Search results for: 'The And'

London Pigment, London Red Brick

£18.00

Made from pulverised historic London bricks collected from the foreshore of the Thames near Tower Bridge and Wapping this deep red pigment is essentially a variety of red ochre. During the Victorian era, London Clay was dug up and fired on construction sites to produce the building materials for the city. Red brick pigment has a medium grain size and is opaque. ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More

London Pigment, Georgian Yellow Brick Pigment

£18.00

This warm earthy yellow is made from the quintessential London ‘stock brick’ of the 18th and 19th centuries. This pigment has a medium grain size and is transparent. ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More

Schmincke Transparent Primer 50516

£24.40

Transparent, lightfast and age-resistant primer. Slightly absorbent character and slightly rough surface. The elastic film dries transparent and water-resistant. After drying it can be overworked with pastels, acrylic, gouache and oil colours. However, this primer does not adhere perfectly on other primers so it is not recommended for mixing techniques with water-colours. Learn More

One Shot Lettering Enamel Paint

Starting at: £20.55

Designed for traditional sign painting, these oil based lettering enamels provide superior vibrancy, flexibility, durability, and single stroke coverage. Specified for fine, sign paint lettering on store fronts and vehicles, the vibrant colours of 1 Shot Lettering Enamels spread evenly and offer outstanding hiding, durability and fade resistance. Superior flow characteristics assure the virtual absence of brush marks and provide a clean, sharp edge. Ideal for use on interior or exterior metal, glass, wood, and enamel receptive banners and vinyl. Learn More

Schmincke Horadam Naturals

Starting at: £13.00

Schmincke have combined the unique properties of gouache and watercolour paint in a unique formulation, to create Horadam Naturals. Made using natural earths, plant-based pigments and resins, the resulting high-quality watercolours are environmentally friendly and vegan. The 16 matte colours are semi-/transparent with good lightfastness and can be mixed and combined with all water and gouache colours. Learn More

W&N Professional Watercolour 5ml Tube

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Starting at: £8.25

Water colour, more than any other medium, reflects the unique characteristics of the pigments used and our Professional Water Colours use only the finest pigments, and are known for their brilliance, permanence and strength of colour. Learn More

Lascaux Coloured coating for Hard Resist

Starting at: £38.70

These black or white coatings may be painted onto a dry layer of Hard resist so that the drawing made with etching tools is highly visible. The coloured coatings are not acid-resistant and are designed to be washed away with water before the plate is stopped-out or etched. Learn More

Silverpoint Stylus Maestro. Renaissance Workshop Materials

£290.00

Length 220 mm. For use on prepared paper. Hand-forged in London from silver bullion. Renaissance Workshop Materials are historically authentic drawing materials and tools, which would be recognisable to the artists of Renaissance Europe. Each product is made in the workshop by hand, using historical methods. Each product is borne from the same historical, European craft tradition, as the drawings and artworks from the Renaissance. In the words of the artisan maker, 'We make these materials in order to experience the historical craft and method of drawing in the most authentic way possible.' Learn More

Schmincke Soft Pastels

Starting at: £4.00

Working with Schmincke’s ﬁnest extra-soft pastels leads you back to the origin of colour and is a real painting experience rather than simple drawing. They contain only the purest medium ﬁne ground artists’ pigments, which are in the highest possible concentration. Contrastingly, the binding agent content, is kept to a minimum, which ensures a stable compound. In order to guarantee the highest quality it is necessary to manufacture Schmincke pastels using special recipes which avoid the use of machinery. Multiple Discounts: 10+ Pastels 10% SAVING, 30+ Pastels 17% SAVING Learn More

Cornelissen Historical Inks, Doomsday

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£10.50

Oak Gall Ink was originally used in monasteries and by the Crown in medieval Britain. Doomsday Ink initially lays down as a medium blue-grey, darkening to a rich, matte black, slightly warmer in tone than our other Oak Gall Inks. When diluted, beautiful warm red undertones are revealed due to the presence of wine within the mixture.

Not suitable for fountain pens.

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Michael Harding Artists Oils Desert Set of 6 40ml

Starting at: £91.00

DESERT SET Warm colours, blue skies, and desert vegetation are all captured in this set, which was designed with the Plein Air artist in mind. 10 x 40ml tubes. The Desert set contains: Warm White Unbleached Titanium Dioxide Yellow Lake Deep Yellow Ochre Deep Venetian Red Scarlet Lake Burnt Umber Italian Green Umber Phthalocyanine Blue and Titanium White Ultramarine Blue Learn More

Hereford Printing Paper

Starting at: £47.75

76 x 56 cm 145 gsm, for letterpress and woodblock engraving. White with a smooth texture and four cut edges, a replacement for the discontinued Zerkall paper. Learn More

Daniel Smith Watercolour Ground Transparent 4oz

£10.30

Daniel Smith Watercolour Ground creates a soft, absorbent watercolour surface with a slightly cottony texture that's similar to cold pressed paper. With this breakthrough archival quality ground, you can rescue flawed paintings, create new work on any surface, lift and scrub without damaging the painting surface. *Please note, this product is stored offsite. Please allow extra time for your order to be processed and dispatched. Learn More

'Vintage' Book of Watercolour Paper, Black

£45.00

These antique-style sketchbooks offer 120 pages of unbleached, heavyweight rag paper with torn edges. The lightly textured pages respond well to watercolours, inks and dry media. Please note, the delicate surface makes these sketchbooks unsuitable for erasing, and the paper is not of archival quality. Learn More

Winsor & Newton Texture Medium

Starting at: £9.25

Contains fine particles and is used to create the impression of depth and structure to watercolour paintings. Learn More

W&N Professional Watercolour Whole Pan

Starting at: £9.55

Water colour, more than any other medium, reflects the unique characteristics of the pigments used and our Professional Water Colours use only the finest pigments, and are known for their brilliance, permanence and strength of colour. Learn More

Cornelissen T52100 Professional Press

£3,250.00

Cornelissen Press T52100, Bed size: 52 x 100 cm, Upper Roller Diameter: 157 mm, Lower Roller Diameter: 157mm, Weight: 106 kg. Etching press base: 58 x 63 cm. We offer press demonstrations for this model. Please call Cornelissen for more details. Delivery to your address usually takes up to 4 weeks to UK & EU countries and 6 weeks to USA after the order is placed.

