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  1. Imitation Gold Rolls

    Imitation Gold Rolls

    Starting at: £10.00

    Imitation Gold Rolls Learn More
  2. Isinglass

    Isinglass

    Starting at: £30.10

    Isinglass is derived from the dried swim bladders of fish, with Salianski Isinglass being the highest grade available. In the Russian Icon tradition, it commonly provided the glue component in gesso recipes, and was sometimes mixed with pigment to make tempera paints, due to its high binding strength. It can be used to make a pale, clear glue, which is less prone to darkening than other animal glues, and which is particularly flexible, making it a useful material for repairing textiles. Learn More
  3. Indigo Blue Genuine Pigment

    Indigo Blue Genuine Pigment

    Starting at: £8.00

    NB1

    Genuine Indigo is a natural vegetable pigment derived from the Indigofera Tinctoria plant, which was first imported into Europe from India in the seventeenth century. It replaced woad, which had been grown natively in Europe for its blue dye. The leaves are soaked in water to ferment; upon drying, an oxidised residue forms on the dry leaves, which is removed, washed, boiled in water, and then dried to form cakes of pigment or dye.

    Indigo is very transparent, with a good tinting strength. It requires a wetting agent to disperse, and in oil it dries very slowly. It is fugitive to light; this drawback means that it is no longer commonly available in commercial paints. It fell out of general use at the beginning of the seventeenth century, largely replaced by Prussian Blue, and synthetic Indigo was patented in the 1890s. However, it provides a subtle shade of blue that is still desirable in works that are going to be protected from light.

    Toxicity: B

    Learn More
  4. Ivory Black Genuine Pigment

    Ivory Black Genuine Pigment

    Starting at: £38.00

    PBk9

    Genuine Ivory Black is produced by burning reclaimed ivory, such as piano keys. These are antique, mainly Victorian pieces, using ivory with started out as hippo or walrus teeth, and offers a higher carbon content and greater tinting strength than modern-day equivalents, which are usually derived from animal bones. It is a particularly slow-drying pigment.

    Larger quantities are available by request. While stocks last.

    Learn More
  5. Indian Red Pigment

    Indian Red Pigment

    Starting at: £4.60

    PR101

    Indian Red was imported into the UK during the nineteenth century, its present-day equivalent is a synthetic iron oxide. Its pigment code, PR101, refers to a wide spectrum of synthetic iron oxide pigments including yellows, oranges, reds, violet-browns and green-browns; Indian Red is a slightly cool, bluish shade of red. It is semi-opaque, stable in all media, lightfast, and possesses a good tinting strength 

    Toxicity: B

    Limeproof

    Learn More
  6. Indigo Blue Synthetic Pigment

    Indigo Blue Synthetic Pigment

    Starting at: £5.50

    Indigo Blue Synthetic Pigment (VB1). Organic pigment. Transparent. Good tinting strength. Moderate Lightfastness, slower fading rate than Genuine Indigo. Requires wetting agent. Suitable for oil and water-based media. Developed in late 19th Century. Toxicity A/B Learn More
  7. Ivory Black Pigment

    Ivory Black Pigment

    Starting at: £4.50

    Ivory Black is a natural pigment of impure carbon, derived from charred animal bones. It is semi-transparent, very lightfast, and offers good tinting strength. It is a particularly slow-drying pigment, which forms a soft, rather brittle paint film in oil.

    Compared to other blacks, such as Vine Black, Ivory Black possesses warmer, brownish undertones. It should not be used at full-strength in an underpainting, as subsequent layers are likely to crack. Otherwise, it is a very useful all-purpose black for many types of paint, excluding mortar, fresco or cement.

    Toxicity: B

    Learn More
  8. Illumination Gold and Colour Book

    Illumination Gold and Colour Book

    £15.00

    Patricia Lovett is one of the world’s leading authorities on the techniques and practical processes of making mediæval manuscripts. She lectures and teaches all over the world on calligraphy and illumination, and has written about a dozen books on these subjects, as well as producing a DVD – Illumination – Tools, Materials, Techniques, Projects. Patricia has run calligraphy courses as well as those on traditional manuscript gilding and painting techniques, and was awarded an MBE for her services to heritage crafts and calligraphy. This book takes the beginner and those with more experience through step-by-step processes to produce simple and easy projects using cheap metals and modern adhesives, and also to create mediæval miniatures and illuminated scrolls on vellum (animal skin). Learn More
  9. Lime in Building

    Lime in Building

    £8.00

    A Practical Guide Learn More
  10. Miniature Table Presses

    Miniature Table Presses

    Starting at: £311.80

    Type of print: General Intaglio techniques and Monotype. Plate thickness needs to be no higher than 1mm. YTI18 - Width of roller 18cm, Upper roller diameter 35mm, Lower roller diameter 35mm. YTI26 - Width of roller 25cm, Upper roller diameter 35mm, Lower roller diameter 35mm **please note - blankets not included** Learn More
  11. Whiting

    Whiting

    Starting at: £4.00

    Whiting is powdered Calcium Carbonate, which can be mixed with rabbit skin glue to create a chalk-based ground for oil, tempera, distemper or encaustic painting. Traditionally, whiting was an important ingredient when preparing painting surfaces in the north of Europe, as opposed to gypsum (Calcium Sulphate), which was widely used south of the Alps. Learn More
  12. Primed Linen

    Primed Linen

    Starting at: £78.50

    Primed Linen. 210 cm (84 inches) wide. Prices per meter. Learn More
  13. Winsor & Newton Picture Varnish Aerosol

    Winsor & Newton Picture Varnish Aerosol

    Starting at: £18.25

    Aerosol varnish for oil and acrylic paintings. Gloss, Satin or Matt finishes. Contains: Ketone resin, UV blockers. Unable to send overseas. Learn More
  14. Winsor & Newton Drying Linseed Oil

    Winsor & Newton Drying Linseed Oil

    Starting at: £9.20

    From the Winsor & Newton website: Darker than refined Linseed Oil, this oil promotes the fastest drying rate of all the oils, whilst increasing gloss. Improves flow. Increases gloss transparency. Add to other oils to speed drying.

