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Cornelissen Mini Glass Muller and Slabs

Starting at: £24.00

Use Cornelissen Mini Glass Mullers in conjunction with a Cornelissen Glass Slab to make paint efficiently. The sand-blasted texture of the muller and plate helps to push and distribute the pigment throughout the binder quickly. This will mean less grinding, more painting! Learn More

German Gold Powder 1 gram

Starting at: £47.00

Handcrafted, extra fine, genuine precious metal powders in a range of shades, all 1 gram in weight. These powders are produced using thin gold, silver and other precious metal leaf. A complex, manual process is undertaken to achieve the extremely fine-grained particle size of this extra fine powder.

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da Vinci Series 560 Ox Lacquer

Starting at: £34.90

Finest quality ox hair suitable for lacquers and fine varnishes. May also be used for watercolour washes. Learn More

One Shot Lettering Enamel Paint

Starting at: £20.55

Designed for traditional sign painting, these oil based lettering enamels provide superior vibrancy, flexibility, durability, and single stroke coverage. Specified for fine, sign paint lettering on store fronts and vehicles, the vibrant colours of 1 Shot Lettering Enamels spread evenly and offer outstanding hiding, durability and fade resistance. Superior flow characteristics assure the virtual absence of brush marks and provide a clean, sharp edge. Ideal for use on interior or exterior metal, glass, wood, and enamel receptive banners and vinyl. Learn More

Japanese Gold Leaf 22,66ct Enzuke

Starting at: £61.00

Highest quality 22,66ct gold leaf from Japan. Leaves measure 109×109mm and are approximately 0.1μ～0.2μ in thickness. Enzuke gold leaf is beaten between sheets of traditional of washi paper called furuya-gami and refers to the subtle grid pattern that appears on the surface of the leaves. In Japan, Enzuke gold is considered more traditional and has a soft lustrous appearance. Each pack contains 10 leaves. Learn More

Roberson Liquid Metal 30ml

Starting at: £7.50

Roberson Liquid Metals have a rich deep colour, ideal for a wide range of applications including plaster, wood, paper & canvas. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. The Liquid Metal range does not tarnish and does not need to be varnished. All colours are intermixable and wash up with water. Coverage is approximately 7 square metres per litre. Two coats are required for most applications but if applied to walls or ceilings with a roller or a brush then three or four coats are recommended. Because of the highly reflective nature of the metallic paint when applying with a roller to a large area apply the paint evenly in long vertical strokes, finishing off the surface by rolling or brushing in one direction, i.e ceiling to floor. This will help to minimise overlapping and create a smooth and even finish. We recommend the use of a professional quality foam roller in order to achieve the best possible finish. When applying with a roller to a large area, apply the paint evenly in long vertical strokes. Finish off the surface by rolling one direction, i.e. ceiling to floor. This will help minimise overlapping and create a smooth, even finish. These paints can also be sprayed and this will produce the best and most consistent finish. To spray Liquid Metal Acrylics, you will need to use HVLP spray equipment with a 1.6mm or 1.8mm nozzle. To ensure proper flow, paint can be thinned with 25-30% water. Learn More

Roberson Gum Ammoniac

Starting at: £14.00

Natural gum size made to a traditional recipe. Gum Ammoniac is useful for gilding in small areas and, more generally, in detailed gilding. Two applications are needed if gilding on absorbent paper. Raised areas can be developed by using several layers and allowing each layer to dry first. Gum Ammoniac can be reactivated by breathing on the gum surface. Gum Ammoniac comes to us from Asia and is increasingly hard to source. Learn More

Cornelissen Gift Set, Watercolour

£150.00

LIMITED EDITION Cornelissen Watercolour Gift Set contains : -Arches Watercolour Block 20 x 20 cm -Schmincke Watercolour Set with Brush, 12 half pans -Genuine Leather Cornelissen Watercolour Case. Available in green, red, tan and black, while stocks last. Gift wrapped in a box with Cornelissen wrapping paper. To specify the colour of the Leather Watercolour Case (green, red, tan or black) and the Arches Watercolour paper surface (Hot Pressed, Cold Pressed or Rough), please contact us directly. t: 0207 636 1045 e: info@cornelissen.com. Learn More

Roberson Ormoline Medium

Starting at: £8.70

Mix with Roberson Standard Bronze Powders to create metallic paint. 25g powder will make 125ml of paint. Learn More

Practical Gilding

£11.95

By Peter & Ann Mactaggart. This book is an attempt to set down detailed descriptions and explanations of the traditional, professional methods of both oil and water gilding in a way that can be followed by another craftsman. It does not discuss some of the methods that have been suggested recently for amateur use. (74 pages) Learn More

Madder Root Pieces

Starting at: £27.80

NR9

The madder plant was once widely cultivated for the red dye extracted from its roots. Its earliest known use is in ancient Egypt, and there is evidence of its widespread adoption in Europe from the medieval period. Madder Lake, the pigment that is derived from the root, has now largely been replaced by synthetic alizarin pigments, but it is still used as an ingredient in some commercial paints. It provides a very transparent pigment, with a weak tinting strength, which can be used in all lime-free media, although it is very slow-drying in oil. It is fugitive to sunlight, so paintings containing Madder should be stored appropriately, but it remains one of the most lightfast plant-based pigments.

Larger quantities are available by request.