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Viridian Green Pigment

Starting at: £6.30

Viridian Green is a synthetic inorganic pigment, similar in composition to Chromium Oxide. However, unlike Chromium Oxide, Viridian contains water molecules within its crystal structure, imparting a greater degree of transparency. Sometimes referred to as Verte Eméraude, Viridian was discovered in France in 1838, patented in 1859, and made available in the UK in 1862. It is stable in all media, and offers excellent lightfastness and good tinting strength. It requires a high oil content, and dries slowly to form a hard, fairly flexible paint film.

Toxicity B

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London Pigment, Leominster Ochre Pigment

£18.00

Hand made from Georgian bricks found on the foreshore of the Thames near Tower Bridge. A warm yellow brown colour. Presented in a 20 ml bottle with a wax seal and label. ****Please note, these pigments are artisan made in small batches. Please email info@cornelissen.com for availability**** Learn More

Faber-Castell Kneadable Eraser

£2.50

Faber-Castell's Kneadable Eraser comes in a small platic clip box for clean and safe storage. Out of the box, the eraser measures approximately 40 x 35 x 10mm, at 23g. Learn More

Chromium Oxide Pigment

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Starting at: £4.50

Chromium Oxide is a synthetic mixed-metal oxide pigment. It is stable in all media and has an average drying speed in oil, forming a hard, fairly flexible paint film. It is opaque, with a low tinting strength. It has been widely available since the mid-nineteenth century, following its introduction in 1809.

Please note, unfortunately we are not able to send this product outside the UK.

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Gesso Panels

Starting at: £28.00

Our Gesso Icon Panels are handmade throughout the entire process, using hand tools rather than industrialised machinery.

Each board is made of lime, which has been allowed to age naturally for long term stability. Firstly, the panel is gently abraded to allow the penetration of rabbit skin glue into the fibres. Following the laying down of a specific canvas, the delicate process of building up precise layers of gesso is undertaken by hand. A final coat of water-based paint treated with wood preservative is applied and the finished panel lightly sanded, ready for painting.

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Unison Pastels Mini Set, Blue Half Stick 8

£16.45

An assortment of firm favourites from the Unison Colour range, valuable in both skyscape and seascape compositions.

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Pearl Lustre Pigments 1 kg

Starting at: £94.00

Call to Order

Pearl Lustre Pigments 1 kg. Colour swatch on the left indicates colour on a White Background and Colour on a Black Background on the right. Learn More

Lascaux Hard Resist 500ml

£45.60

This resist is painted onto the plate in a thin even layer with a soft flat square-ended brush. When this clear layer is dry it may be coloured or drawn into with etching needles, roulettes and steel wool. The waxy character allows the needle to glide through its surface. After drawing the coloured coating (if used) is removed, the image is stopped out if necessary, then the plate is etched. As the resist is clear the artist can monitor the etching process accurately. Learn More

Cornelissen Pearl Lustre Pigments 100g

Starting at: £12.90

Pearl Lustre Pigments 100g. Colour swatch on the left indicates colour on a White Background and Colour on a Black Background on the right. Learn More

Silverpoint Stylus, Artisan. Renaissance Workshop Materials

£180.00

Length 190 mm. For use on prepared paper. Hand-forged in London from silver bullion. Renaissance Workshop Materials are historically authentic drawing materials and tools, which would be recognisable to the artists of Renaissance Europe. Each product is made in the workshop by hand, using historical methods. Each product is borne from the same historical, European craft tradition, as the drawings and artworks from the Renaissance. In the words of the artisan maker, 'We make these materials in order to experience the historical craft and method of drawing in the most authentic way possible.' Learn More

Miniatum

Starting at: £16.60

Size for high gloss gilding on paper, degreased vellum, leather and flexible surfaces. *Please note - Colours of these products may vary slightly from those depicted in the photograph* Learn More

Schmincke Mussini Limited Edition Topaz Orange 15 ml

£26.00

Topaz Orange Limited Edition 15 ml. is an opaque, richly coloured and sparkling brown orange, produced from the mineral phyllosilicate, one of the hardest naturally occurring minerals. Learn More

CHROMATOPIA: An Illustrated History of Colour

£18.95

Reverse Cover Text: Did you know that the Egyptians created the first synthetic colour; or that the noblest purple comes from a predatory sea snail? Throughout history, artist pigments have been made from deadly metals, poisonous minerals, urine, cow dung, and even crushed insects. From grinding down beetles and burning animal bones to alchemy and serendipity, Chromatopia reveals the origin stories of over 50 of history's most extraordinary pigments. Spanning the ancient world to modern leaps in technology, this book for the artist, the history buff, the science lover an the design fanatic. "David has spent the entire life up to his elbows in this subject - he covers colour with beauty, depth and understanding. Anyone who has ever wondered about the origins of mummy brown, Tyrian purple or how manure makes the purest white need look no further." Narayan Khandejar, Director of the Straus Center for Conservation and Technical Studies, Harvard Art Museums

Please note, the book is now only available in a paperback format.

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Search results for 'The And'