver bullion. Renaissance Workshop Materials are historically authentic drawing materials and tools, which would be recognisable to the artists of Renaissance Europe. Each product is made in the workshop by hand, using historical methods. Each product is borne from the same historical, European craft tradition, as the drawings and artworks from the Renaissance. In the words of the artisan maker, 'We make these materials in order to experience the historical craft and method of drawing in the most authentic way possible.' Learn More

Ultramarine Blue Light Pigment

Starting at: £6.00

PB29

Ultramarine Blue Light is an artificial mineral pigment that is produced by heating clay, soda, sulphur and coal to high temperatures. Its name comes from outremer, or over-the-sea, as a reference to the highly-prized Lapis Lazuli pigment which had been imported into Europe from Afghanistan since the Middle Ages. First manufactured in France and Germany in 1828, synthetic Ultramarine provided a brilliant and affordable blue to artists, and it remains one of the most popular blues on artists' palettes today.

It is a transparent pigment, with a high tinting strength and excellent lightfastness. It reacts to alkali, therefore it is not suitable for use in lime-fresco; we do offer a Limeproof Ultramarine Blue for this purpose. It is stable in all other media, although it can be tricky to grind in oil. Instead of creating a thick, buttery paste, it can remain stringy and deteriorate when stored in a tube. To correct this, many commercial paint manufacturers include additives and waxes in their recipes; if you intend on grinding your own paint, you could try replacing 10-15% of your Linseed Oil with Poppy Oil to improve the consistency. Ultramine Blue provides a slow-drying, fairly hard paint film, which can tend towards brittleness.

Toxicity B

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Cornelissen Historical Inks, Sir Isaac Newton Ink 30ml

£10.50

Formulated to the exact recipe used by Isaac Newton, this ink is completely permanant, as his surving writings attest. Although composed of very similar ingredients to our Jane Austen Ink, we consider Newton's recipe to be superior, as Austen's has browned slightly over time. Initially a medium blue-grey, it darkens to a rich, matte back, which is slightly warmer in tone than our regular Oak Gall Ink. It is made in small batches and blended to give the required consistency and strength, and is fully waterproof in 5-7 days. Permanent and lightfast, it has been steeped for several weeks and left to ‘mature’ for several more in the bottle. When used on animal skins such as vellum, the acids in the Oak Gall Ink react with collagen, effectively ‘etching’ itself into the surface, hence its permanence.

Not suitable for fountain pens. Learn More

Pelikan Drawing Ink A Black

2 Review(s) | Add Your Review

Starting at: £8.30

Transparent intermixable waterproof inks. Diluted with distilled water. Suitable for ruling pens, drawing pens and brushes. Learn More

'Vintage' Book of Watercolour Paper, Cream

£45.00

These antique-style sketchbooks offer 120 pages of unbleached, heavyweight rag paper with torn edges. The lightly textured pages respond well to watercolours, inks and dry media. Please note, the delicate surface makes these sketchbooks unsuitable for erasing, and the paper is not of archival quality. Learn More

da Vinci Series 488 Spin Synthetic

Starting at: £11.10

Wash brush, very smooth light brown synthetic fibre in plastic quills, wooden lacquered handle. Learn More

Powdered Rosin

Starting at: £13.90

Rosin is the powdered form of colophony, which is a by-product of the distillation of turpentine. Its primary application is to create tonal areas on metal plates as an aquatint resist. It is also an additive in etching grounds, where it gives a hard surface to the otherwise soft wax. Learn More

Parchment Clippings

Starting at: £9.90

Parchment Clippings, usually waste goatskin vellum, were utilised throughout the Middle Ages to make an animal hide glue. This continued to be commonly used as a sizing for canvas before rabbit skin glue came to prominence in the nineteenth century. Parchment glue is comparable to isinglass glue, as it also produces a very pale, almost transparent glue with a degree of flexibility. Our parchment clippings are a mixture of vellum scraps, and may include goatskin, calfskin and sheepskin. Cennino Cennini gives a recipe for gesso using parchment in his treatise about painting; please see below for our recipe. Learn More

Gillott Drawing Pen Nib Holder

£3.50

Gillot Drawing Pen Nib Holder, in plastic Learn More

Schmincke Horadam 8 Half Pans Set

Starting at: £45.00

Schmincke Horadam 8 Half Pans set in a beautiful enamel tin. Learn More

Rohrer & Klingner Gold Drawing Ink

Starting at: £8.10

Drawing Ink (series 29 500). A fine, free flowing pigmented ink. Available in gold and three lightfast traditional tones in shellac binder. Learn More

Pad Tracing 90gsm A2

£51.50

Pad Tracing 90gsm A2 Learn More

Draw Tool for Cutting Plates

£27.00

Draw Tool for Cutting Plates 6 in Learn More

London Pigment, Leominster Ochre Pigment

£18.00

Hand made from Georgian bricks found on the foreshore of the Thames near Tower Bridge. A warm yellow brown colour. Presented in a 20 ml bottle with a wax seal and label. ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More

Rohrer & Klingner Drawing & Calligraphy Ink 50ml

Starting at: £7.30

Drawing & Calligraphy Ink (series 29 700). Lightfast pigmented acrylic inks in 24 colours. Intermixable with Rohrer’s Antique Drawing Inks. Suitable for brush, dip pen, technical drawing pens greater than 0.35mm and airbrush. Learn More

Stainless Steel Brush Washer

£53.00

Stainless Steel Brush Washer 140mm Learn More

Metalpoint Holder

2 Review(s) | Add Your Review

£31.00

One end of our metalpoint holder is a reversible chuck to hold a range of wire sizes, while the other end can hold the lead of a clutch pencil.

Please note, the newer model has a metal body with black metal ends, the product will slightly differ from the image shown.

Learn More

Rohrer & Klingner Transparent Ground Cap

£9.30

Transparent etching ground in cap form is a light-coloured, transparent product for etching plates that already carry sketch which is meant to remain visible under the etching ground. Learn More

Rohrer & Klingner Sepia Drawing Ink

Starting at: £7.40

Drawing Ink (series 29 500). A fine, free flowing pigmented ink. Available in gold, silver, bistre, sepia and black lightfast traditional tones in shellac binder. Learn More

Sharpening Stones

Starting at: £13.66

Sharpening Stones Learn More

Viarco Vintage Violet Pencils Box

£10.30

Viarco vintage collection. The box contains violet pencils. Learn More

Pfeil Lino and Woodcut Tools

Starting at: £20.00

Exceptional quality Swiss made carving tools, suitable for either lino or wood cutting. Each tool is made from precisely ground stainless steel, with a classic mushroom hardwood handle. 70mm blade length, 125mm overall length. Learn More

Schmincke Norma Artists' Oil 120ml

Starting at: £19.50

Genuine artists' pigments with highest possible concentration in linseed and sunflower oils. All colours have outstanding brilliance and highest possible lightfastness. Mainly single pigment colours. Learn More

Schmincke Soft Pastels

Starting at: £3.95

Working with Schmincke’s ﬁnest extra-soft pastels leads you back to the origin of colour and is a real painting experience rather than simple drawing. They contain only the purest medium ﬁne ground artists’ pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery. Multiple Discounts: 10+ Pastels 10% SAVING, 30+ Pastels 17% SAVING Learn More

Viarco Vintage Gold Pencil Box

£9.85

Viarco vintage collection. The box contains 12 HB pencils. Learn More

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