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Finest golden synthetic fibre. More springy than Cosmotop Spin making it an excellent brush for watercolour, gouache, acrylic and oil painting. Learn More

COLINEO Rigger, medium length, sharp needle point. - Composition of straight and wavy synthetic fibres in different lengths with extra fine tips, precise point, high elasticity and colour absorption so-called silver ferrule - Handle made of water-resistant, hi-tech multicolour laminated wood - Ideal for watercolour painting - Very similar to Kolinsky Red Sable hair brushes Learn More

Made with new improved brown interlocking tapered filaments, these brushes have an excellent shape retention and firm texture. Good spring. Gold colour ferrule with bottle green handle. Learn More

Long handled synthetic brush for acrylic or oil painting. Soft bristles. Learn More

Long handled synthetic brush or acrylic or oil painting. Soft bristles. Learn More

Used by restoration specialists to revive and protect furniture, leather, paintings, metals etc. Freshens colours, imparts soft sheen. Very long shelf life. (approx 20 years) as long as it is not exposed to heat. Learn More

Long handled synthetic brush for acrylic or oil painting. Soft bristles. Learn More

Daniel Smith Watercolour Ground creates a soft, absorbent watercolour surface with a slightly cottony texture that's similar to cold pressed paper. With this breakthrough archival quality ground, you can rescue flawed paintings, create new work on any surface, lift and scrub without damaging the painting surface. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

English Red Light Pigment Learn More

Pearl Lustre Pigments 100g. Colour swatch on the left indicates colour on a White Background and Colour on a Black Background on the right. Learn More

Our oldest recipe, this high-quality Oak Gall Ink was used by monasteries and the Crown in medieval Britain. Initially a medium blue-grey, it darkens to a rich, matte black, slightly warmer in tone than our other Oak Gall Inks. When diluted, beautiful warm red undertones are revealed due to the presence of wine within the mixture.

Not suitable for fountain pens.

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Transparent, lightfast and age-resistant primer. Slightly absorbent character and slightly rough surface. The elastic film dries transparent and water-resistant. After drying it can be overworked with pastels, acrylic, gouache and oil colours. However, this primer does not adhere perfectly on other primers so it is not recommended for mixing techniques with water-colours. Learn More

Reverse Cover Text: Did you know that the Egyptians created the first synthetic colour; or that the noblest purple comes from a predatory sea snail? Throughout history, artist pigments have been made from deadly metals, poisonous minerals, urine, cow dung, and even crushed insects. From grinding down beetles and burning animal bones to alchemy and serendipity, Chromatopia reveals the origin stories of over 50 of history's most extraordinary pigments. Spanning the ancient world to modern leaps in technology, this book for the artist, the history buff, the science lover an the design fanatic. "David has spent the entire life up to his elbows in this subject - he covers colour with beauty, depth and understanding. Anyone who has ever wondered about the origins of mummy brown, Tyrian purple or how manure makes the purest white need look no further." Narayan Khandejar, Director of the Straus Center for Conservation and Technical Studies, Harvard Art Museums

Please note, the book is now only available in a paperback format.

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Cornelissen Press T73140, Bed size: 73 x 140 cm, Upper Roller Diameter: 157 mm, Lower Roller Diameter: 157mm, Etching press base: 78.5 x 91 cm. Weight: 148 kg. We offer press demonstrations for this model. Please call Cornelissen for more details. This press is made to order. Delivery to your address usually takes up to 4 weeks to UK & EU countries and 6 weeks to USA after the order is placed. Please be aware these goods are heavy and it is the customer’s responsibility to check measurements for delivery before orders are placed and to be able to receive the goods over two days.

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This warm earthy yellow is made from the quintessential London ‘stock brick’ of the 18th and 19th centuries. This pigment has a medium grain size and is transparent. Learn More

Reverse Cover Text: Did you know that the Egyptians created the first synthetic colour; or that the noblest purple comes from a predatory sea snail? Throughout history, artist pigments have been made from deadly metals, poisonous minerals, urine, cow dung, and even crushed insects. From grinding down beetles and burning animal bones to alchemy and serendipity, Chromatopia reveals the origin stories of over 50 of history's most extraordinary pigments. Spanning the ancient world to modern leaps in technology, this book for the artist, the history buff, the science lover an the design fanatic. "David has spent the entire life up to his elbows in this subject - he covers colour with beauty, depth and understanding. Anyone who has ever wondered about the origins of mummy brown, Tyrian purple or how manure makes the purest white need look no further." Narayan Khandejar, Director of the Straus Center for Conservation and Technical Studies, Harvard Art Museums

Please note, the book is now only available in a paperback format.