    Learn More
  15. Viridian Green Pigment

    Viridian Green Pigment

    Starting at: £6.30

    Viridian Green is a synthetic inorganic pigment, similar in composition to Chromium Oxide. However, unlike Chromium Oxide, Viridian contains water molecules within its crystal structure, imparting a greater degree of transparency. Sometimes referred to as Verte Eméraude, Viridian was discovered in France in 1838, patented in 1859, and made available in the UK in 1862. It is stable in all media, and offers excellent lightfastness and good tinting strength. It requires a high oil content, and dries slowly to form a hard, fairly flexible paint film.

    Toxicity B

    Learn More
  16. Liquid Glass Mediums

    Liquid Glass Mediums

    Starting at: £19.50

    Call to Order

    Renaissance Materials by Dr. David Cranswick.

    A thick glazing medium of the 'Old Masters'. Liquid Glass Mediums facilitate building up layers of transparent glaze. Gloss or Satin.

    Contains: Damar resin, linseed oil and beeswax (for Satin medium only)

    Learn More
  17. Miniature Yellow Gold 22ct Starter Packs

    Miniature Yellow Gold 22ct Starter Packs

    Starting at: £9.80

    Miniature Yellow Gold Leaf Learn More
  18. Aisuki 4.5mm (Chisel Shape)

    Aisuki 4.5mm (Chisel Shape)

    £28.00

    The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More
  19. Pigment Early Colour 10 grams Azurite

    Pigment Early Colour 10 grams Azurite

    £15.00

    Pigment Early Colour 10 grams Azurite Learn More
  20. Winsor & Newton Thickened Linseed Oil

    Winsor & Newton Thickened Linseed Oil

    Starting at: £9.20

    From the Winsor & Newton website: A pale refined oil of syrupy consistency which behaves like Linseed Stand Oil but dries quicker and darker. Improves flow and gloss. Increases the durability of paint film. Reduces brushstroke retention. Learn More
  21. Hing Clamps (per pair)

    Hing Clamps (per pair)

    £16.00

    Hinge clamps, these are zinc plated aluminium clamps for attaching screens to any surface to create printing bed. Clamp surface is 60mm wide, and will securely hold a frame depth of min: 12mm and max: 45mm. The clamps have counter sunk screw holes 6mm diameter and 30mm a part (centres). Clamp opens up to 90 degrees. Learn More
  22. Aisuki 1.5mm (Chisel Shape)

    Aisuki 1.5mm (Chisel Shape)

    £28.00

    The Aisuki is a clearing tool used for clearing waste from the hangito tool. It is a small fan bevelled chisel and is designed to be used low to the wood. The handle of the tool is designed to swing open when ferrule is slipped off so that the blade may be removed for sharpening. Learn More
  23. Lipstick Haematite Burnisher Short Handle

    Lipstick Haematite Burnisher Short Handle

    £60.00

    Lipstick Haematite Burnisher Learn More
  24. Lino Set with 5 Cutters

    Lino Set with 5 Cutters

    £12.70

    Wooden handle with 5 blades. The blades are pushed into the handle, and removed by using the dowel. The blades are made from hardened steel. The set contains 1 x V blade, 3 x U blades and 1 straight blade. Replacement blades are available for this set. Learn More
  25. Nitram Charcoal Petits Batons, Soft Round 6mm

    Nitram Charcoal Petits Batons, Soft Round 6mm

    £11.95

    Nitram Charcoal Petits Batons Soft Round 6mm (5 sticks per pack) Learn More
  26. Mica Powders

    Mica Powders

    Starting at: £8.00

    Mica Powders Learn More
  27. Vine Black Pigment

    Vine Black Pigment

    Starting at: £4.70

    PBk8

    Vine Black is derived from charred vines, forming an organic pigment of pure carbon. It has been in use since antiquity, providing a cold black with bluish undertones, which creates a blue-grey when mixed with white. It is a very lightfast, slow-drying colour with a medium tinting strength. It requires a wetting agent to disperse properly, and is not suitable for use in fresco, mortar or cement, as the water-soluble impurities within the pigment can create efflorescence. 

    Toxicity: A

    Learn More
  28. Titanium White Pigment

    Titanium White Pigment

    Starting at: £4.00

    Titanium White, or Titanium Doixide, is an artificial mineral pigment introduced in the 1920s. It is valued for its opacity, good lightfastness, and stability in all media. Its high tinting strength can render it a dominant colour in mixtures. It is very slow drying in oil, and creates a somewhat brittle paint film, though more flexible than Zinc White. Its brightness makes it a popular addition to gesso.

    Toxicity: B

    Learn More
  29. Lithography Leather Roller 35cm

    Lithography Leather Roller 35cm

    £505.75

    Traditional rolling up roller and colour printing roller supplied with leather grip handles for easy rotation. Diameter: 10cm Length: 35cm. Wider (45 cm) version available upon special order request (£560.00 Inc VAT). Learn More
  30. Winsor & Newton Stand Linseed Oil

    Winsor & Newton Stand Linseed Oil

    Starting at: £9.20

    From the Winsor & Newton website: A pale viscous oil that slows drying while imparting a tough, smooth enamel finish with no brush marks. Increases film durability. Ideal for glazing and fine detail if mixed with solvent.

    Learn More

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