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Mabef Full Box Easel M22

£440.00

Mabef Full Box Easel M22 Learn More

Cornelissen Green Sketch Book 20 x 26cm

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Starting at: £9.70

Call to Order

46 sheets of acid-free 140 gsm paper, dark green cover imprinted 'L.CORNELISSEN & SON' on front lower-right corner. Learn More

Schmincke Watercolour Binder 200 ml

£15.95

For translucent watercolours. Ready to use. Learn More

English Red Light Pigment

Starting at: £5.50

English Red Light Pigment Learn More

Winsor & Newton Brush Cleaner

Starting at: £4.80

From the Winsor & Newton website: A new addition to the Winsor & Newton range, this water-miscible solvent removes dried oil, alkyd acrylic colour from brushes. Soak in the cleaner overnight scrub if necessary. Cleanable with water.

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Yellow Ochre Light Pigment

Starting at: £4.96

Yellow Ochre Light pigment Learn More

Buff Titanium Pigment

Starting at: £4.75

Buff Titanium is an opaque off-white pigment

Toxicity: B

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da Vinci Brush Soap in Metal Case

Starting at: £13.00

da Vinci Brush Soap in Metal Case Learn More

Bamboo Brush Rolls

Starting at: £5.75

Bamboo Brush Rolls Learn More

Cerulean Blue Pigment

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Starting at: £14.50

PB35

Cerulean Blue is an artificial mineral pigment that is prepared by heating a mixture of Cobalt Chloride and Potassium Stannate. It was first synthesised in the early nineteenth century, becoming more widely used from 1870, when Rowney introduced Coeruleum Blue into their range. It produces a very bright, clear, and unusually opaque blue, hence its name, which is derived from the Latin for "sky-blue", or perhaps "heaven-blue". It has a very low tinting strength meaning that, although it is stable in all media, some artists may choose to bind it in poppy rather than linseed oil, so that the colour isn't affected by the colour of the binder. It creates a fairly flexible paint film, and is a fast-to-medium drying pigment.

Limeproof

Toxicity: B

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Cornelissen Ox Flat Lacquer

Starting at: £12.90

Soft but springy hair. For varnishing or lacquering. Also useful for watercolour washes. Learn More

Cornelissen Pigment Set of 30 Colours

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£130.00

The perfect introduction to working with pigment, this selection of thirty pigments provides a wide range of colours for the production of paint. Each colour is supplied in a 15ml plastic jar, and the set includes both natural and synthetic colours. Recipes can be found on our homepage, with instructions for making different paints, including watercolour, egg tempera and oil paint. Learn More

Schmincke Aerosol B72 300ml

£18.90

Performs in a similar protective way as Lascaux Fixative. Non yellowing, crystal clear and age-resistant. Suitable as a fixative and protection for pencil, charcoal, pastels, watercolours, gouache, inks, metal leaf, photos and prints. Can also be used as a final varnish for oil and acrylic colours. Invisible on absorbent surfaces and semi matt very slightly glossy on non absorbent surfaces. Learn More

Phthalo Green Pigment

Starting at: £8.10

Phthalo (Mona) Green Pigment (PG7). Organic pigment (Chlorinated Copper Phthalocyanine). Transparent. Very high tinting strength. Excellent Lightfastness. Medium to slow drying rate. Requires wetting agent. Suitable for all media. Developed in 1927. Toxicity B Learn More

Burnt Sienna Pigment

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Starting at: £4.00

PBr7

Burnt Sienna is a natural earth pigment that has been in use since antiquity. Our Burnt Sienna comes from Tuscany, and is produced by calcining Raw Sienna to temperatures of about 450 degrees Celsius. This process creates a rich warm colour and increases transparency. It also offers a good tinting strength, excellent lightfastness, and a fast to medium drying rate in oil. It is stable in all media but, like umber pigments, may be difficult to disperse in acrylic binders.

Toxicity B

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Cadmium Yellow Lemon Pigment

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Starting at: £4.50

Synthetic Inorganic pigment. Opaque. Good tinting strength. Excellent Lightfastness. Low oil absorption with slow drying rate. Suitable for all media. Good acid and alkali resist. Exterior application not advised as discoloration occurs. Used since 19th Century. Toxicity B/C

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Cadmium Red Pigment

Starting at: £8.40

PR108

Cadmium Red is a synthetic organic pigment, which has been in use since the 1920s, effectively replacing vermilion. It is formed by heating cadmium sulphide and selenium, the hue is determined by the level of calcination and proportion of selenium. It is very opaque, and lightfast, with a high tinting strength. It absorbs a small amount of oil, and dries very slowly to form a hard, flexible paint film.

Larger quantities are available by request.

Limeproof

Toxicity: C

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Potters Pink Pigment

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Starting at: £22.00

PR233

Potter's Pink is an artificial mineral pigment produced by roasting tin oxide with various other oxides. It was first discovered in the pottery region of Staffordshire in the late-1700s, and in the following century Winsor & Newton introduced Potter's Pink into their watercolour range under the name "pink colour". It went on to become a popular addition to watercolour palettes, offering an opaque, lightfast colour with a weak tinting strength and a medium level of oil absorption.

Toxicity A

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Translucent Yellow Oxide Pigment

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Starting at: £7.00

Translucent Yellow Oxide (PY42). Artificial mineral pigment, hydrated ferric oxides. Transparent and very lightfast. Stable in all media, medium drying rate in oil. Toxicity B. Learn More

Search results for 'st ar'