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L.Cornelissen & Son's Professional Gilders Cushions are handmade in London, using the highest quality materials. Soft, buffed suede nap goatskin stretched over a sturdy mahogany veneer panel, secured with brass tacks and some fitted with a genuine parchment windsheild. Learn More

Water colour, more than any other medium, reflects the unique characteristics of the pigments used and our Professional Water Colours use only the finest pigments, and are known for their brilliance, permanence and strength of colour. Learn More

These antique-style sketchbooks offer 120 pages of unbleached, heavyweight rag paper with torn edges. The lightly textured pages respond well to watercolours, inks and dry media. Please note, the delicate surface makes these sketchbooks unsuitable for erasing, and the paper is not of archival quality. Learn More

Burnt Plate Oils are used to lower the viscosity of the ink. Burnt Plate Oil should be added to inks sparingly, as the detail of a print may be lost if the ink becomes too fluid. Burnt Plate Oil #000 has less tack and is a good match for use with Gamblin Relief Inks. Burnt Plate Oil #2 has a higher tack and is the primary oil binder for Gamblin Etching Inks. Learn More

Cornelissen Etching Press T52100B 52 x 100 cm, Bed size: 52 x 100 cm, Upper Roller Diameter: 110 mm, Lower Roller Diameter: 110mm, Weight: 83 kg. Etching press base: 56 x 44 cm. Please call Cornelissen for more details. Delivery to your address usually takes up to 4 weeks to UK & EU countries and 6 weeks to USA after the order is placed. Please be aware these goods are heavy and it is the customer’s responsibility to check measurements for delivery before orders are placed and to be able to receive the goods over two days.

 

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Viridian Green is a synthetic inorganic pigment, similar in composition to Chromium Oxide. However, unlike Chromium Oxide, Viridian contains water molecules within its crystal structure, imparting a greater degree of transparency. Sometimes referred to as Verte Eméraude, Viridian was discovered in France in 1838, patented in 1859, and made available in the UK in 1862. It is stable in all media, and offers excellent lightfastness and good tinting strength. It requires a high oil content, and dries slowly to form a hard, fairly flexible paint film.

Toxicity B

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Water colour, more than any other medium, reflects the unique characteristics of the pigments used. Winsor & Newton Professional Water Colours use only the finest pigments and are known for their brilliance, permanence and strength of colour. Learn More

Water colour, more than any other medium, reflects the unique characteristics of the pigments used and our Professional Water Colours use only the finest pigments, and are known for their brilliance, permanence and strength of colour. Learn More

Working with Schmincke’s finest extra-soft pastels leads you back to the origin of colour and is a real painting experience rather than simple drawing. They contain only the purest medium fine ground artists’ pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery. Multiple Discounts: 10+ Pastels 10% SAVING, 30+ Pastels 17% SAVING Learn More

The Unison Dark 8 set, is specially selected by Unison Colour. This small set contains the essential Dark colours from various points of the Unison colour ranges. They are presented in an attractive and practical dark blue box.

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Pearl Lustre Pigments 1 kg. Colour swatch on the left indicates colour on a White Background and Colour on a Black Background on the right. Learn More

Handmade Porte-Crayon in brass for holding chalk or charcoal. Commonly used by artists in the Renaissance for drawing, the piece of sharpened chalk or charcoal is inserted into the end of the holder and secured in place by a sliding ring. Learn More

The Unison Special Edition Botanical 18 set created by the colour experts in Unison Colour. Presented in a natural-style craft box, The Botanical 18 Set is a special edition collection of our much-admired pastels. Created to inspire ambitious study of botanical elements in your floral landscapes, this range is complimentary to the existing classic Unison sets, Starter 18 and Landscape 18.

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